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A Collection of Ballads

By Andrew Lang

Summary of A Collection of Ballads

The book is a comprehensive collection of traditional Scottish ballads, showcasing the rich cultural heritage of Scotland. The chapters explore various ballads, including "Sir Patrick Spens", "Tam Lin", "Thomas the Rhymer", and many others, highlighting their connection to popular superstitions, legends, and historical events. The ballads are presented as a unique and valuable part of Scotland's cultural heritage, with examples illustrating their romantic and historical themes, as well as their ability to preserve pre-literary forms and distort historical facts. The book also touches on the role of minstrels and the influence of European and classical traditions on the development of Scottish ballads. The ballads explored in the book cover a wide range of themes, including love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore. The book provides a detailed analysis of the ballads' language, structure, and historical context, and discusses their significance in Scottish literary and cultural heritage. Overall, the book is a valuable resource for understanding the cultural and historical context of traditional Scottish ballads, and their continued relevance and importance in Scottish culture today.

Chapter Summary of A Collection of Ballads

SIR PATRICK SPENS

The chapter discusses the origins and evolution of traditional Scottish ballads, highlighting their connection to popular superstitions, legends, and historical events. The editor argues that these ballads are not degraded forms of literary poetry, but rather a unique and valuable part of Scotland's cultural heritage. The chapter includes examples of ballads, such as "Sir Patrick Spens" and "Mary Hamilton", to illustrate their romantic and historical themes, as well as their ability to preserve pre-literary forms and distort historical facts. The editor also touches on the role of minstrels and the influence of European and classical traditions on the development of Scottish ballads.

BATTLE OF OTTERBOURNE

This chapter discusses the traditional Scottish ballad "Battle of Otterbourne". The ballad tells the story of a battle between the Scots and the English, led by Douglas and Percy respectively. The two leaders engage in a fierce duel, and Douglas is wounded and killed. However, before he dies, he asks his nephew to take his place and lead the Scots to victory. The ballad also touches on the theme of pride and honor, as Douglas and Percy exchange boasts and insults before the battle. The chapter provides a detailed analysis of the ballad's language, structure, and historical context, and explores its significance in Scottish literary and cultural heritage.

TAM LIN

The chapter discusses the traditional Scottish ballad "Tam Lin". The ballad tells the story of a young woman named Janet who falls in love with Tam Lin, a mysterious and handsome man who is revealed to be a fairy. The ballad explores themes of love, transformation, and the power of women. The editor argues that the ballad is a classic example of a romantic ballad, with a unique and captivating storyline that has been passed down through generations. The chapter also touches on the idea that ballads can be used to preserve pre-literary forms and distort historical facts, and that they often borrow from popular superstition and legend. The editor notes that the ballad of "Tam Lin" is a prime example of this, with its use of fairy lore and the idea of transformation. Overall, the chapter provides a detailed analysis of the ballad and its significance in Scottish literary and cultural heritage.

THOMAS THE RHYMER

The chapter discusses the traditional Scottish ballad "Thomas the Rhymer". The ballad tells the story of Thomas, a mortal man who is taken by the Queen of Elfland to her kingdom, where he is forced to serve her for seven years. During his time in Elfland, Thomas is given a series of tests and challenges, including being shown three roads that represent different paths in life. He is also given an apple that grants him the power of truth-telling. The ballad explores themes of love, loyalty, and the power of words, as Thomas must navigate the complexities of Elfland and ultimately return to his own world. The chapter also touches on the idea that ballads can be used to preserve pre-literary forms and distort historical facts, and that they often borrow from popular superstition and legend.

“SIR HUGH; OR THE JEW’S DAUGHTER”

The ballad "Sir Hugh; or the Jew's Daughter" tells the story of Sir Hugh, a young boy who kicks a ball through the Jew's window, and the Jew's daughter, who tries to seduce him. She gives him an apple and leads him to a dark door, where she kills him and throws his body into a well. The boy's mother searches for him and eventually finds his body. The ballad explores themes of temptation, seduction, and violence, and features a dramatic and tragic plot. The story is driven by the characters' actions and dialogue, and the ballad's language and structure contribute to its emotional impact.

SON DAVIE! SON DAVIE!

The chapter "Son Davie! Son Davie!" tells the story of a mother questioning her son, Davie, about the blood on his coat lap. Davie provides a series of evasive answers, first claiming it is the blood of his hawk, then his greyhound, and finally admitting it is the blood of his brother John. The mother asks Davie what led to the conflict and what kind of death he would choose if he were to die. Davie requests to be put in a bottomless ship and thrown into the sea. The mother also asks what she and his wife and son will receive from him, and Davie responds that his wife will receive grief and sorrow, his son will inherit a difficult world, and his mother will receive a fire to warm her. The story explores themes of family, conflict, and mortality, with Davie's evasive answers and requests revealing a complex and troubled character.

THE WIFE OF USHER’S WELL

The chapter discusses the traditional Scottish ballad "The Wife of Usher's Well". The ballad tells the story of a mother who has lost her three sons at sea and is grief-stricken. She makes a wish that her sons would return to her, and when they do, they are dressed in birch leaves and are unrecognizable. The mother is overjoyed to see her sons, but they tell her that they must leave again before dawn. The ballad explores themes of grief, loss, and the supernatural. The editor provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

THE TWA CORBIES

The chapter discusses the traditional Scottish ballad "The Twa Corbies". The ballad tells the story of two crows discussing where to find food, and they decide to dine on a newly slain knight. The knight's hawk, hound, and lady are all absent, and his lady has already taken another lover. The crows plan to eat the knight's flesh and use his hair to build their nest. The ballad explores themes of death, decay, and the natural world, and it features a haunting and atmospheric tone. The editor provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

THE BONNIE EARL MORAY

The chapter discusses the traditional Scottish ballad "The Bonnie Earl Moray". The ballad tells the story of the Earl of Moray, who is slain by Huntly, and the lady who mourns his death. The ballad explores themes of love, loss, and the supernatural, and features a haunting and atmospheric tone. The editor provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage. The ballad is also compared to other traditional Scottish ballads, such as "Sir Patrick Spens" and "Tam Lin", to highlight its unique characteristics and themes.

CLERK SAUNDERS

The chapter "Clerk Saunders" tells the story of a romance between Clerk Saunders and May Margaret, which is forbidden by her brothers. Despite the danger, the couple continues to see each other in secret. When May Margaret's brothers discover their relationship, they kill Clerk Saunders, but his ghost returns to visit May Margaret and ultimately takes her with him to the afterlife. The ballad explores themes of love, mortality, and the supernatural, highlighting the intense and all-consuming nature of the couple's passion.

WALY, WALY

The chapter discusses the traditional Scottish ballad "Waly, Waly". The ballad tells the story of a lover who is lamenting the loss of his true love, who has forsaken him for another. The lyrics express the pain and sorrow of the lover, who is left to wander alone and mourn the loss of his love. The ballad also touches on the theme of the fleeting nature of love and the pain of heartbreak. The editor provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

LOVE GREGOR; OR, THE LASS OF LOCHROYAN

The chapter discusses the traditional Scottish ballad "Love Gregor; or, the Lass of Lochroyan". The ballad tells the story of a woman who sets out to sail the sea to reach her love, Love Gregor, after he fails to return to her. Despite her mother's attempts to dissuade her, she perseveres and eventually reaches Love Gregor's castle, only to be met with rejection and insult by his mother. The ballad explores themes of love, loyalty, and the power of women, as the female protagonist navigates the challenges of her journey and the complexities of Love Gregor's family dynamics. The editor provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

THE QUEEN’S MARIE

The chapter tells the story of Marie Hamilton, one of the four Maries who attended Mary, Queen of Scots. The ballad recounts how Marie was tried and executed for the alleged murder of her own child, although the king thought more of her than of his queen and all her lands. The ballad also touches on the theme of lost love and the consequences of royal favor. The story is presented in a series of verses, each with a consistent rhyme and meter, and features a range of poetic devices, including metaphor and allusion. The ballad raises questions about the nature of truth and the power of storytelling, as well as the social and cultural context in which the story is set.

KINMONT WILLIE

The ballad "Kinmont Willie" tells the story of the rescue of Kinmont Willie, a Scottish border lord, from the English castle of Carlisle. The English lord, Lord Scroope, had taken Kinmont Willie prisoner, and the Scots, led by the Laird of Buccleuch, devised a plan to rescue him. The rescue was successful, and Kinmont Willie was freed, but not before he had been imprisoned and mistreated by the English. The ballad explores themes of loyalty, honor, and the complexities of border politics, highlighting the tensions and conflicts between the Scots and the English.

JAMIE TELFER

The chapter tells the story of Jamie Telfer, whose home, the Dodhead, is raided by the Captain of Bewcastle, and his family is left with nothing. Jamie seeks help from his neighbors, including Gibby Elliot and William's Wat, but they refuse to assist him. Eventually, he turns to the Laird of Branksome, who agrees to help him rescue his family's cattle. The Laird gathers a group of men, including Willie Scott, and they launch a successful attack on the Captain and his men, recovering the stolen cattle. However, Willie Scott is fatally wounded in the battle, and the Captain is also injured. The story ends with the Captain's bride learning of his fate and wishing she had never met him.

THE DOUGLAS TRAGEDY

The chapter discusses the traditional Scottish ballad "The Douglas Tragedy". The ballad tells the story of a woman who urges her father, Lord Douglas, and her seven brothers to protect her from an unwanted suitor, Lord William. Lord William arrives with his men, and a battle ensues, resulting in the death of Lord Douglas and his seven sons. Lord William is also fatally wounded, and the woman is left to mourn the loss of her family. The ballad explores themes of family, loyalty, and tragedy, and features a dramatic and intense storyline. The editor provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

THE BONNY HIND

The ballad "The Bonny Hind" tells the story of a young woman who encounters a gallant squire while walking in a garden. The squire asks her for her green mantle and her maidenhead, but she refuses. He then reveals that he is Jack, also known as Jock Randal, and that he has just arrived from the sea. The woman discovers that she is his sister, and in her grief, she takes a knife and stabs herself to death. The squire is overcome with emotion and buries his sister among the hollin trees. He then rides to his father's house, grieving for his lost sister, and his father tries to comfort him by offering him other hinds (female deer) to replace his lost sister. However, the squire is inconsolable and asks his father to sing a lament for his bonny hind.

YOUNG BICHAM

The ballad "Young Bicham" tells the story of a young man named Bicham who was born in London and longed to see strange countries. He was taken by a savage Moor and treated cruelly, being forced to draw carts of wine and wear a tree through his shoulder. The Moor's daughter, Shusy Pye, took pity on Bicham and bribed her father's men to set him free. She gave him food, wine, and a message to remember her love. Bicham returned to his own country and forgot about Shusy Pye, marrying another woman. However, Shusy Pye sailed to England, found Bicham, and was heartbroken to discover he had married another. Bicham eventually realized his mistake and married Shusy Pye, changing her name to Lady Jane. The ballad explores themes of love, loyalty, and redemption, and features a dramatic and emotional storyline.

THE LOVING BALLAD OF LORD BATEMAN

The chapter discusses the traditional Scottish ballad "The Loving Ballad of Lord Bateman". The ballad tells the story of Lord Bateman, who is captured by a Turkish lord and falls in love with the lord's daughter. She helps him escape and he promises to marry her if she can find him after seven years. The daughter sets out to find Lord Bateman and eventually discovers him just as he is about to marry another woman. Lord Bateman is torn between his love for the Turkish daughter and his obligation to his new bride, but ultimately decides to marry the Turkish daughter. The ballad explores themes of love, loyalty, and redemption, and features a dramatic and emotional storyline. The editor notes that the ballad has a strange history, with its current form being a "ludicrous cockney perversion" of an earlier version. However, the essence of the story remains the same, with the Turkish daughter's love for Lord Bateman driving the plot. The editor also compares the ballad to other traditional Scottish ballads, such as "Sir Patrick Spens" and "Tam Lin", highlighting its unique characteristics and themes.

THE BONNIE HOUSE O’ AIRLY

The ballad "The Bonnie House o' Airly" tells the story of a dispute between Argyle and Airly, which leads to Argyle's decision to plunder Airly's house. Lady Margaret, Airly's wife, attempts to reason with Argyle, but he refuses to listen and ultimately plunders the house. The ballad also touches on the theme of Lady Margaret's loyalty to her husband and her refusal to surrender to Argyle's demands. The story is a classic example of a historical ballad, with a focus on the conflict between two Scottish clans and the bravery of Lady Margaret in the face of adversity.

ROB ROY

The chapter discusses the traditional Scottish ballad "Rob Roy", which tells the story of Rob Roy MacGregor, a Scottish folk hero. The ballad describes how Rob Roy came from the Highlands to the Lowlands, intending to steal away a lady to be his wife. However, the lady refuses him, saying she will not go with him or be his lover because he loves her for her money. Rob Roy then sets her on a coal-black steed and rides behind her to the Highland hills. He introduces himself as Rob Roy, also known as MacGregor, and claims to be the leader of a band of heroes. He promises to be faithful to her and offers to marry her, but the lady is not convinced. The ballad also touches on Rob Roy's reputation as a bold and fearless leader, who is not afraid to stand up for himself and his people.

THE BATTLE OF KILLIE-CRANKIE

The chapter discusses the traditional Scottish ballad "The Battle of Killie-Crankie". The ballad tells the story of a battle between the Highlanders and the English, with the Highlanders emerging victorious. The song describes the chaos and violence of the battle, with the Highlanders using their swords and shields to devastating effect. The English are portrayed as being poorly prepared and disorganized, leading to their defeat. The ballad also touches on the theme of the Highlanders' pride and honor, with the leader of the Highlanders, Clavers, being described as a brave and skilled warrior. The song is written in a lively and energetic style, with a focus on the action and excitement of the battle.

ANNAN WATER

The ballad "Annan Water" tells the story of a man who wants to cross the Annan River to reach his love, Annie. He asks a boatman to take him across, but the boatman refuses, saying it's not safe. The man decides to attempt to cross the river himself, but it's too deep and he's swept away. He curses the river and says he'll build a bridge over it so that no one else will suffer the same fate. The story is a tragic love tale with a sense of longing and loss.

THE ELPHIN NOURRICE

The chapter discusses the traditional Scottish ballad "The Elphin Nourrice". The ballad tells the story of a young son who is taken by the Queen of Elfland to be nursed by a nourrice. The nourrice is homesick and mourns her life in Christened land, and the Queen promises to return the child to his mother when he is old enough. The ballad explores themes of longing and separation, and features a haunting and atmospheric tone. The editor provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

COSPATRICK

The chapter "Cospatrick" is a traditional Scottish ballad that tells the story of a young woman who is forced to marry against her will. The ballad begins with Cospatrick bringing his lady home, accompanied by fourscore ships and twal' and twal' of various goods. The lady is revealed to be a widow's son, and she is dressed in the finest pall, but she is crying. Cospatrick asks her if she is mourning because she has to leave her mother, and she replies that she is sorrowing because she has to leave her mother behind. The ballad then takes a turn as Cospatrick's mother interrogates the lady, asking her about her past and her relationship with her family. The lady reveals that she has seven sisters and that she was the youngest, and that she was forced to go to the greenwood to pick roses and thyme. There, she met a gallant hinde who took her virginity, and she became pregnant. The ballad ends with the lady's story, and Cospatrick's mother accepting her as her daughter-in-law. The ballad explores themes of love, family, and social class, and features a strong female protagonist who tells her story and asserts her identity.

JOHNNIE ARMSTRANG

The chapter discusses the traditional Scottish ballad "Johnnie Armstrang". The ballad tells the story of Johnnie Armstrang, a Scottish gentleman, who is summoned by the king to come and speak with him. Johnnie and his men, including the Elliots and Armstrangs, prepare to meet the king, but when they arrive, the king accuses Johnnie of being a traitor and refuses to grant him mercy. Johnnie offers the king various gifts, including horses, mills, and land, but the king refuses them all. The ballad also mentions Johnnie's family and his desire to protect them. Ultimately, the king orders Johnnie's execution, and the ballad ends with Johnnie's lament for his family and his fate. The ballad explores themes of loyalty, honor, and the power of the king, and features a dramatic and tragic storyline.

EDOM O’ GORDON

The chapter tells the story of Edom o' Gordon, who leads a group of men to Towie House to see the fair lady, but she refuses to give up her house or her person to him. Edom o' Gordon becomes enraged and threatens to burn the house, and when the lady still refuses, he sets fire to it. The lady and her children are killed in the fire, and Edom o' Gordon is later killed by the lady's husband, who returns to find his home in flames and his family dead. The story is a tragic tale of revenge and the consequences of violence.

LADY ANNE BOTHWELL’S LAMENT

The chapter "Lady Anne Bothwell's Lament" is a traditional Scottish ballad that tells the story of Lady Anne Bothwell, who laments the loss of her lover and the circumstances that led to their separation. The ballad is written in a series of verses, each with a consistent rhyme and meter, and features a range of poetic devices, including metaphor and allusion. The story is presented as a lament, with Lady Anne expressing her grief and sorrow over the loss of her love. The ballad raises questions about the nature of truth and the power of storytelling, as well as the social and cultural context in which the story is set. The editor provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

JOCK O THE SIDE

The chapter "Jock o the Side" tells the story of a rescue mission undertaken by the Laird's Jock, the Laird's Wat, and Hobie Noble to save Jock o' the Side, who has been taken prisoner by the English. The three men disguise themselves as country lads and make their way to Newcastle, where they plan to break into the jail and free Jock o' the Side. They use a tree to climb over the wall and gain entry to the jail, where they find Jock o' the Side and begin to make their escape. However, they soon realize that the tree is too short to reach the top of the wall, and they must find another way to escape. The Laird's Jock comes up with a plan to force the gate, and they successfully break out of the jail and make their way back to Liddisdale. Along the way, they encounter an old man who warns them that the river is too deep to cross, but the Laird's Jock is undeterred and leads the group across the river, with Jock o' the Side on his back. They eventually return to Liddisdale, where they are greeted as heroes, and Jock o' the Side is finally free.

LORD THOMAS AND FAIR ANNET

The ballad "Lord Thomas and Fair Annet" tells the story of a love triangle between Lord Thomas, Fair Annet, and the "nut-browne bride". Lord Thomas is advised by his mother and brother to marry the nut-browne bride for her wealth and material possessions, but he is in love with Fair Annet. Despite this, he decides to follow their advice and marry the nut-browne bride. Fair Annet attends the wedding and is met with hostility by the nut-browne bride, who eventually kills her with a bodkin. Lord Thomas, filled with grief and rage, kills the nut-browne bride and then takes his own life to be with Fair Annet in death. The ballad explores themes of love, loyalty, and the consequences of following materialistic advice over one's own heart.

FAIR ANNIE

The chapter discusses the traditional Scottish ballad "Fair Annie", which tells the story of a lord who returns from overseas with a new bride, leaving his former lover, Fair Annie, heartbroken. Fair Annie, who has borne the lord seven sons, welcomes the new bride and serves her, but her sadness and grief are palpable. The ballad explores themes of love, loss, and betrayal, and features a strong female protagonist who expresses her emotions through her actions and songs. The story is a classic example of a romantic ballad, with a focus on the complexities of human relationships and the consequences of love and rejection.

THE DOWIE DENS OF YARROW

The chapter discusses various traditional Scottish ballads, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", "The Battle of Harlaw", "Dickie Macphalion", "A Lyke-Wake Dirge", "The Laird of Waristoun", "May Colven", "Johnie Faa", "Hobbie Noble", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher". These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism. They demonstrate the importance of oral tradition and the power of storytelling in Scottish folklore.

SIR ROLAND

The chapter discusses the traditional Scottish ballads "Sir Patrick Spens", "The Battle of Otterburn", "Tam Lin", "Thomas the Rhymer", and others, highlighting their connection to popular superstitions, legends, and historical events. The ballads are presented as a unique and valuable part of Scotland's cultural heritage, with examples illustrating their romantic and historical themes, as well as their ability to preserve pre-literary forms and distort historical facts. The role of minstrels and the influence of European and classical traditions on the development of Scottish ballads are also touched upon.

ROSE THE RED AND WHITE LILY

The chapter discusses the Scottish ballads "Rose the Red and White Lily", "The Battle of Harlaw", and other traditional ballads. The ballad "Rose the Red and White Lily" tells the story of two sisters who are forced to disguise themselves as men and take on traditional male roles in order to escape their evil stepmother. The ballad "The Battle of Harlaw" commemorates a real battle that took place in 1411, and the traditional version of the ballad is compared to a more literary version. The chapter also touches on the themes of love, family, and social class in the ballads, and notes the use of symbolism and metaphor in the poetry. Additionally, the chapter mentions other ballads, including "Dickie Macphalion", "A Lyke-Wake Dirge", "The Laird of Waristoun", "May Colven", "Johnie Faa", "Hobbie Noble", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", and "Auld Maitland". The chapter concludes by noting the importance of these ballads in understanding Scottish culture and history.

THE BATTLE OF HARLAW Evergreen Version

The chapter discusses various traditional Scottish ballads, including "The Battle of Harlaw", "Dickie Macphalion", "A Lyke-Wake Dirge", "The Laird of Waristoun", "May Colven", "Johnie Faa", "Hobbie Noble", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher". The ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism. They demonstrate the importance of oral tradition and the power of storytelling in Scottish folklore. The chapter also touches on the themes of love, family, and social class in the ballads, and notes the use of symbolism and metaphor in the poetry. Additionally, the chapter mentions other ballads, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", "The Battle of Harlaw", and "The Twa Corbies", to highlight their unique characteristics and themes.

TRADITIONARY VERSION

The chapter discusses the traditional Scottish ballad "The Dowie Dens of Yarrow", which tells the story of a tragic love affair between a lady and a lord. The lady's brothers are opposed to the relationship and ultimately lead to the lord's death. The ballad explores themes of love, loss, and family loyalty. The chapter also touches on the idea that ballads can be used to preserve historical events and cultural heritage, and that they often borrow from popular superstition and legend. Additionally, the chapter provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

DICKIE MACPHALION

The chapter discusses various traditional Scottish ballads, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", "The Battle of Harlaw", and others. These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore.

A LYKE-WAKE DIRGE

The chapter discusses various traditional Scottish ballads, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", "The Battle of Harlaw", and others. These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism. They demonstrate the importance of oral tradition and the power of storytelling in Scottish folklore. The ballads also touch on themes of love, family, and social class, and feature a range of poetic devices, including symbolism and metaphor. Additionally, the chapter mentions other ballads, such as "The Twa Corbies", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher", to highlight their unique characteristics and themes.

THE LAIRD OF WARISTOUN

The chapter discusses the traditional Scottish ballad "The Laird of Waristoun". The ballad tells the story of a woman who kills her husband, the Laird of Waristoun, with the help of a witch. The woman is motivated by her husband's abuse and mistreatment of her. The ballad explores themes of domestic violence, betrayal, and revenge. The story is a classic example of a tragic ballad, with a focus on the complexities of human relationships and the consequences of violence. The ballad also touches on the idea that women can be driven to extreme actions when faced with abuse and mistreatment. The chapter provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

MAY COLVEN

The chapter discusses the traditional Scottish ballad "May Colven", which tells the story of a young woman who falls in love with a man named Sir John, but he turns out to be a false and cruel lover. The ballad explores themes of love, betrayal, and revenge, and features a strong female protagonist who ultimately outwits her deceitful lover. The story is a classic example of a romantic ballad, with a focus on the complexities of human relationships and the consequences of love and rejection.

JOHNIE FAA

The chapter discusses the traditional Scottish ballads "Johnnie Faa", "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", "The Battle of Harlaw", "Dickie Macphalion", "A Lyke-Wake Dirge", "The Laird of Waristoun", "May Colven", "Johnie Faa", "Hobbie Noble", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher". These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore.

HOBBIE NOBLE

The chapter discusses various traditional Scottish ballads, including "Hobbie Noble", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher". These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism. They demonstrate the importance of oral tradition and the power of storytelling in Scottish folklore. The ballads also touch on themes of love, family, and social class, and feature a range of poetic devices, including symbolism and metaphor.

THE TWA SISTERS

The chapter discusses various traditional Scottish ballads, including "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher". These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore. The ballads also touch on themes of love, family, and social class, and feature a range of poetic devices, including symbolism and metaphor.

MARY AMBREE

The chapter discusses various traditional Scottish ballads, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", "The Battle of Harlaw", and others. These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore. The ballads also touch on themes of love, family, and social class, and feature a range of poetic devices, including symbolism and metaphor. Additionally, the chapter mentions other ballads, such as "The Twa Corbies", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher", to highlight their unique characteristics and themes. The chapter concludes by noting the importance of these ballads in understanding Scottish culture and history.

ALISON GROSS

The chapter discusses various traditional Scottish ballads, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", and others. These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore. The ballads also touch on themes of love, family, and social class, and feature a range of poetic devices, including symbolism and metaphor.

THE HEIR OF LYNNE

The chapter discusses the traditional Scottish ballad "The Heir of Lynne". The ballad tells the story of a lord who loses his wealth and status due to his own recklessness and the machinations of others. He is forced to sell his lands and eventually becomes a beggar, but ultimately regains his wealth and status through a combination of luck and determination. The ballad explores themes of wealth, status, and the fleeting nature of fortune. It also touches on the idea of redemption and the possibility of overcoming adversity through perseverance and cunning. The chapter provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

GORDON OF BRACKLEY

The chapter discusses the traditional Scottish ballads "Gordon of Brackley" and "The Battle of Harlaw". The ballad "Gordon of Brackley" tells the story of a lord who loses his wealth and status due to his own recklessness and the machinations of others. He is forced to sell his lands and eventually becomes a beggar, but ultimately regains his wealth and status through a combination of luck and determination. The ballad "The Battle of Harlaw" commemorates a real battle that took place in 1411, and the traditional version of the ballad is compared to a more literary version. The chapter also touches on the themes of love, family, and social class in the ballads, and notes the use of symbolism and metaphor in the poetry.

EDWARD, EDWARD

The chapter discusses various traditional Scottish ballads, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", "The Battle of Harlaw", and others. These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore. The ballads also touch on themes of love, family, and social class, and feature a range of poetic devices, including symbolism and metaphor. Additionally, the chapter mentions other ballads, such as "The Twa Corbies", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher", to highlight their unique characteristics and themes. The chapter concludes by noting the importance of these ballads in understanding Scottish culture and history.

YOUNG BENJIE

The chapter discusses the traditional Scottish ballads "Young Benjie" and other related ballads. "Young Benjie" tells the story of a young man who is accused of murdering his brother and must face the consequences of his actions. The ballad explores themes of family, conflict, and mortality, with Benjie's evasive answers and requests revealing a complex and troubled character. The chapter also touches on the idea that ballads can be used to preserve pre-literary forms and distort historical facts, and that they often borrow from popular superstition and legend. Additionally, the chapter provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

AULD MAITLAND

The chapter discusses the traditional Scottish ballad "Auld Maitland" and its various versions, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", and "The Battle of Harlaw". The ballads tell stories of love, loss, and tragedy, and feature themes of family, loyalty, and social class. The chapter also touches on the idea that ballads can be used to preserve historical events and cultural heritage, and that they often borrow from popular superstition and legend. Additionally, the chapter provides a detailed analysis of the ballad's language, structure, and historical context, and discusses its significance in Scottish literary and cultural heritage.

THE BROOMFIELD HILL

The chapter discusses various traditional Scottish ballads, including "The Broomfield Hill", "Sir Roland", "Rose the Red and White Lily", and "The Battle of Harlaw". These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore. The ballads also touch on themes of love, family, and social class, and feature a range of poetic devices, including symbolism and metaphor.

WILLIE’S LADYE

The chapter "Willie's Ladye" presents a traditional Scottish ballad that tells the story of a woman's struggle to give birth to her child. The ballad features a mysterious and malevolent figure, often referred to as "the wicked lady" or "the beldam", who seeks to harm the woman and her child. Despite the woman's efforts to protect herself and her child, the beldam ultimately succeeds in casting a spell that prevents the woman from giving birth. The ballad explores themes of motherhood, childbirth, and the struggles that women face in these experiences. The story is a classic example of a supernatural ballad, with a focus on the conflict between good and evil and the power of magic and superstition.

ROBIN HOOD AND THE MONK

The chapter discusses various traditional Scottish ballads, including "The Dowie Dens of Yarrow", "Sir Roland", "Rose the Red and White Lily", and "The Battle of Harlaw". These ballads showcase the rich cultural heritage of Scotland, with stories of love, loss, tragedy, and heroism, demonstrating the importance of oral tradition and the power of storytelling in Scottish folklore. The ballads also touch on themes of love, family, and social class, and feature a range of poetic devices, including symbolism and metaphor. Additionally, the chapter mentions other ballads, such as "The Twa Corbies", "The Twa Sisters", "Mary Ambree", "Alison Gross", "The Heir of Lynne", "Gordon of Brackley", "Edward", "Young Benjie", "Auld Maitland", "The Broomfield Hill", "Willie's Ladye", "Robin Hood and the Monk", "Robin Hood and the Potter", and "Robin Hood and the Butcher", to highlight their unique characteristics and themes. The chapter concludes by noting the importance of these ballads in understanding Scottish culture and history.

ROBIN HOOD AND THE POTTER

The chapter discusses various traditional Scottish ballads, including "Robin Hood and the Potter" and "Robin Hood and the Butcher". The ballad "Robin Hood and the Potter" tells the story of Robin Hood's encounter with a potter, who challenges him to an archery contest. Robin Hood wins the contest and is rewarded with a gift from the potter. The ballad "Robin Hood and the Butcher" tells the story of Robin Hood's encounter with a butcher, who is actually a nobleman in disguise. The butcher challenges Robin Hood to an archery contest, and Robin Hood emerges victorious. The ballads showcase the cleverness and archery skills of Robin Hood, as well as his ability to outwit his opponents.

ROBIN HOOD AND THE BUTCHER

The chapter discusses the traditional Scottish ballad "Robin Hood and the Butcher". The ballad tells the story of Robin Hood's encounter with a butcher, who challenges him to an archery contest. Robin Hood wins the contest and is rewarded with a gift from the butcher. The ballad showcases the cleverness and archery skills of Robin Hood, as well as his ability to outwit his opponents. The story is a classic example of a heroic tale, with Robin Hood emerging victorious and gaining recognition for his exceptional abilities.