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The book is an autobiography of Philip Gilbert Hamerton, an English artist and writer. It describes his childhood, family history, and his development as an artist and writer. Hamerton visits his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel, and reflects on his family's history, including their marriages, attainders, and executions. He also visits Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife, Eugénie, and enjoys the beautiful scenery and peaceful life. The book follows Hamerton's life and career, including his friendships with other artists and writers, such as William Wyld and R. L. Stevenson, and his struggles with nervous attacks and health issues. Hamerton's love of nature, art, and literature is evident throughout the book, as is his dedication to his craft and his desire to create something of lasting value. The book concludes with Hamerton's later life, including his move to Paris, his continued work on his artistic and literary projects, and his eventual death in 1894.
The chapter describes the author's visit to the homes of his forefathers in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel. He reflects on the history of his family, including their marriages, attainders, and executions. The author also visits Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife. They enjoy the beautiful scenery and peaceful life, but also face challenges such as provisioning and cooking. The author's wife, Eugénie, learns to manage the household and care for their children, while the author focuses on his artistic and literary pursuits. The chapter also mentions the author's friendship with William Wyld and his project to write a book about etching.
The chapter describes the author's visit to his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel. He reflects on the history of his family, including their marriages, attainders, and executions. The author also visits Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife. They enjoy the beautiful scenery and peaceful life, but also face challenges such as provisioning and cooking. The author's wife, Eugénie, learns to manage the household and care for their children, while the author focuses on his artistic and literary pursuits. The chapter also mentions the author's friendship with William Wyld and his project to write a book about etching.
The chapter describes the author's childhood and family history. The author was born in 1834 in Lancashire, England, and his mother died when he was just a few months old. His father, a lawyer, was left to care for him, but he struggled with alcoholism and was often absent or abusive. The author was sent to live with his aunts in Burnley, where he received a good education and developed a love for literature and art. He attended school in Doncaster, where he excelled in his studies, particularly in Latin and French. The author also developed a passion for music, architecture, and boating, and spent much of his free time reading and writing. As he grew older, the author began to question his religious beliefs and eventually stopped attending church. He also became interested in politics and social issues, and began to develop his own opinions on these matters. The chapter concludes with the author reflecting on his childhood and the influences that shaped his early life.
The chapter describes the author's visit to his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel. He reflects on the history of his family, including their marriages, attainders, and executions. The author also visits Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife. They enjoy the beautiful scenery and peaceful life, but also face challenges such as provisioning and cooking. The author's wife, Eugénie, learns to manage the household and care for their children, while the author focuses on his artistic and literary pursuits. The chapter also mentions the author's friendship with William Wyld and his project to write a book about etching.
The chapter describes Philip Gilbert Hamerton's visit to his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel. He reflects on the history of his family, including their marriages, attainders, and executions. Hamerton also visits Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife. They enjoy the beautiful scenery and peaceful life, but also face challenges such as provisioning and cooking. The author's wife, Eugénie, learns to manage the household and care for their children, while Hamerton focuses on his artistic and literary pursuits. The chapter also mentions Hamerton's friendship with William Wyld and his project to write a book about etching.
The chapter describes Philip Gilbert Hamerton's visit to his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel. He reflects on the history of his family, including their marriages, attainders, and executions. Hamerton also visits Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife. They enjoy the beautiful scenery and peaceful life, but also face challenges such as provisioning and cooking. The author's wife, Eugénie, learns to manage the household and care for their children, while Hamerton focuses on his artistic and literary pursuits. The chapter also mentions Hamerton's friendship with William Wyld and his project to write a book about etching. Hamerton visits the homes of his forefathers, including Hamerton, Wigglesworth, and Hellifield Peel, and reflects on the history of his family. He notes that the Hamertons were distinguished only for marrying heiresses and that they did not keep their lands due to imprudence or carelessness. Hamerton meets his father's cousin at Hellifield Peel and is struck by the nearness of the place to Hollins. He recalls his childhood and family history, including his birth in 1834 and his mother's death when he was a few months old. Hamerton's father was a lawyer who struggled with alcoholism and was often absent or abusive. Despite these challenges, Hamerton developed a love for literature and art, and he attended school in Doncaster, where he excelled in his studies. The chapter concludes with Hamerton reflecting on his childhood and the influences that shaped his early life.
The chapter describes Philip Gilbert Hamerton's visit to his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel, and his reflections on his family's history. He also describes his visit to Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife. The chapter then shifts to Hamerton's expedition to the Highlands in 1857, where he sets up a camp and attempts to paint from nature. He discusses the challenges of painting in the Highlands, including the rapid changes of effect and the difficulty of capturing the scenery on canvas. Hamerton also describes his love of camp life and the attraction of the Highlands, which he believes is due to a revival of obscure associations that belong to the memory of the race. The chapter concludes with Hamerton's decision to get married and his subsequent marriage to a French woman, Eugénie Gindriez.
The chapter describes the author's visit to his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel, and reflects on the history of his family. He also visits Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife. The author describes the beauty of the scenery and the challenges of provisioning and cooking. He mentions his friendship with William Wyld and his project to write a book about etching. The author also talks about his expedition to the Highlands in 1857, where he sets up a camp and attempts to paint from nature. He discusses the challenges of painting in the Highlands, including the rapid changes of effect and the difficulty of capturing the scenery on canvas.
This chapter describes Philip Gilbert Hamerton's life and work during the years 1868-1877. He continued to work on his book "Etching and Etchers" and also started writing for the "Globe" and other publications. He suffered from nervous attacks and had to be careful with his health, avoiding overwork and railway traveling. Despite these challenges, he was able to complete his book and also started working on a new project, "The Intellectual Life". He also spent time with his family and friends, including his wife Eugénie and their children, and enjoyed activities such as boating and sketching. In 1870, he was involved in the Franco-German War and helped guide a Garibaldian column, but later suffered from a serious chill and fever. In 1876, he traveled to England after a seven-year absence and visited friends and family, including his aunt Susan. He also worked on a new book, "Round my House", and continued to write articles and etchings. Throughout this period, Hamerton's health remained a concern, but he was able to manage his condition and continue working on his artistic and literary projects.
The chapter describes the author's life after his father's death, including his move to live with his guardian, Mary Hamerton, and his education at Doncaster School. The author reflects on his childhood and his relationships with his family members, including his aunts and uncles. He also discusses his interests and hobbies, such as architecture, music, and boating, and how they were influenced by his family and surroundings. The author's education and personal growth are also explored, including his struggles with Latin and his love of English literature, particularly the works of Sir Walter Scott.
The chapter describes Philip Gilbert Hamerton's life and work during the years 1868-1877. He continued to work on his book "Etching and Etchers" and started writing for the "Globe" and other publications. He suffered from nervous attacks and had to be careful with his health, avoiding overwork and railway traveling. Despite these challenges, he was able to complete his book and started working on a new project, "The Intellectual Life". He also spent time with his family and friends, including his wife Eugénie and their children, and enjoyed activities such as boating and sketching. In 1870, he was involved in the Franco-German War and helped guide a Garibaldian column, but later suffered from a serious chill and fever. In 1876, he traveled to England after a seven-year absence and visited friends and family, including his aunt Susan. He also worked on a new book, "Round my House", and continued to write articles and etchings. Throughout this period, Hamerton's health remained a concern, but he was able to manage his condition and continue working on his artistic and literary projects.
The chapter describes the life of Philip Gilbert Hamerton, an English artist and writer, during the years 1868-1877. He continued to work on his book "Etching and Etchers" and started writing for the "Globe" and other publications. Despite suffering from nervous attacks, he was able to complete his book and started working on a new project, "The Intellectual Life". He also spent time with his family and friends, and enjoyed activities such as boating and sketching. In 1870, he was involved in the Franco-German War and helped guide a Garibaldian column, but later suffered from a serious chill and fever. In 1876, he traveled to England after a seven-year absence and visited friends and family, including his aunt Susan. He also worked on a new book, "Round my House", and continued to write articles and etchings. Throughout this period, Hamerton's health remained a concern, but he was able to manage his condition and continue working on his artistic and literary projects.
The chapter continues the story of Philip Gilbert Hamerton's life, with a focus on his struggles with nervousness and his efforts to maintain his artistic and literary pursuits. He writes to his wife, Eugénie, about his daily life, his work, and his interactions with friends and acquaintances, including artists and writers such as George Eliot and Mr. Tennyson. Despite his health issues, Hamerton remains committed to his work and continues to produce art and literature, including his book "Etching and Etchers" and his novel "Wenderholme". The chapter also touches on his relationships with his family, including his wife, children, and relatives, and his experiences during the Franco-German War. Throughout the chapter, Hamerton's love of nature, art, and literature is evident, as is his dedication to his craft and his desire to create something of lasting value.
The chapter describes Philip Gilbert Hamerton's life and work during the years 1878-1880. He continued to work on his book "Etching and Etchers" and started writing for the "Globe" and other publications. Despite suffering from nervous attacks, he was able to complete his book and started working on a new project, "The Intellectual Life". He also spent time with his family and friends, including his wife Eugénie and their children, and enjoyed activities such as boating and sketching. In 1870, he was involved in the Franco-German War and helped guide a Garibaldian column, but later suffered from a serious chill and fever. In 1876, he traveled to England after a seven-year absence and visited friends and family, including his aunt Susan. He also worked on a new book, "Round my House", and continued to write articles and etchings. Throughout this period, Hamerton's health remained a concern, but he was able to manage his condition and continue working on his artistic and literary projects.
The chapter describes Philip Gilbert Hamerton's life and work during the late 1870s and early 1880s. He continued to write and paint, and his book "Etching and Etchers" was well-received. He also started working on a new project, "The Intellectual Life". Hamerton's health remained a concern, and he suffered from nervous attacks and insomnia. Despite these challenges, he was able to manage his condition and continue working on his artistic and literary pursuits. The chapter also mentions Hamerton's friendship with William Wyld and his project to write a book about etching. Hamerton visited Loch Awe in Scotland, where he stayed on the island of Innistrynich with his wife, and enjoyed the beautiful scenery and peaceful life. He also visited Paris, where he met with artists and writers, including R. L. Stevenson, and discussed his work and ideas with them.
The chapter describes the life of Philip Gilbert Hamerton, an English artist and writer, during the late 1870s and early 1880s. He continued to work on his book "Etching and Etchers" and started writing for the "Globe" and other publications. Hamerton suffered from nervous attacks and had to be careful with his health, avoiding overwork and railway traveling. Despite these challenges, he was able to complete his book and started working on a new project, "The Intellectual Life". He also spent time with his family and friends, including his wife Eugénie and their children, and enjoyed activities such as boating and sketching. In 1870, he was involved in the Franco-German War and helped guide a Garibaldian column, but later suffered from a serious chill and fever. In 1876, he traveled to England after a seven-year absence and visited friends and family, including his aunt Susan. He also worked on a new book, "Round my House", and continued to write articles and etchings. Throughout this period, Hamerton's health remained a concern, but he was able to manage his condition and continue working on his artistic and literary projects.
The chapter describes the life of Philip Gilbert Hamerton, an English artist and writer, during the late 1870s and early 1880s. He continues to work on his book "Etching and Etchers" and starts writing for the "Globe" and other publications. Despite suffering from nervous attacks, he is able to complete his book and starts working on a new project, "The Intellectual Life". He also spends time with his family and friends, including his wife Eugénie and their children, and enjoys activities such as boating and sketching. In 1870, he is involved in the Franco-German War and helps guide a Garibaldian column, but later suffers from a serious chill and fever. In 1876, he travels to England after a seven-year absence and visits friends and family, including his aunt Susan. He also works on a new book, "Round my House", and continues to write articles and etchings. Throughout this period, Hamerton's health remains a concern, but he is able to manage his condition and continue working on his artistic and literary projects.
The chapter describes Philip Gilbert Hamerton's life and work during the late 1880s and early 1890s. He begins a new book, "Man in Art", and reflects on his family's history and his relationships with his children. Hamerton's son, Richard, struggles with mental health issues and eventually takes his own life, leaving the family devastated. Hamerton's daughter, Mary, gets married, and he is forced to confront his own mortality and the changing dynamics of his family. Despite his personal struggles, Hamerton continues to work on his book and contributes to various publications, including the "Portfolio" and "Scribner's Magazine". He also becomes interested in the work of artist Urrabieta Vierge and writes about modern French painters. Hamerton's health begins to decline, and he suffers from attacks of gout and heart disease. Nevertheless, he remains committed to his work and is recognized with an honorary degree from the University of Aberdeen. The chapter concludes with Hamerton's sudden death, which occurs while he is still actively working on his writing and artistic projects.
The chapter describes the life of Philip Gilbert Hamerton from 1890 to 1891. During this time, he began working on a new book, "Man in Art", and continued to write for various publications, including the "Globe" and "Scribner's Magazine". He also spent time with his family and friends, including his wife Eugénie and their children, and enjoyed activities such as boating and sketching. Hamerton's health remained a concern, but he was able to manage his condition and continue working on his artistic and literary projects. The chapter also mentions Hamerton's friendship with William Wyld and his project to write a book about etching. Hamerton visited Loch Awe in Scotland, where he stayed on the island of Innistrynich with his wife, and enjoyed the beautiful scenery and peaceful life. He also visited Paris, where he met with artists and writers, including R. L. Stevenson, and discussed his work and ideas with them. The chapter concludes with Hamerton's decision to move to Paris and his subsequent settlement in the city, where he continued to work on his artistic and literary projects.
The chapter describes the life of Philip Gilbert Hamerton from 1891 to 1894. He and his wife moved to Paris and settled in a house called Clématis in the Parc des Princes. Hamerton was pleased with the location and the house, which had a small garden and a veranda. He spent his time working on his book "Man in Art" and contributing to various publications, including the "Portfolio" and "Scribner's Magazine". He also became interested in the work of artist Urrabieta Vierge and wrote about modern French painters. Hamerton's health began to decline, and he suffered from attacks of gout and heart disease. Despite his health issues, he continued to work on his artistic and literary projects. He was awarded an honorary degree from the University of Aberdeen and was invited to preside at a meeting of the Society of Illustrators. Hamerton's last journey was to London, where he delivered a lecture on the history of illustration and met with friends and colleagues. He died suddenly on November 4, 1894, while working on his book "The Quest of Happiness".
The chapter describes the author's life in 1851, including his first visit to London and his impressions of the city. He also recounts his experiences with his tutor, Mr. Pettitt, and his struggles with classical studies. The author reflects on his decision to pursue a career in literature and art, and his desire to travel and learn from nature. He visits the Lake District and Scotland, where he is inspired by the natural beauty and develops a passion for landscape painting. The author also meets various people, including Mr. Ruskin, who influences his artistic style, and Mr. Mackay, who introduces him to the works of Miss Marian Evans. The chapter concludes with the author's decision to learn French and his subsequent trip to Paris, where he meets new friends and acquaintances, including Madame Mohl and Mr. Wyld.
The chapter describes Philip Gilbert Hamerton's life in 1851, including his first visit to London and his impressions of the city. He reflects on his decision to pursue a career in literature and art, and his desire to travel and learn from nature. He visits the Lake District and Scotland, where he is inspired by the natural beauty and develops a passion for landscape painting. Hamerton also meets various people, including Mr. Ruskin, who influences his artistic style, and Mr. Mackay, who introduces him to the works of Miss Marian Evans. The chapter concludes with Hamerton's decision to learn French and his subsequent trip to Paris, where he meets new friends and acquaintances, including Madame Mohl and Mr. Wyld.
The chapter describes the author's life in 1851, including his first visit to London and his impressions of the city. He reflects on his decision to pursue a career in literature and art, and his desire to travel and learn from nature. He visits the Lake District and Scotland, where he is inspired by the natural beauty and develops a passion for landscape painting. The author also meets various people, including Mr. Ruskin, who influences his artistic style, and Mr. Mackay, who introduces him to the works of Miss Marian Evans. The chapter concludes with the author's decision to learn French and his subsequent trip to Paris, where he meets new friends and acquaintances, including Madame Mohl and Mr. Wyld. The author's experiences in Paris have a profound impact on his life, leading him to meet his future wife, Eugénie Gindriez, and to develop a deeper appreciation for the French language and culture.
The chapter describes the author's life in 1851, including his first visit to London, where he is disappointed by the city's ugliness and chaos. He visits the Great Exhibition, but finds it closed, and instead explores the National Gallery and takes notes on the artwork. The author also meets Mr. Pettitt, an artist who becomes his teacher, and learns about art and technique. He becomes acquainted with other artists, including C.R. Leslie and Richard Doyle, and attends social events, such as a dinner at Mr. Rogers' house. The author also starts to develop his skills in French and becomes interested in learning more about the language and culture. He visits Paris and meets new friends, including Madame Mohl and Mr. Wyld, and begins to appreciate the beauty of the city and its art. The author's experiences in Paris have a profound impact on his life, leading him to meet his future wife, Eugénie Gindriez, and to develop a deeper appreciation for the French language and culture.
The chapter describes the author's life in 1851, including his first visit to London and his impressions of the city. He reflects on his decision to pursue a career in literature and art, and his desire to travel and learn from nature. He visits the Lake District and Scotland, where he is inspired by the natural beauty and develops a passion for landscape painting. The author also meets various people, including Mr. Ruskin, who influences his artistic style, and Mr. Mackay, who introduces him to the works of Miss Marian Evans. The chapter concludes with the author's decision to learn French and his subsequent trip to Paris, where he meets new friends and acquaintances, including Madame Mohl and Mr. Wyld.
The chapter describes the author's life in 1851, including his first visit to London and his impressions of the city. He reflects on his decision to pursue a career in literature and art, and his desire to travel and learn from nature. He visits the Lake District and Scotland, where he is inspired by the natural beauty and develops a passion for landscape painting. The author also meets various people, including Mr. Ruskin, who influences his artistic style, and Mr. Mackay, who introduces him to the works of Miss Marian Evans. The chapter concludes with the author's decision to learn French and his subsequent trip to Paris, where he meets new friends and acquaintances, including Madame Mohl and Mr. Wyld.
The chapter describes Philip Gilbert Hamerton's life and work during the years 1868-1877. He continued to work on his book "Etching and Etchers" and started writing for the "Globe" and other publications. Despite suffering from nervous attacks, he was able to complete his book and started working on a new project, "The Intellectual Life". He also spent time with his family and friends, including his wife Eugénie and their children, and enjoyed activities such as boating and sketching. In 1870, he was involved in the Franco-German War and helped guide a Garibaldian column, but later suffered from a serious chill and fever. In 1876, he traveled to England after a seven-year absence and visited friends and family, including his aunt Susan. He also worked on a new book, "Round my House", and continued to write articles and etchings. Throughout this period, Hamerton's health remained a concern, but he was able to manage his condition and continue working on his artistic and literary projects.
The chapter describes the author's life in 1851, including his first visit to London and his impressions of the city. He reflects on his decision to pursue a career in literature and art, and his desire to travel and learn from nature. He visits the Lake District and Scotland, where he is inspired by the natural beauty and develops a passion for landscape painting. The author also meets various people, including Mr. Ruskin, who influences his artistic style, and Mr. Mackay, who introduces him to the works of Miss Marian Evans. The chapter concludes with the author's decision to learn French and his subsequent trip to Paris, where he meets new friends and acquaintances, including Madame Mohl and Mr. Wyld.
Philip Gilbert Hamerton visits his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel, and reflects on his family's history. He notes that the Hamertons were known for marrying heiresses, but did not keep their lands due to imprudence or carelessness. Hamerton meets his father's cousin at Hellifield Peel and is struck by the nearness of the place to Hollins. He recalls his childhood and family history, including his birth in 1834 and his mother's death when he was a few months old. Hamerton's father was a lawyer who struggled with alcoholism and was often absent or abusive. Despite these challenges, Hamerton developed a love for literature and art, and he attended school in Doncaster, where he excelled in his studies. The chapter concludes with Hamerton reflecting on his childhood and the influences that shaped his early life.
The chapter describes Philip Gilbert Hamerton's life in 1857, including his expedition to the Highlands, where he sets up a camp and attempts to paint from nature. He discusses the challenges of painting in the Highlands, including the rapid changes of effect and the difficulty of capturing the scenery on canvas. Hamerton also describes his love of camp life and the attraction of the Highlands, which he believes is due to a revival of obscure associations that belong to the memory of the race. He reflects on his decision to get married and his subsequent marriage to Eugénie Gindriez, a French woman he met in Paris. The chapter also mentions Hamerton's visit to his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel, and his reflections on his family's history.
Philip Gilbert Hamerton visits his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel, and reflects on his family's history. He notes that the Hamertons were known for marrying heiresses, but did not keep their lands due to imprudence or carelessness. Hamerton meets his father's cousin at Hellifield Peel and is struck by the nearness of the place to Hollins. He recalls his childhood and family history, including his birth in 1834 and his mother's death when he was a few months old. Hamerton's father was a lawyer who struggled with alcoholism and was often absent or abusive. Despite these challenges, Hamerton developed a love for literature and art, and he attended school in Doncaster, where he excelled in his studies. The chapter also describes Hamerton's expedition to the Highlands in 1857, where he sets up a camp and attempts to paint from nature. He discusses the challenges of painting in the Highlands, including the rapid changes of effect and the difficulty of capturing the scenery on canvas. Hamerton also describes his love of camp life and the attraction of the Highlands, which he believes is due to a revival of obscure associations that belong to the memory of the race. He reflects on his decision to get married and his subsequent marriage to Eugénie Gindriez, a French woman he met in Paris. The chapter concludes with Hamerton's description of his life at Innistrynich, where he lives with his wife and children, and his struggles with his artistic and literary pursuits.
The chapter describes Philip Gilbert Hamerton's life and work during the late 1850s. He visits his ancestral homes in Yorkshire, including Hamerton, Wigglesworth, and Hellifield Peel, and reflects on his family's history. He also visits Loch Awe in Scotland, where he stays on the island of Innistrynich with his wife. Hamerton discusses his artistic projects, including his book "Etching and Etchers" and his novel "Wenderholme". He also mentions his friendship with William Wyld and his project to write a book about etching. The chapter touches on Hamerton's relationships with his family, including his wife, children, and relatives, and his experiences during the Franco-German War. Throughout the chapter, Hamerton's love of nature, art, and literature is evident, as is his dedication to his craft and his desire to create something of lasting value.