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The book tells the story of a narrator who sets sail on the ship Arcturion, bound for the Gallipagos in search of sperm whales. However, the captain changes course, and the narrator becomes desperate to escape the ship. He meets a companion, Jarl, and they plan to steal a boat and sail to the Kingsmill islands. After a series of adventures, they find themselves on a deserted brigantine, where they meet a couple, Samoa and Annatoo. The group faces various challenges, including a storm that destroys the ship, and they are forced to abandon it. They then encounter a group of Islanders and become embroiled in a conflict, resulting in the death of the island's priest. The narrator and his companions continue their journey, visiting various islands and meeting new characters, including King Media, Babbalanja, and Yoomy. Along the way, they become entangled in a complex web of relationships, power struggles, and philosophical discussions. The narrator's search for Yillah, a mysterious maiden, drives the plot, and the story explores themes of identity, morality, and the human condition. Ultimately, the narrator's journey becomes a metaphor for the search for meaning and connection in a vast and often mysterious world.
The narrator sets sail on the ship Arcturion, bound for the Gallipagos in search of sperm whales. However, after a tedious and uneventful journey, the captain abruptly changes course, deciding to head to the Nor'West Coast and the Bay of Kamschatka to hunt for Right whales instead. The narrator is dismayed by this decision, feeling it contradicts their original agreement and is a degrading pursuit. He becomes increasingly desperate to escape the ship, and when the captain tells him he can leave if he can, he begins to consider the possibility of stealing a boat and making his own way. As he stands at the masthead, lost in thought, he is overcome with a vision of a serene and idyllic landscape, which only strengthens his resolve to flee the ship and its dull, monotonous existence.
The narrator describes the oppressive and unsettling experience of being on a ship during a calm, where the lack of wind and movement creates an eerie stillness. The calm triggers existential doubts and fears, making the narrator question the captain's ability to navigate, and even his own faith in the world's geography and his own mortality. The stillness is almost palpable, and the narrator feels a deep sense of helplessness, as if he is trapped and unable to escape the calm's suffocating grip. His usual sense of autonomy and freedom is stripped away, leaving him feeling like a prisoner of the ship, forced to endure the calm with no respite or escape. The experience is so overwhelming that it even affects his physical and mental state, making him feel like a fixture on the ship, unable to move or act.
The narrator has become determined to escape the ship by stealing a boat and sailing to one of the Kingsmill islands, a distant archipelago. To accomplish this, he seeks a companion and finds an unlikely friend in Jarl, a seasoned and aged seaman from the Isle of Skye. Jarl, despite being illiterate and lacking in geographical knowledge, is a kind and devoted individual who has taken a strong liking to the narrator. The two have formed a close bond, known as "chummying," a sailor's term for a strong and mutual friendship. The narrator appreciates Jarl's loyalty and assistance, and in return, Jarl has become his trusted companion and confidant. With Jarl by his side, the narrator feels more confident in his plan to escape the ship and start a new life on the islands.
The narrator decides to confide in Jarl about his plan to escape the ship by stealing a boat and sailing to the Kingsmill islands. Despite initial reservations and Jarl's attempts to dissuade him, the narrator's determination ultimately wins over his companion, who agrees to join him on the perilous journey. As they begin to make plans, they discuss the challenges they may face, including the lack of a chart or quadrant, but the narrator remains optimistic, believing that with a compass and a general knowledge of their starting latitude, they can navigate their way to the islands. With Jarl on board, the narrator feels more confident in their ability to succeed and starts to finalize their plans, undaunted by the potential risks and uncertainties that lie ahead.
The narrator and Jarl are making preparations to steal a boat from the ship, a challenging task given the boat's suspension from the ship's side and the presence of thirty crew members. They plan to carefully loosen the supporting ropes and cranes during the day, and then lower the boat into the water at night, using anointed ropes to minimize creaking. The narrator selects the "bow boat" as their target, due to its remote location from the quarter-deck. They also stock up on food and water, storing biscuit and salt beef in secret, and manage to acquire a large breaker of water. As they finalize their preparations, the narrator notes that Jarl seems ill at ease with the strategic aspects of their plan, often leaving the details to the narrator, and on occasion, nearly spoiling their efforts with his blunt and straightforward nature.
The narrator and Jarl wait for the perfect moment to put their escape plan into action, and they decide that the midnight hour, when the starboard-quarter-boats'-watch is summoned on deck, is the ideal time to make their move. The crew's relaxed attitude and lack of vigilance during this time, combined with the gentle and constant Trades, make it an opportune moment for the narrator and Jarl to sneak away undetected. As the day passes, the narrator and Jarl bide their time, waiting for the night to fall and the eight bells to signal the start of their watch. When the moment finally arrives, the narrator springs into action, ready to set their plan in motion, as the crew around them is distracted and sleepy, unaware of the escape that is about to take place.
The narrator reflects on the fate of the ship Arcturion, which they and Jarl had abandoned in their escape. The ship's ultimate demise remains a mystery, with various possibilities including sinking, foundering, or being wrecked on a reef. The narrator expresses a sense of guilt and relief at having escaped the potential fate of their shipmates, and wonders if their desertion was a providential deliverance. Despite this, they cannot help but feel a sense of responsibility and regret for leaving the ship, and wish that it was still afloat, allowing them to return to its familiar decks.
The narrator and Jarl put their escape plan into action on a dark and moonless night, using the cover of darkness to sneak away from the ship undetected. They carefully gather their stores and lower the boat into the water, using a breaker as a makeshift anchor to stabilize their descent. As they make their escape, the narrator shouts "Man overboard!" to create a diversion, and the crew rushes to respond, giving the pair time to row away from the ship. The crew's attempts to rescue the supposed man overboard are frantic and confused, but the narrator and Jarl are able to create distance and eventually set sail into the darkness, rowing and sailing until morning breaks.
The narrator and Jarl find themselves alone in their small boat, a thousand miles from land, after escaping the ship Arcturion. They catch a glimpse of the ship in the distance, and the narrator is filled with a mix of emotions, including guilt and unease. As they navigate the open ocean, they are reminded of the fragility of their craft and the power of the sea. Despite the dangers, they press on, drawing on their experience as whalers to cope with the challenges they face. The narrator reflects on the nature of death and how it is perceived by sailors, soldiers, and others, concluding that the manner of dying is less important than the fact of death itself, and that true bravery can be found in unexpected places, including in the quiet courage of those who face death with dignity and fortitude.
The narrator and Jarl settle into their small boat, arranging the rigging and sails to make it seaworthy. They stow away their supplies, including food, water, and whaling equipment, and make themselves as comfortable as possible. The boat is equipped with a water-tight keg containing a compass, tinder-box, and other essential items, which Jarl is particularly fond of. They fix the compass and create a makeshift awning to provide shade from the sun. As they sail, Jarl takes turns with the narrator at the helm, showing his kindness and toughness in the face of the elements. The narrator observes Jarl's weathered complexion and jokes about his potential fate if they were to encounter cannibals. Despite the challenges they face, the pair seems to be making progress and finding a sense of routine in their new life at sea.
The narrator reflects on the personality of his companion, Jarl, describing him as a solemn and quiet individual who seems to be lost in thought most of the time. The narrator finds Jarl's gravity wearisome and longs for some lively conversation or human interaction, but Jarl's reserved nature makes it difficult to engage with him. The narrator attempts to entertain himself by singing, shouting, and making gestures, but Jarl's stoic demeanor remains unchanged. The narrator tries to understand the reason behind Jarl's seriousness, wondering if he has any personal worries or concerns, but Jarl reveals that he has no family or significant others to think about. The narrator is left puzzled by Jarl's behavior, speculating that his intellect may be disengaged when he is in a state of repose, leaving his body to its own devices. Meanwhile, Jarl suddenly falls ill with lockjaw, which adds to the narrator's concerns and challenges in their survival at sea.
The narrator and Jarl continue their journey in the open boat, and the narrator reflects on the sense of peril and vulnerability that comes with being at sea level, surrounded by vast expanses of water. The limited visibility and isolation evoke feelings of loneliness and disquiet, and the narrator begins to worry about the possibility of missing their intended destination, the Kingsmill islands. As the days pass, the narrator's anxiety grows, and he starts to doubt their navigation, fearing that they may be lost at sea with no land in sight. The sun, which had initially brought them joy and comfort, now serves as a reminder of their slow progress and the vastness of the ocean. The narrator's thoughts become increasingly confused and bewildered, leaving him uncertain about their position and the existence of land beyond the horizon.
The narrator and Jarl's journey in the open boat is filled with encounters with various marine creatures, including sharks, grampus, and flying fish. They witness the diverse and often terrifying world of sea life, with species such as the Brown Shark, Blue Shark, Tiger Shark, and White Shark. The narrator reflects on the complexity of these creatures, acknowledging that while they can be feared and disliked, they are also a part of the natural world and deserving of respect. The pair's experiences are marked by a sense of awe and wonder at the beauty and brutality of the ocean and its inhabitants, and they are constantly reminded of the dangers and uncertainties of their voyage. As they navigate the South Seas, they are struck by the sheer abundance and diversity of marine life, and the narrator notes that the Pacific is "populous as China," with an endless array of creatures to discover and observe.
As the days pass in the open boat, Jarl begins to express his misgivings about their situation, suggesting that they may need to take to the oars if the calm continues. The narrator is hesitant to consider this option, and instead focuses on their daily routine, including rationing their food and water. Despite having an ample supply of provisions, they find themselves craving water above all else, and Jarl becomes obsessed with checking the breaker for leaks, using a makeshift ladle made from his shoe to scoop out water. The pair's meals consist of biscuit dipped in seawater, which they find more palatable than eating it dry. As they navigate their new life at sea, they must contend with the challenges of rationing, hygiene, and the psychological strain of their isolation, all while trying to stay hopeful and focused on their goal of reaching the Kingsmill islands.
The narrator's companion, Jarl, is depicted as a diligent and industrious individual who spends his time on the boat sewing and repairing their clothing. He is described as being extremely skilled with his fingers, able to work without needing to look at what he is doing. Jarl had brought a large collection of sewing utensils and materials with him, which he uses to mend and patch their worn-out garments. He spends hours sitting in the bow of the boat, sewing and darning, and occasionally offering words of wisdom about the importance of keeping one's wardrobe in good condition. The narrator observes Jarl's activities with a sense of fascination, noting the solemn and focused nature of his work. As the boat glides through the water, the narrator ponders deeply, while Jarl continues to sew and offer occasional bits of advice, creating a sense of tranquility and routine in their otherwise precarious situation at sea.
The narrator and Jarl face a debilitating calm at sea, which lasts for four days and nights, bringing with it oppressive heat, a putrid water supply, and a sense of desperation. The calm causes the boat's planking to warp and crack, and the two men must work to secure it and bail out the water that pours in. As the days pass, they become increasingly lethargic and irritable, avoiding each other and struggling to find the energy to perform even simple tasks. The narrator begins to feel a disturbing instinct to be alone, and to prioritize his own survival over Jarl's. However, on the fifth day, a gentle breeze arrives, reviving the men and their boat, and restoring their sense of hope and wonder at the beauty of the ocean. As the wind picks up, the sea comes alive with sound and color, and the narrator is once again struck by its majesty and power.
The narrator and Jarl have been at sea for fourteen days, and despite not seeing any signs of land, they remain hopeful and press on, driven by their determination to reach the unknown land to the west. They have made approximately 150 leagues of progress, but their exact location is uncertain due to the calms and currents they have encountered. However, they are heartened by the improvement in the taste of their water, which had previously been unpleasant. As they conserve their water, Jarl has also given up his habit of chewing tobacco, finding it distasteful and thirst-provoking. The narrator notes that Jarl's absence of his usual quid has changed his appearance, but he is still his industrious self, mending and drying their clothes as they sail on. With a gentle breeze behind them, the pair make progress, their tattered sails and clothes flying in the wind, and they sail on, merry and carefree despite their hardships.
The narrator and Jarl encounter a Shovel-nosed Shark, a massive and slow-moving creature, accompanied by a suite of Pilot fish that seem to act as its scouts and warned of potential danger. The narrator is fascinated by the relationship between the shark and the Pilot fish, and he begs Jarl not to harm the shark, instead choosing to observe it. The shark is eventually lured in with bait and killed, but the Pilot fish continue to follow the narrator and Jarl's boat, with Jarl interpreting their presence as a good omen. The Pilot fish remain with the boat for many days, until a later event causes them to withdraw. The encounter highlights the mysterious and fascinating relationships between different species in the ocean, and the narrator is left to ponder the intricacies of these interactions.
The narrator and Jarl spot a ship on the horizon, which they initially try to avoid, but then decide to follow and investigate. As they draw closer, they notice that the ship is a brigantine with disarrayed sails and no one appears to be on board. Despite Jarl's reservations, they board the ship and find it deserted, with signs of recent occupation and confusion. They discover a cluttered cabin and forecastle, with various items such as weapons, clothing, and coins. The narrator loads a musket and belts a cutlass, while Jarl prefers his harpoon. As they explore the ship, they hear strange noises and narrowly avoid being hit by a falling top-block. Despite the eerie atmosphere, they continue to investigate, finding a sailor's chest with strange contents, including millinery and outlandish knick-knacks. The discovery of coins and other valuable items seems to alleviate Jarl's superstitions, but the narrator remains cautious, unsure of what they might find next.
The narrator and Jarl continue to explore the deserted brigantine, searching for signs of life or clues to its mysterious abandonment. Despite Jarl's persistent superstitions about the ship being haunted by ghosts, the narrator remains skeptical and focused on practical tasks, such as sounding the well and bracing the yards. As they work, Jarl continues to report strange noises and movements, which the narrator attributes to the ship's creaking and groaning in the wind. The two men eventually settle down to eat and rest on the quarter-deck, surrounded by the eerie silence and darkness of the night. As they eat from a "barge" of biscuit, Jarl remains on edge, watching the shadows and listening for any signs of supernatural presence, while the narrator tries to reassure him and enjoy their brief respite from their hardships at sea.
As the morning breaks, the narrator and Jarl continue to explore the deserted brigantine, observing its unique and primitive features. They notice strange details, including crimson stains that Jarl believes to be blood. However, their attention is soon diverted to a figure in the main-top, who is revealed to be a crouching stranger. After a tense standoff, the stranger, who introduces himself as Samoa, a tall and dark Islander, slowly descends from the rigging, revealing a mutilated arm. He is accompanied by a woman, Annatoo, also an Islander, and claims that there are no others on board. Samoa expresses caution, wondering if the narrator and Jarl are friends, before agreeing to tell them the truth about the craft and the disaster that befell it. The narrator and Jarl assure him of their friendly intentions, and Samoa begins to relate his story, which will be revealed in the following chapters.
The narrator, through Samoa's account, learns about the fate of the brigantine Parki, which was attacked by natives at the Pearl Shell Islands. The Parki, with a mixed European and native crew, had sailed to the islands in search of pearls and other valuable commodities. However, the crew was deceived by two half-breed Spaniards, who had risen to authority among the natives and had been secretly plotting against the Parki. When the captain and most of the white crew members left the ship to visit a nearby shoal, the natives launched a surprise attack, killing most of the Lahineese crew and attempting to wreck the brigantine. Samoa, who had been left in charge, managed to defend the ship and, with the help of his wife Annatoo, set sail and escaped from the natives and the half-breeds who were pursuing them in a whale-boat. Despite being outnumbered and outgunned, Samoa was able to fend off their attackers, killing several of them, including one of the half-breeds, and ultimately forcing them to abandon their pursuit. The Parki, with Samoa and Annatoo on board, was able to sail away from the islands, but not without suffering significant damage and loss of life.
After burying their dead and clearing the decks, Samoa and Annatoo set sail once again, this time with the goal of plundering the brigantine's cabin. They overload themselves with trinkets and clothes, and their desires are temporarily distracted from their marital squabbles. However, as they begin to divide the spoils, Annatoo's domineering personality resurfaces, and she asserts her claim to the most valuable items, leaving Samoa to reluctantly agree to her terms. Despite their tumultuous relationship, they manage to temporarily reconcile, with Annatoo generosity in relinquishing her claim to the ship's rigging and arms, but it is clear that Samoa lives in fear of his wife's wrath.
The tumultuous relationship between Samoa and Annatoo continues to deteriorate, with Annatoo's domineering personality and accusations of peculation against Samoa leading to a bitter separation. The two occupy different parts of the ship, with Annatoo claiming the forecastle as her own and stockpiling goods and edibles. Despite her attempts to provoke a reaction from Samoa, he remains stoic, but Annatoo's own actions are driven by a desire for reconciliation. However, their quarrel is interrupted by a sudden and perilous situation as the brigantine drifts towards a shoal, prompting them to work together to avoid catastrophe. Through their combined seamanship and industry, they manage to save the ship, but the close call serves as a reminder of the dangers of the sea and the importance of avoiding land and potential encounters with hostile islanders.
The story continues with the brigantine Parki still afloat, and the couple, Samoa and Annatoo, managing to coexist despite their tumultuous relationship. They have learned to accept each other's flaws and no longer try to change or control one another. Annatoo busies herself with tasks such as cleaning the barnacles from the ship's hull, while also keeping track of her trinkets and treasures. The couple's relationship has evolved into a state of pragmatic acceptance, where they prioritize avoiding conflict over romance or passion. They maintain separate quarters on the ship, visiting each other occasionally, much like a duke and duchess might. This arrangement allows them to preserve a sense of independence and individuality, even as they remain together in their isolated surroundings.
The story of the brigantine Parki and its occupants, Samoa and Annatoo, continues as they navigate the open sea, still reeling from their past experiences and fearing potential threats. As they sail, they spot a boat, which they mistakenly believe to be a phantom or a ghostly apparition, and prepare to defend themselves. However, as the boat's occupants, the narrator and Jarl, board the brigantine, Samoa and Annatoo retreat to the fore-top, where they argue and separate. Throughout the night, they observe the narrator and Jarl's actions, which they find puzzling and unghostlike, and begin to question their initial assumptions. As the night wears on, Annatoo becomes increasingly agitated, fearing for her treasures and belongings, and tries to rouse Samoa to take action against the perceived threats. The chapter concludes with the events leading up to Jarl's discovery in the main-top, setting the stage for the final act of the Parki drama.
The narrator is initially skeptical of Samoa's story about the brigantine Parki, but after careful consideration, he begins to trust Samoa. However, Jarl remains doubtful and believes that the ship is haunted by ghosts. The narrator decides to withhold the truth about their own adventures and identities from Samoa, in order to maintain an air of superiority. Samoa, in turn, asks the narrator about their origins, and the narrator provides vague answers. The narrator is also wary of Annatoo, Samoa's wife, who is described as a strong-willed and unpleasant woman. When Annatoo becomes agitated and starts shouting at Samoa, the narrator intervenes and tells her that the ship and its contents belong to the owners in Lahina, and that she must stop her pilfering. Annatoo becomes sulky and sits down on the windlass, chanting and glaring at the narrator and Jarl. The narrator reflects on the challenges of dealing with Annatoo, likening her to a danger at sea, and notes that Samoa seems to appreciate the narrator's support in reinforcing his authority over his wife.
The narrator, accompanied by Samoa, searches the brigantine for navigational instruments and logs, but finds that most have been damaged or destroyed by Annatoo. They do discover a fragment of the log, which recounts the tragic death of a crew member named Tooboi, who was eaten by a shark. The narrator infers that the captain of the brigantine was likely a whaler, based on the illustrations in the log. After exploring the hold, they find a substantial quantity of provisions, including pearl shells, cocoanuts, and salt beef. The narrator then addresses Samoa, Annatoo, and Jarl, explaining that they cannot return to the scene of the massacre or navigate to the Hawaiian Islands due to the lack of instruments. Instead, they decide to continue westward, hoping to encounter friendly islands or a ship that can aid them. The narrator assumes command of the vessel, with Jarl's support, and they set about repairing and readying the ship for their journey. As they sail, the narrator feels a sense of importance and responsibility as the commander of the vessel, and he is aware of the unique circumstances and challenges that they face.
The narrator is pleased to have encountered Samoa, a heroic and useful individual, and is impressed by his manly stature and unique appearance, which includes a knife worn in his ear and a trinket in his nose. Samoa's tattooing is also notable, covering only half of his body, giving him a peculiar appearance. Despite his rugged exterior, Samoa has a soulful and expressive eye that shines with emotion. The narrator is drawn to Samoa's charismatic personality and admires his ability to sport his missing arm with pride. The chapter also touches on the origin of Samoa's name, which was given to him by a sea captain, and refers to him as the Upoluan, a title he prefers. In contrast, Annatoo, Samoa's wife, is described as unattractive, but the narrator emphasizes that true ugliness lies in the heart, and that beauty is not just physical, but also invisible and rooted in one's character.
The narrator spends his days on the brigantine Parki wandering around the ship, exploring its nooks and crannies, and indulging in reverie. With Samoa occupied with his thoughts and Annatoo preoccupied with her calicoes and jewelry, the narrator has ample time to himself. He climbs the rigging, explores the hold, and discovers hidden treasures and secrets, including Annatoo's stash of stolen goods. The narrator also spends time in the fore-top, lazily dozing, and occasionally descends to the cabin to explore. He reflects on the ship's rigging and the stories it tells of its origin. As he explores, he unravels some of the mysteries of Annatoo's behavior, including her tendency to disappear and reappear mysteriously, which he attributes to her secret hiding place in a cask in the hold. The narrator is fascinated by Annatoo's enigmatic nature and the secrets she keeps, and he marvels at the intricacies of her personality.
The narrator describes an event that relieved the loneliness of their voyage, where a massive commotion in the water caught their attention. A Sword fish, also known as the Indian Sword fish or Bill fish, was attacking a shoal of small fish. The narrator dedicates the chapter to describing this remarkable creature, which is a formidable bully of the seas. He renames it the Chevalier, a true gentleman of the sea, known for its long, drawn sword-like bill. The Chevalier is a fearless warrior, always ready to fight, and its bill is its most distinctive feature. The narrator recounts stories of the Chevalier's attacks on ships, including one that penetrated the hull of the English ship Foxhound. The narrator decides to capture the Chevalier and, after a successful hunt, brings it on board and claims its bill as a trophy. The bill is a remarkable weapon, with a unique grain and aroma, and the narrator hangs it over his hammock as a symbol of the Chevalier's formidable reputation.
The narrator discovers a cask of fine old Otard brandy in the hold of the brigantine Parki, which he believes belonged to the ship's ill-fated captain. He is tempted to share it with his companions, Jarl and Samoa, but decides against it due to their tendencies towards excessive drinking. Jarl, in particular, has a weakness for alcohol, while Samoa, as a Polynesian, is likely to be fond of getting intoxicated. The narrator also worries about the potential effect of the brandy on Annatoo, who is already prone to fierce outbursts. After considering the risks, the narrator decides to keep the Otard a secret, visiting it occasionally for his own enjoyment, but also recognizing its potential medicinal value. He advises shipmasters to destroy any spirit casks in the event of a wreck to prevent them from falling into the wrong hands.
The narrator and his companions, Jarl and Samoa, continue their journey on the brigantine Parki, sailing westward in search of land. Despite the uncertainty of their location and the challenges they face, they feel safer on the larger ship than they did on the small whale-boat. However, the narrator is troubled by the remissness of Jarl and Samoa in keeping their night-watches, and he often has to stay awake to ensure their safety. Annatoo, Samoa's wife, proves to be a capable and attentive steersman, and the narrator decides to let her take on more responsibility for the night watches. The narrator reflects on the mysterious equatorial currents of the South Seas, which seem to be shifting and unpredictable, and he notes that these currents have a purifying effect on the sea-water. As they sail on, the narrator is aware of the many sources of uneasiness and anxiety on board, but he is determined to press on and find the land they are seeking.
The narrator reflects on Annatoo's continued thievery and mischief on the ship, despite being given responsibilities and trusted by the narrator. Her actions become more and more brazen, including stealing the compass from the binnacle, which leads to her nightly incarceration in the forecastle. Annatoo's behavior towards Jarl also changes, and she begins to taunt and tease him, possibly due to his rejection of her advances. Jarl, who had been patient and forgiving, eventually reaches his limit and proposes that Annatoo be thrown overboard, but the narrator rejects this idea. Annatoo is ultimately relieved of her cooking duties due to fears that she may poison them. Meanwhile, Samoa remains oblivious to his wife's actions, and even defends her virtue, prompting the narrator to comment on the similarities between Samoa's situation and that of the historical figure Belisarius, who was also deceived by his wife's infidelity. The narrator ultimately expresses some regret for portraying Annatoo's misdeeds so faithfully, hinting that her fate will soon be revealed.
The brigantine Parki is hit by a severe storm after a long calm, causing destruction and chaos on board. Despite the efforts of the crew to secure the sails and prepare for the storm, the ship is stricken down on its beam-ends, and the masts are damaged. Jarl's quick thinking and bravery help to save the ship from sinking, but not before Annatoo is swept overboard and lost. The crew is left to pick up the pieces and assess the damage, with the ship floating as a wreck. They work to cut free the shattered mast fragments and rigging, and eventually, the worst of the storm passes, leaving behind a moderate sea and a clear, starry sky. The crew is left to come to terms with their loss and the state of their ship, and to consider their next move in the face of this new challenge.
The crew of the brigantine Parki, now doomed, tries to keep her afloat by pumping out water, but it's a losing battle. As the ship takes on more water, they prepare to abandon her, loading their smaller boat, the Chamois, with essential supplies. With a sense of sadness and loss, they bid farewell to the Parki, which eventually sinks to the bottom of the ocean. The crew, now back in their small boat, sets sail once more, heading westward in search of land, but this time with a more somber and apprehensive mood, having been forced to confront the harsh realities of their situation.
The narrator and his companions, Jarl and Samoa, experience a remarkable spectacle on the night after abandoning the Parki. The ocean is filled with a pallid white color and golden sparkles, and they see a massive shoal of Cachalots, a type of sperm whale, rising from the depths to sport in the phosphorescent waters. The whales' spouting creates a radiant vapor that illuminates the sea, and the crew is in awe of the sight. However, they are also fearful of being destroyed by the whales, and they try to shun them. The crew is eventually pursued by a solitary whale, which rubs its fiery flank against the boat, leaving strips of a glossy substance behind. Jarl, a seasoned whaleman, is excited by the sight and wants to harpoon the whale, but the narrator prevents him from doing so. The whale eventually departs, and the crew is left to ponder the phenomenon of the phosphorescent sea. The narrator discusses various theories about the cause of the phosphorescence, including the presence of putrescent animal matter and the electrical condition of the atmosphere. He also notes that some living fish are phosphorescent and may contribute to the phenomenon. The chapter ends with a poetic reflection on the fire-fly's nocturnal radiance and the fate of the poor little fire-fish of the sea, whose radiance reveals them to their foes and lights the way to their destruction.
The narrator and his companions, Jarl and Samoa, continue their journey in the small boat, the Chamois, after abandoning the damaged brigantine Parki. They experience a period of calm weather, during which they spot various aquatic birds, including noddies, terns, and frigate-birds, indicating that they are approaching land. As they sail on, they come across a double-canoe, a large island craft, with a yellow sail and a platform or dais in the middle. The canoe is manned by a group of Islanders, who are initially confused and fearful, but eventually become hostile, displaying clubs and spears. Despite this, the narrator and his companions attempt to make peaceful contact, offering gifts and reassurances of friendship. However, the Islanders ultimately decide to flee, and the narrator's group gives chase, determined to establish communication.
The narrator and his companions, Jarl and Samoa, attempt to make peaceful contact with a group of Islanders in a double-canoe. They use gifts, such as red China handkerchiefs, to try to alleviate the Islanders' fears and establish communication. The Islanders are initially hostile, but eventually calm down and begin to interact with the narrator's group. The leader of the Islanders, an old priest named Aaron, is revealed to be the father of the other Islanders, who are all his sons from different mothers. Aaron is training his sons for the priesthood, and the narrator is fascinated by the uniform tattoos and physical resemblance among the brothers. Despite the initial tensions, the two groups begin to interact peacefully, with the narrator learning more about the Islanders' culture and customs.
The narrator and his companions, Jarl and Samoa, attempt to establish communication with a group of Islanders in a double-canoe, but the Islanders are initially hostile. The narrator discovers that the Islanders are hiding a beautiful maiden in a tent, who is being taken as an offering to the gods. The narrator resolves to rescue the maiden, but the old priest, Aleema, prevents them from boarding the craft. A confrontation ensues, and the narrator and his companions are surrounded by the Islanders. In the ensuing fray, the old priest is killed, and the narrator and his companions manage to escape with two Islanders as hostages. The narrator plans to use the hostages to effect his plan to rescue the maiden without further bloodshed.
The narrator and his companions, Jarl and Samoa, have just engaged in a skirmish with a group of Islanders, resulting in the death of the old priest, Aleema. As they approach the canoe, they are met with curses and wails from the survivors, and the narrator is overcome with remorse for his actions. He questions his motivations, wondering if he was truly acting to rescue the captive maiden or if he was driven by selfish desires. Despite his doubts, he presses on, demanding that the Islanders surrender the maiden in exchange for the safe return of their hostages. The Islanders eventually acquiesce, and the narrator and Samoa take precautions to secure the situation, including disarming the Islanders and keeping the hostages bound in the boat. With these measures in place, the narrator and Samoa approach the tent where the maiden is being held, which has fallen silent.
The narrator enters the tent where the captive maiden, Yillah, is being held. He is struck by her beauty and finds it hard to believe she is connected to the Islanders. Yillah seems to be of a different race and is unresponsive to the narrator's attempts to communicate with her in Polynesian. However, when he speaks to her in his own tongue, she appears to be touched by the sound of his words, despite not understanding their meaning. The narrator eventually questions her in Polynesian, and after some hesitation, Yillah begins to tell her story. She claims to be a maiden from the Island of Delights, Oroolia, and recounts a fantastical tale of being spirited away as an infant, transformed into a blossom, and eventually restored to her human form. According to Yillah, she was enshrined as a goddess in a temple, but was recently recalled by the spirits to return to Oroolia through a magical whirlpool. The narrator is initially skeptical of Yillah's story, but is deeply fascinated by her and her mystical tale.
The narrator and his companions manage to rescue the maiden, Yillah, from the Islanders and escape in their boat, the Chamois. As they sail away, they are pursued by the Islanders, who are seeking revenge for the death of their priest, Aleema. However, the Chamois proves to be too fast, and the Islanders' canoe eventually disappears from view, possibly swamping and sinking. The narrator is relieved to have escaped, but is still haunted by the memory of Aleema's death and the possibility of revenge. He tries to comfort Yillah, who is frightened and confused, and begins to formulate a plan for their future. The narrator also reflects on the strange and mystical tale that Yillah told him, and wonders about the truth behind her story and the motivations of the island priests. As they sail on, the narrator feels a sense of freedom and anonymity, knowing that their boat leaves no track on the sea.
The narrator attempts to comfort and win the trust of the rescued maiden, Yillah, by pretending to be her long-lost friend from her home island of Oroolia. He tries to jog her memory by recalling supposed shared experiences and intimate moments from their past, hoping to establish a connection with her. As he continues to spin this tale, Yillah begins to respond, and the narrator successfully wins her over, making her forget about the deceased priest Aleema and focus on him as her friend and preserver. The narrator's plan succeeds, and Yillah becomes devoted to him, as he promises to take her back to Oroolia and reunite her with her past.
The narrator and his companions continue their journey on the Chamois, with the narrator now determined to sail to the island of Tedaidee instead of their original destination to the westward. However, he is not committed to this course and is considering simply drifting for a while, enjoying the peacefulness of the sea and the company of Yillah, the maiden he rescued. The narrator is enchanted by Yillah and feels a deep connection to her, and he begins to prioritize his time with her over reaching their destination. As they sail, Yillah gazes out at the sea and asks the narrator to join her in exploring its depths, but he is hesitant due to the memory of the priest's death. Despite this, the narrator is determined to make the most of their time together and to enjoy the freedom and beauty of the ocean. The Chamois becomes a symbol of their carefree and aimless wandering, drifting on the sea without a clear destination or purpose.
The chapter explores the interactions and relationships between Yillah, the rescued maiden, and the narrator's companions, Jarl and Samoa. Initially, Yillah is wary of Samoa's savage appearance, but eventually warms up to him, even persuading him to remove his ear and nose trinkets. Samoa, however, regards Yillah with a mix of fascination and reverence, ascribing to her a more than terrestrial origin. Jarl, on the other hand, views Yillah as an intruder who might lead the narrator astray, and is jealous of the attention she receives. Yillah, oblivious to these contrasting views, remains charming and innocent, taking a particular interest in Jarl's tattoo of the Saviour on the cross. She even attempts to acquire the tattoo for herself, unaware that it cannot be removed. The chapter highlights the unique personalities and dynamics between the characters, as they navigate their relationships with each other in the midst of their sea-faring adventure.
The narrator and his companions are accompanied by a massive school of fish, including Silver-heads, Boneetas, Wriggle-tails, and Trigger-fish, which swim alongside their boat, the Chamois. The fish are innocent and heartless, showing no sympathy for their fallen comrades and continuing to swim on. Samoa catches some of the fish, and Yillah is delighted by their radiant scales. However, the peaceful scene is disrupted by the arrival of a Chevalier, a swordfish, which attacks the school, causing chaos and fear among the fish. The fish cling to the boat for safety, and the narrator and his companions are alarmed, fearing that the Chevalier might attack their boat as well. Eventually, the Chevalier swims away, and the fish return to swimming alongside the boat, seemingly even more carefree than before. The narrator reflects on the fish's behavior, noting their lack of concern for their own mortality and their focus on swimming and playing in the sea.
The narrator continues to be fascinated by Yillah's beauty and mysterious nature, and he attempts to understand her strange behavior and language. He notes that her accent is different from the people of the canoe and that she is able to pronounce his language with ease, as if recalling forgotten sounds. The narrator speculates that Yillah may be an Albino, a rare and delicate being in the Pacific islands, and that her unusual features and complexion may be the reason why the priest regarded her as a suitable oblation for the altar. However, Yillah's own account of her past history is shrouded in mystery and filled with celestial visions and imaginative tales, which the narrator believes may have been crafted by someone else and repeated to her until she believed them to be true. Despite the uncertainty surrounding Yillah's origins, the narrator remains captivated by her enigmatic presence and continues to learn more about her as they sail together.
The chapter delves into Yillah's past, describing her life in the glen of Ardair, a secluded and mystical valley surrounded by steep cliffs. She lives a solitary life, with only the priest Aleema visiting her occasionally. Yillah's days are marked by a sense of longing and disconnection, punctuated by strange and unexplained events, such as the appearance of a youth on a crag and the arrival of a milk-white bird with a jet-black bill. Aleema seeks to keep Yillah's spirits high, telling her of her impending return to Oroolia, a place she vaguely remembers. As the days pass, Yillah becomes increasingly restless, and the bird's sudden departure seems to signal the end of her time in Ardair. Aleema arrives, urging Yillah to prepare for her journey to Oroolia, which will be undertaken via a vortex on the coast of Tedaidee. The chapter concludes with Yillah's departure from the glen, veiled and placed in a tent, as she sets sail for her destination, marking the beginning of the events that have already been recounted.
The narrator's intimacy with Yillah grows, and her fantastical beliefs about her past and her spirituality begin to fade. She starts to question her own identity and the stories she was told by the priest Aleema, and instead, she becomes more attached to the narrator. As Yillah's fancies dissipate, she becomes more human and mortal, and the narrator is happy to see her let go of her delusions. However, Yillah also becomes increasingly sad and withdrawn at times, gazing out at the sea and hinting at a sense of foreboding about her fate. The narrator shares her visions and dreams, and they both seem to be haunted by the image of the priest's corpse in the water, waiting to receive Yillah. Despite these ominous hints, the narrator and Yillah are happy together, and their love for each other brings them joy and fulfillment.
The narrator and his companions, including Yillah, approach a group of islands after five days of sailing. As they draw closer, they see the islands in more detail, with towering peaks, hills, and valleys surrounded by a white reef. The crew is excited to have discovered what appears to be an uninhabited land. Yillah, who had been pining for the shore, is overjoyed by the sight of the verdant land. The narrator and his companions sail into a lagoon and notice several canoes approaching them. However, the Islanders retreat after initially interacting with the crew. The narrator decides to send Jarl and Samoa ashore to conciliate the natives, while he waits with Yillah in the boat. After some time, Jarl and Samoa return with a crowd of Islanders, who greet the crew warmly. The Islanders lift the boat out of the water and carry it into the groves, where they deposit it between two trees. The narrator and his companions are met with excitement and curiosity by the Islanders, who seem to have had little or no contact with whites before.
The narrator and his companions, including Yillah, arrive on the island of Mardi, where they are met with adoration and reverence by the natives. Yillah is the center of attention, and the Islanders gaze at her in silence, stretching forth their arms in reverence. The narrator is also treated with honor, and the Islanders regard him as a superior being, inquiring if he is the demi-god Taji. Samoa advises the narrator to announce himself as Taji, as this would ensure their safety and hospitality. However, the narrator is cautious, aware that even those hailed as gods can be slain in sudden tumults. As they wait for the dignitaries of Mardi to arrive, the narrator and his companions are filled with anxiety, unsure of what to expect. Suddenly, a shrill cry and the blast of conch shells signal the approach of the island's leaders, and the narrator and his companions prepare to face what is to come.
The narrator, having declared himself as Taji, a demi-god from the sun, is met with a mixture of curiosity and skepticism by the kings of Mardi. They question his early arrival, as according to tradition, he was expected to return after five thousand moons. The narrator struggles to respond to their inquiries, but ultimately asserts his divine authority and refuses to be drawn into discussions about his intentions. One of the kings, Media, intervenes and welcomes Taji as his guest, offering to escort him and his companions to his island of Odo, where they can rest and be received with hospitality. As they set off across the lagoon, the narrator is struck by the vastness of the Archipelago and the dreamlike quality of their journey.
The narrator and his companions arrive on the island of Odo, where they are greeted by King Media and carried to a canoe-house. They are then taken to a temple, where Media removes two wooden idols and seats the narrator and himself in their place. The narrator is concerned about committing sacrilege, but Media's behavior suggests that he is also a god. A feast is brought before them, and the narrator is hesitant to eat, wondering if gods dine. However, Media begins to eat, and the narrator follows suit, enjoying the various fruits and dishes. After the meal, they leave the temple, and the wall that was breached to allow them to enter is rebuilt. The narrator reflects on the satisfaction of dining and the abundance of food on the globe, despite the crowding and inequality.
The narrator and his companions arrive at King Media's palace on the island of Odo, where they are greeted and treated to a grand feast. The palace is a large, imposing structure with a unique design, featuring a high roof and a dais surrounded by palm posts. King Media is a gracious host, ensuring that his guests are comfortable and well-fed. He introduces them to his household deity, a jolly idol representing the god of Good Cheer, whose mouth is always filled with fresh fruits and leaves. As the evening progresses, the narrator and his companions engage in charming conversation with King Media, who showcases his wealth and hospitality. Eventually, the narrator requests a place to rest, and King Media escorts them to a nearby mansion, which he declares is theirs to occupy. He personally ensures that the mats and pillows are comfortable and inviting, before withdrawing and leaving the narrator and his companions to their rest.
The narrator, Taji, reflects on his interactions with King Media and the people of Mardi, realizing that his assumed divinity is not as unique or impressive as he thought. He discovers that many kings in the Archipelago claim to be demi-gods, and that the concept of divinity is not rare in Mardi. Taji also notes that the people of Mardi are familiar with many marvels and prodigies, and that his own story is not particularly remarkable to them. He decides to humble himself and not boast about his supposed divine nature or his experiences from the other world. Instead, he resolves to interact freely and sociably with the people of Mardi, without arrogating or abating anything. Taji recognizes that he is not superior to the others and that he should be discreet and not haughty in his behavior.
The narrator spends a wakeful night in the magical starlight of Mardi, contemplating the beauty of the island and the stars above. He reflects on the tranquility of the lagoon and the ocean, and the shaft of light from the planet Hesperus that penetrates the water. As the night wears on, he becomes lost in thought, pondering his own identity and the mystery of the universe. The stars seem to hold a profound significance for him, evoking feelings of wonder and awe. As the dawn breaks, the narrator's thoughts turn to Yillah, and he is struck by her beauty and the way she illuminates his world. He compares her to the sun, and describes how she sheds her rays abroad, filling his life with light and color.
The narrator and his companions are treated to a morning meal by King Media, who showcases his hospitality and wealth. The meal is served in an arbor, with viands presented in intricately decorated gourds, and the group enjoys fruit, wine, and conversation. King Media is fascinated by the narrator's and his companions' clothing, particularly Jarl's Guayaquil hat, which he ridicules. The king's attendants and chiefs are also present, and Samoa is amused by the king's jokes. After the meal, the group visits the canoe-house, where they find the Chamois, their boat, stripped of its barnacles and sea-grass, which the islanders have eaten as a delicacy.
The chapter describes King Media, the ruler of the island of Odo, as he sits on his throne, hearing cases and dispensing justice. The narrator is struck by the majesty of the king and the grandeur of the scene, comparing it to the splendor of other great rulers throughout history. Media tries several cases, including one involving a plot against his majesty, and ultimately rejects a petition from a group of subjects who request that disputes be tried by a panel of twelve impartial judges rather than by the king himself. The king argues that one wise and just judge is better than twelve, and that he, as the ruler, is the best judge in the land. He decrees that any further discussion of the petition will be considered sedition, and orders the petitioners to kneel before him until sunset. The chapter ends with the king removing his crown and departing, leaving the petitioners to gaze at the symbol of his power.
The narrator and his companions continue to receive visits from the neighboring islands, with many messengers bringing gifts and soft speeches. However, a mysterious figure clad in a dark robe appears, fixing the narrator and Yillah with a piercing gaze. Despite the narrator's attempts to approach the figure, it evades him and eventually disappears. The narrator then receives a visit from three black-eyed damsels, who bring gifts from Queen Hautia, including flowers and a Venus-car. However, the narrator's response to their message is misinterpreted, and they depart, leaving him wondering about the meaning of their visit. King Media is intrigued by the incident but is unsure of Queen Hautia's intentions. The narrator eventually puts the matter out of his mind, enjoying the novel pleasures of their stay in Odo, but the encounter with Queen Hautia's messengers remains a mystery.
The narrator, Taji, decides to leave King Media's palace and settle in a secluded islet near the shore of Odo, where he can live in peace and quiet. With the king's permission, he builds a retreat on the islet, a thatched arbor surrounded by water, where he can live with Yillah. The narrator's friends, Jarl and Samoa, choose to live elsewhere, with Jarl settling in a nearby grove and Samoa staying in the king's camp. Despite the narrator's desire for solitude, he is still visited by the people of neighboring islands, who paddle by and gaze at his retreat. At night, he catches glimpses of a mysterious canoe hovering around the islet, and Yillah begins to act strangely, as if haunted by some memory or foreboding.
The chapter provides a detailed description of the island of Odo and its ruler, King Media. Odo is depicted as a beautiful and lush island, full of charm and character, with a unique landscape and features. The island is home to a variety of flora and fauna, including guavas and grapes, and its inhabitants live in a range of dwellings, from grand palaces to humble caves. However, beneath its idyllic surface, Odo is revealed to be a complex and nuanced society, with a system of class and social hierarchy, and a history of oppression and suffering. The island's poor and marginalized inhabitants, including serfs and war captives, are forced to live in squalid conditions and toil in harsh environments, while the ruling classes enjoy lives of luxury and leisure. The chapter also touches on the island's unique funeral customs, in which the dead are buried at sea, and the rationale behind this practice, which is rooted in the islanders' belief that the earth should be reserved for the living, and that the sea is a more fitting repository for the dead.
The narrator and Yillah's happiness in Odo is short-lived, as Yillah suddenly disappears one morning. The narrator searches for her, enlisting the help of his companions and King Media, but she is nowhere to be found. Media's messengers return from the neighboring islands, having failed to locate Yillah. The narrator is consumed by grief, falling into a state of despair and reverie. Eventually, his memories return, and he becomes determined to search for Yillah throughout Mardi, leaving Odo behind. The chapter marks a turning point in the narrator's journey, as he sets out to find the missing Yillah, and his story will likely take a new direction from here.
The narrator, Taji, prepares to embark on a journey to search for the missing Yillah, accompanied by King Media, Samoa, and three new acquaintances: Mohi, a storyteller and keeper of the Chronicles of the Kings of Mardi; Babbalanja, a mystical and learned man; and Yoomy, a young and capricious minstrel. King Media introduces these companions to Taji, and they all express their willingness to join the search for Yillah. As they prepare to depart, King Media appoints a regent, Almanni, to rule in his absence and draws a map of the lagoon to plan their voyage. The group sets out on their journey, visiting various islands in the archipelago, with Babbalanja and Mohi seemingly less hopeful of finding Yillah than the more optimistic Yoomy and King Media.
The narrator and his companions set sail on a journey to search for the missing Yillah, accompanied by King Media and three new acquaintances: Mohi, Babbalanja, and Yoomy. They travel in a grand flotilla, with the royal Elephant canoe carrying the group, adorned with the family crest of Media and displaying a fierce device. As they glide away from the island, the multitude waves goodbye, and the group is filled with excitement and anticipation for their voyage. With a fair wind, they sail into the open lagoon, and Yoomy stands at the prow, crying out that Mardi lies before them, with all its isles, lakes, and stores of good and evil, and that they will find Yillah. The group is determined to make the most of their journey, and with a lively blast from the winds, they sail on, ready for whatever adventures await them.
The narrator and his companions arrive at the Isle of Yams, where they meet the young King Peepi, who is only ten years old. Despite his age, Peepi is already showing signs of precociousness and confidence. The narrator learns about Peepi's unique situation, where he is believed to have inherited not only the throne but also the souls of various heroes, sages, and demi-gods, which are thought to influence his actions and decisions. As a result, Peepi's behavior and policies are inconsistent and unpredictable, making it challenging for his subjects and neighboring countries to deal with him. The narrator also discovers that Peepi's parliament has passed a law recognizing that the king is without a conscience and can do no wrong, which is seen as a flawed logic. Despite the chaos and confusion that Peepi's situation creates, he remains a charming and assured young prince.
The chapter explores the cultural significance of teeth in the island of Valapee, where they are highly valued as ornaments and are even used as currency. The narrator describes how teeth are extracted and worn as jewelry, and how they are used to signify status and wealth. The chapter also touches on the practice of offering up teeth to the dead, and how this custom has evolved over time. The narrator notes that in Valapee, the teeth of the deceased are extracted and distributed among the mourners as a memorial, rather than being buried with the body. The chapter also includes a discussion of the use of teeth as a form of currency, and how this system works in practice. Throughout the chapter, the narrator uses vivid imagery and storytelling to bring the cultural practices of Valapee to life, and to explore the symbolic significance of teeth in this society.
The narrator and his companions sail away from the island of Valapee, disappointed by the people's behavior and the young King Peepi's whims. King Media issues a decree to suspend all formalities and etiquette during their voyage, and they set sail in a grand flotilla. As they pass by a rock called Pella, they discuss the legend of the ten kings buried within it, and Babbalanja questions the value of posthumous renown. The conversation turns to the topic of fame, and Babbalanja suggests that true renown is impossible to achieve. He advises King Media to carve his name into a stone and sink it into the sea to ensure its perpetuation. They then hear another legend from Mohi about a group of evil goblins who tried to steal an island, but were punished by the god Upi. The narrator and his companions continue their journey, enjoying the scenery and each other's company, with King Media emphasizing that no pastime is lost time.
The narrator and his companions are sailing in a grand flotilla when they are interrupted by the minstrel Yoomy, who leads them in a paddle-song, a traditional warrior chant. The energetic song and paddling motions create a lively atmosphere, but they are soon interrupted by a swift canoe carrying three hooded damsels, heralds of the enigmatic Queen Hautia. The damsels bring a message for the narrator, conveyed through a series of symbolic flowers, including Iris, Circe flowers, a faded jonquil, and oleanders. Yoomy, acting as a kind of interpreter, deciphers the meaning of the flowers, warning the narrator of a spell being woven, bitter love in absence, and urging him to beware of Queen Hautia. The message is mysterious and unsettling, leaving the narrator and his companions perplexed and concerned.
The narrator and his companions arrive at the island of Juam, ruled by the young and handsome monarch Donjalolo. They are impressed by the island's natural beauty, including its towering cliffs, steep projections, and rolling sea. As they make their way through a subterranean tunnel, they emerge into a wild hollow surrounded by inaccessible heights and verdant valleys. The group is struck by the island's unique landscape, which seems to be split in two by masses of day and night. They learn that the island is home to two villages, one to the east and one to the west, and that Donjalolo is known for his uncommon traits and peculiar deprivations. The narrator and his companions set out to find Donjalolo in his western retreat, seeking shade in the afternoon. Along the way, they are regaled with the history of Donjalolo, which will be revealed in the next chapter.
The chapter recounts the story of King Teei of Juam, who was defeated and killed by his brother Marjora in a battle. Marjora then became the ruler of Juam, but an oracle declared that he and his descendants would never leave the glen of Willamilla, or they would face death. Despite this, Marjora's successors found ways to interpret the oracle in their favor, allowing them to leave the glen. The story then shifts to the current king, Donjalolo, who is torn between his desire for freedom and his duty to become the king of Juam. After his father's death, Donjalolo is forced to decide whether to leave the glen and give up his claim to the throne, or to stay and become the king. In the end, he chooses to stay and is girdled as the new monarch, but he is clearly unhappy with his decision. The chapter explores the themes of fate, duty, and the constraints of royalty, as Donjalolo struggles with the weight of his responsibilities and the limitations of his freedom.
The chapter delves deeper into the character of Donjalolo, the prince of Juam, who has undergone a significant change since assuming the throne. Initially known for his temperance and discretion, Donjalolo has fallen into a life of excess and desperation, struggling to cope with the constraints of his royal duties and the law that forbids him from abdicating. His frustration and sense of captivity have led to erratic behavior, oscillating between attempts at virtue and succumbing to vicious pursuits. Despite brief moments of repentance, Donjalolo is unable to escape the cycle of self-destruction, haunted by the ghosts of his past and the weight of his responsibilities. His story serves as a cautionary tale about the dangers of unchecked desires and the corrupting influence of power.
The narrator and his companions advance deeper into the vale, encountering the young prince Donjalolo, who is being carried in a luxurious sedan by thirty men. Donjalolo is a slender and enervated youth with pallid beauty, and he is attended by several girls who fan him and stimulate the air with aromatic incense. However, when he catches sight of Samoa, he becomes agitated and orders the warrior out of sight, believing him to be the specter of his ancestor Marjora. After being reassured that Samoa is flesh and blood, Donjalolo calms down, but soon becomes overcome with fatigue and desires to be left alone with his women. The narrator and his companions are then left to their own devices, and they spend the rest of the day exploring the valley and viewing the prince's palaces.
The chapter explores the concept of time and its relationship to creation, development, and eternity. It discusses how great monuments, buildings, and natural wonders take time to construct or form, and that nothing lasting can be created quickly. The narrator uses various examples from history, literature, and nature to illustrate this point, emphasizing that duration is a product of the past, not the future. The chapter also touches on the idea that even the universe itself may have evolved over time, with the Infinite potentially becoming more infinite. Ultimately, the narrator concludes that time is a mighty force that shapes and creates all things, and that it is a tutor, counselor, physician, scribe, poet, sage, king, and gardener. The chapter ends with a note that the story will return to the glen, setting the stage for the next part of the narrative.
The narrator describes the magnificent palaces of Donjalolo, the king of Juam, which are renowned for their beauty and luxury throughout the Archipelago. The House of the Morning, located in the eastern quarter of the glen, is a stunning palace built on a natural mound, with pillars made from sprouted seed-cocoanuts and beams of scarlet wood. The palace is covered in a thatched roof, with bright birds flitting and singing through the verdure, and features three sparkling rivulets that flow across its summit and pour over the eaves in a wide sheet. The sides of the palace are hedged by fragrant Diomi bushes and piles of richly dyed and embroidered mats. The narrator is enchanted by the beauty of the palace and its surroundings, which create a sense of being in a garden or a grotto. The description of the palace highlights the king's love of luxury and his desire to create a secret world of enjoyment in his glen.
The chapter describes the House of the Afternoon, a beautiful and serene palace located in the glen of Willamilla, which is built into the side of a mountain. The palace features a stunning grotto with a stream running through it, creating a cool and refreshing atmosphere. The grotto is adorned with vines and colorful leaves, and a stone image of the tutelar deity Demi is located in the middle of the hall. The palace is cooled by the blessed breezes of Omi, which come from a mountain promontory and are considered a delight to breathe in. Donjalolo, the prince of Juam, spends his afternoons in the House of the Afternoon, where he can escape the heat of the day and enjoy the pleasant surroundings. The chapter provides a vivid description of the palace and its surroundings, highlighting the beauty and tranquility of the glen of Willamilla.
The chapter delves into Babbalanja's introspective thoughts as he ponders over the remains of Donjalolo's ancestors in the House of the Afternoon. He reflects on the fleeting nature of life, the inevitability of death, and the elusiveness of the afterlife. Babbalanja questions the notion of royalty and the significance of the skeletal remains, wondering if they hold any true power or meaning. He also grapples with the concept of eternity, contemplating whether it is possible for the dead to live on in some form. Through his musings, Babbalanja touches on the themes of mortality, the transience of human existence, and the search for understanding and connection with something greater than oneself. Ultimately, he comes to the realization that death is an inherent part of life, and that even the mightiest of kings will eventually succumb to its power.
The narrator leads the reader through the winding and intricate passages of Donjalolo's private retreat, the House of the Morning, to the central and most private chamber. This chamber is likened to the innermost sanctum, where the prince reclines on a multitude of mats, gazing upwards at the sky through open skylights. The description emphasizes the layered and protected nature of the space, with multiple thatched walls and corridors, symbolizing the prince's own layered and insulated personality. The narrator's use of metaphors, such as comparing Donjalolo to a nut, a ruby, and a peach, highlights the prince's self-contained and absolute nature, emphasizing his position as the central and indivisible monarch of Juam.
The chapter delves into the life of Donjalolo, the ruler of Juam, and his relationship with his thirty wives, each corresponding to a night of the lunar month. The wives are managed through a strict system, with each one ruling as queen for a night, and then passing on to the next. The seraglios, where the wives reside, are hidden away in a grove and accessible only through arbors leading from the palace. The old men who attend to the wives are tasked with obeying their every command, but are hated by the damsels, who suspect them of having ulterior motives. Despite the strict system, the order of precedence among the wives often becomes confused, leading to chaos and disruption. Donjalolo himself is often tormented by the demands and antics of his wives, and is further troubled by the fact that he has no heir, despite his numerous marriages. The chapter provides a glimpse into the complexities and challenges of Donjalolo's life as a ruler with a large and demanding harem.
The narrator and his companions continue their stay in the hollow of Willamilla, where they engage in lively discussions and debates. Samoa boasts about the beauty of his native isles, while Jarl commits a comical blunder by using a nut shell as a repository for his Arva, a substance used as a sedative. Babbalanja takes Jarl to task for his mistake, advising him to follow the example of others when unsure of conventionalities. He then tells the story of Karkeke, a young man who, upon entering the afterlife, attempted to mimic the customs of the spirits but ended up being ridiculed and punished for his foolishness. The group is later invited to the House of the Morning by Prince Donjalolo, where they journey in sedans sent by the prince.
Donjalolo, the prince of Juam, has sent agents to the surrounding islands to gather information about the outside world, as he is curious and wants to learn more. The agents return and are invited to a grand public reception, where they share their findings. However, the two agents sent to the same island, Rafona, give conflicting accounts of their experiences, causing Donjalolo to become frustrated and disillusioned with the idea of seeking truth through proxy. He realizes that even inanimate objects can be misleading and that the only way to truly know something is to experience it oneself. The chapter ends with Donjalolo rising and retiring, leaving the assembly in a state of vociferation and debate. Babbalanja, who has been observing the scene, comments to Media that both agents are wrong and right, suggesting that the truth is more complex and nuanced than Donjalolo's simplistic expectations.
The narrator and his companions leave Donjalolo's vale and visit the outer villages of Juam, then travel to its tributary isles. They meet the viceroys of Donjalolo, who present themselves as humble and faithful, but are revealed to be cruel and tyrannical in their own domains. The narrator's companion, Babbalanja, comments on the futility of their search for Yillah in islands ruled by such viceroys. Just as they are about to embark for a distant land, they receive a message from Donjalolo, requesting their return to attend a regal banquet in Willamilla, where many neighboring kings have gathered. Media agrees to return, and they accompany the king's messengers back to the glen.
The narrator, Taji, attends a grand feast hosted by King Donjalolo, where he sits down to dinner with twenty-five kings. The feast is a lively and merry occasion, with plenty of food, wine, and music. Donjalolo is in high spirits, and the narrator is impressed by the king's flexibility and resilience despite his initial impression of debility. The kings engage in a drinking competition, with Donjalolo urging them to drink deeply and praising the wine's ability to bring wisdom and valor. The feast becomes increasingly rowdy, with the kings laughing and shouting, and eventually, they all become intoxicated and recline, serviced by mute damsels and aromatic spices. The narrator struggles to stay awake but eventually succumbs to the sedative fumes of the Aina and falls into a deep sleep, with Donjalolo being borne away to his sedan, marking the end of the royal banquet.
The narrator and his companions wake up after a night of feasting with the kings, feeling the effects of their excessive drinking. They find the other kings still sleeping, and Babbalanja comments on the difference between the live kings and the dead ones. As the kings start to wake up, they are attended to by their servants, who try to revive them with scented water. Donjalolo, the host, is absent, but it is explained that he was taken to his harem by his slaves. The kings eventually recover and prepare to leave, saying their goodbyes and departing in the evening. The next day, the narrator and his companions visit Donjalolo to bid him farewell, finding him pale and languid after a night of solitude. Donjalolo is struggling with his own desires and the constraints of his royal duties, and he bids the narrator and his companions to leave him and continue their journey, offering them a final drink before they depart.
The narrator and his companions continue their journey, and old Babbalanja, also known as Braid-Beard, entertains them with a story about the Plujii, mischievous spirits that inhabit the island of Quelquo. According to the story, the Plujii are responsible for various troubles and annoyances that afflict the islanders, from destroying banana plantations to causing colic and bad dreams. However, when old Mohi, also known as Braid-Beard, encounters an old woman suffering from abdominal pain, he suspects that her condition may be caused by eating unripe bananas rather than the Plujii. The islanders believe that the Plujii are to blame for their troubles, but they do not abuse them, and any bitter words spoken against the Plujii are pardoned. Babbalanja suggests that the idea of the Plujii may be a reasonable explanation for the many trivial troubles that mortals face, and that these spirits may be inferior beings that are overlooked by the supreme powers.
The narrator and his companions approach the island of Nora-Bamma, also known as the Isle of Nods, where the air is filled with a tranquil and sleepy atmosphere. The island is described as a place where dreamers, hypochondriacs, and somnambulists come to escape the cares of the outside world and seek oblivion in the island's poppy-scented odors. According to Babbalanja, or Braid-Beard, anyone who visits the island is instantly overcome with drowsiness, and even the most determined adventurers fall asleep before achieving their goals. The island is said to be haunted by silent specters that glide through the twilight groves and meads, adding to its mystical and dreamlike quality. As the narrator and his companions float closer to the island, they begin to feel the effects of its somnolent atmosphere, yawning and struggling to stay awake.
The chapter begins with the narrator and his companions experiencing a calm sea, which is likened to the stillness of death. However, the silence is broken by a distant melody and the appearance of a shallop carrying three damsels, who are heralds of the enigmatic Queen Hautia. The damsels bring gifts and messages for the narrator, Taji, which are interpreted by the minstrel Yoomy. The messages are ambiguous and seem to convey a sense of warning and temptation, with references to love, death, and joy. Taji declares that he will not be swayed by Hautia's charms and orders his companions to set sail and continue their journey. Yoomy responds with a song, warning of the dangers of being seduced by Hautia's gifts, which may appear beautiful but are ultimately corrupted and deadly. The chapter ends with Yoomy's song, which cautions against the allure of Hautia's charms and advises the narrator to beware of her true intentions.
The narrator and his companions approach the island of Ohonoo, also known as the Land of Rogues, but they soon discover that the islanders are not what their name suggests. Instead of being a nest of villains and pirates, the men of Ohonoo are honest and take pride in their origins, which date back to a time when they were banished from neighboring islands for their misdeeds. The islanders have a unique history, having been formed by a community of outcasts who came together to create a new society. They have a monarchy and a system of government, and they take pride in their ancestors' exploits, even though they do not condone such behavior in their current society. The chapter explores the themes of identity, community, and the power of time to shape our perceptions and values. Through the story of Ohonoo, the narrator highlights the idea that words and names can be misleading, and that true understanding can only be gained by looking beyond surface appearances.
The narrator and his companions arrive at the island of Ohonoo, where they witness the islanders engaging in a thrilling surf-riding sport. The islanders use surf-boards to ride the massive waves that crash against the shore, demonstrating their skill and bravery. After the bathing, the narrator and his companions meet the king of Ohonoo, Uhia, who welcomes them and invites them to join him for supper. Despite the lively atmosphere and good food, Uhia appears moody and sad, prompting Babbalanja to comment on his host's melancholy. However, King Media encourages the group to be merry and enjoy themselves, and they eventually retire to their mats, filled with the excitement and joy of their day's adventure.
The narrator and his companions visit the island of Ohonoo, where they meet King Uhia, who is determined to fulfill an old prophecy that says his island will be moved to the center of the lagoon and he will become the ruler of all Mardi. Uhia has been trying to achieve this goal with the help of magicians, but so far, he has been unsuccessful. The narrator reflects on how Uhia's ambition and desire for greatness have made him unhappy and discontent with his current life. The narrator also notes that everyone on the island seems to be envious of someone else's position, from the king to the lowest servant, and that this envy creates a sense of discontent and unhappiness. Despite their search, the narrator and his companions are unable to find Yillah on the island, and they continue their journey.
The narrator visits the island of Ohonoo, where he encounters the god Keevi, a deity with multiple eyes, hands, and legs, who is said to have fallen from a golden cloud. The locals show him the spot where Keevi fell, and the narrator is skeptical but intrigued by the legend. He then visits the precipice of Mondo, a steep cliff where 50 rebel warriors took a fatal leap in the past. The narrator learns about the tragic event and the supernatural aid that the islanders invoke to descend the perilous path. He also discovers that the test of legitimacy for the Ohonoo monarchs is to stand on a narrow ledge near the precipice, and King Uhia had passed this test in his youth, demonstrating his bravery and claim to the throne.
The narrator and his companions are sailing near the island of Tupia, and Yoomy, the minstrel, tells a legend about the island's past inhabitants, a race of tiny people who were covered in soft, silky down and had vines growing on their heads. The little people were fond of the sea and would often dive down into the coral groves to make love to the mermaids or play with the sea-urchins. They were also skilled at crafting minute balls of light and would play with them in the groves. The legend is met with skepticism by Mohi, the chronicler, who accuses Yoomy of inventing the story. However, Babbalanja defends Yoomy, saying that truth is not just in words, but in things, and that what is considered fiction can be just as real as tangible objects. The conversation ends with Babbalanja quoting old Bardianna, saying that the question of what is truth is more final than any answer.
The narrator and his companions arrive at the island of Mondoldo, where they are greeted by King Borabolla, a jolly and hospitable old monarch. Borabolla welcomes them with a grand feast, and after lunch, he takes them to his famous fish-ponds, where he raises fish for the table. The fish are tame and communicative, and the king's Head Ranger feeds and interacts with them. The narrator reflects on the nature of fish, considering them to be unchristian and cold-blooded, but also ponders the possibility of a hereafter for these creatures, suggesting that even whales may have an afterlife.
The chapter describes a banquet hosted by King Borabolla of Mondoldo, where the narrator and his companions are treated to a feast of fish and wine. Despite Borabolla's jolly demeanor, he is suddenly struck by a bout of gout, which causes him great pain and discomfort. However, after recovering, he continues to enjoy the company of his guests, particularly Jarl, with whom he forms a strong bond. Borabolla requests that Jarl stay on the island after the rest of the party departs, promising to surrender him whenever they return. The narrator is hesitant to agree, valuing Jarl's companionship and the memories they have shared. Throughout the chapter, the narrator reflects on the themes of hospitality, friendship, and the complexities of human relationships, all while continuing the search for the missing Yillah.
The narrator and his companions are on the island of Mondoldo, where they meet King Borabolla, who welcomes them with a feast. However, one of the king's divers, Karhownoo, is injured while diving for turtles and suffers a severe head injury after colliding with a coral reef. The diver is brought to shore, and Samoa, the one-armed Upoluan, takes charge of the situation, claiming to have experience in surgery. With the king's permission, Samoa performs a trepan operation, using a bamboo scalpel and a piece of cocoa-nut shell to mend the diver's fractured skull. Although the operation appears to be successful, the diver is ultimately found to be dead. Despite this, the bystanders are impressed by Samoa's surgical skills, and he regales the company with a story about his past experiences as a surgeon.
The chapter explores the themes of faith and knowledge, discussing how faith and credulity are not the same thing, and that the highest intelligence often rejects more, but also out-believes others. It touches on the idea that truth is not always immediate, and that the closest things to us can be the furthest from our understanding. The narrator also reflects on how humans have a limited understanding of themselves and the world, but are still capable of great faith. The chapter then takes a philosophical turn, with the narrator asserting that they have lived through various historical events and have played a role in shaping the course of human history. However, this assertion is likely a metaphorical or poetic expression, rather than a literal claim, highlighting the complexity and depth of human experience and the interconnectedness of all things.
The narrator shares a tale told by Samoa, a traveler, about a man who was injured in a fight and had part of a live pig's brain grafted into his own brain cavity. The man survived the operation but became perverse-minded and piggish, exhibiting characteristics of the pig. The story is met with skepticism by Babbalanja, who questions the idea of transferring human reason into a pig. Babbalanja shares his own thoughts on the possibility of creating new species through mixing and concocting the essential ingredients of various creatures. Despite the skepticism, the traveler's tale captivates the audience, showcasing Samoa's toughness and the enduring power of his stories.
The chapter describes the funeral rites of a diver named Karhownoo who died after a failed surgery performed by Samoa. The mourners, including the diver's wife and father, lament his death and perform various rituals, such as cutting themselves with shells and singing dirges. Meanwhile, a wedding ceremony is taking place in a nearby arbor, where a bride and groom are being married with flowery cords and a stone. The chapter contrasts the joy and celebration of the wedding with the sadness and mourning of the funeral. After the funeral rites, the body is taken out to sea and committed to the waves, and the mourners watch as it sinks into the depths. The chapter ends with a mysterious voice singing a haunting song about the sea and death, leaving the company in a state of awe and silence.
The narrator, Taji, is on the island of Mondoldo when three strange men arrive, seeking revenge for the death of their father, Aleema, whom Taji had killed. The men are the sons of Aleema and have been pursuing Taji across the seas. They demand to know the whereabouts of Yillah, the maiden Taji had rescued from them, but Taji refuses to tell them. The sons of Aleema then reveal the history of Yillah, telling how she was brought to their island as an infant by a group of white beings who were worshipped as gods. Yillah's mother was killed by the islanders, and Yillah was taken by Aleema to be sacrificed to the god Apo. The sons of Aleema believe that Apo has taken Yillah to himself, and they vow to drink Taji's blood from his skull. Taji continues to dissemble, pretending that the men are mad, but he is secretly filled with horror and longing for Yillah. The king of Mondoldo, Borabolla, intervenes and confines the sons of Aleema, protecting Taji from their wrath.
The narrator receives a mysterious and ominous message from Queen Hautia's heralds, who present him with various symbolic gifts, including wax-myrtle berries, a crushed lily, and bilberries. The heralds' message, interpreted by Yoomy, suggests that the narrator has been enlightened, but the lily he seeks (Yillah) is crushed, implying that she may be lost or unattainable. The narrator is warned of harm and treachery, and the heralds disappear, leaving him to ponder the meaning of the message and the intentions of Queen Hautia. Despite the ominous warning, the narrator remains resolute in his determination to find Yillah and rejects the idea of pursuing Queen Hautia, even if it means suffering woe.
The narrator and his companions prepare to leave the island of Mondoldo, but not before making arrangements for Jarl to stay behind as a representative of Taji. Jarl is initially reluctant to stay, but eventually agrees after the narrator assures him that they will return soon. Samoa, who had been traveling with the group, also decides to leave and return to Odo, but is later found dead in a canoe with three arrows in his side. The narrator and his remaining companions, including King Media, Babbalanja, and Yoomy, set sail once again, but not before receiving a curse from the three sons of Aleema, who had escaped from their prison. The group departs Mondoldo, leaving Jarl behind, and continues their search for Yillah, with a sense of ominous foreboding hanging over them.
The narrator is on a canoe, sailing across a lagoon, and is lost in thought as he tries to unravel the mysteries of Yillah's disappearance. He recalls his last meeting with Queen Hautia's messengers and wonders if Yoomy correctly interpreted their enigmatic messages. The narrator is filled with a sense of dread and fear towards Hautia, who seems to be pursuing him with omens and taunts. Meanwhile, the minstrel Yoomy begins to sing a song about a mythical afterlife called Marlena, a land of shades and streams where the sun is excluded, and the narrator is transported to a world of beauty and wonder. The song is met with praise and criticism from the others, with Mohi suggesting that it is soporific and Yoomy defending his composition. Babbalanja advises Yoomy to always seek to derive commendation from ambiguous remarks, rather than seeking to extract unpleasantness. The chapter ends with Yoomy reflecting on his own self-doubt and sensitivity to criticism, highlighting the complexities of his character and the themes of creativity, self-expression, and the pursuit of beauty.
The chapter revolves around the theme of being "bedeviled," a concept introduced by the philosopher Babbalanja, which suggests that all men are possessed by devils, but these devils are of different kinds and degrees. Babbalanja argues that as long as one's devilry does not harm others, they are left to their own devices. However, if their actions cause harm to others, their devils are considered mad and must be confined. The chapter includes various encounters and discussions that illustrate this concept, including the appearance of a sharp-prowed canoe driven by the prince Tribonnora, who is described as being "bedeviled" and prone to reckless behavior. The chapter also features a conversation between Babbalanja and King Media, where Babbalanja's doctrine is met with skepticism and humorously countered by Media, who ultimately has Babbalanja bound and gagged to illustrate the dangers of his philosophy. Throughout the chapter, Melville explores the complexities of human nature, morality, and the nature of evil, leaving the reader to ponder the implications of Babbalanja's theory.