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Plays : Second Series

By John Galsworthy

Summary of Plays : Second Series

The book is a collection of interconnected stories that explore themes of social class, morality, personal responsibility, love, identity, and the human condition. The narrative is divided into two main storylines: one revolving around the Cheshire family, particularly Sir William Cheshire and his eldest son, Bill, who is torn between his duty to marry a woman of their social class and his desire to do the right thing by marrying his mother's maid, Freda, who is pregnant with his child. The other storyline follows William Falder, a young clerk who forges a cheque to help his lover, Ruth Honeywill, escape her abusive husband, and his subsequent struggles with the harsh conditions of prison and the difficulties of reintegrating into society after his release. The book also features an allegorical narrative centered around Seelchen, a mountain girl who must choose between two suitors, representing the conflicting desires of her heart. Through these storylines, the book raises questions about the morality of one's actions, the consequences of one's decisions, and the societal pressures that shape individual choices. Ultimately, the book presents a commentary on the human condition, highlighting the struggles and difficulties that individuals face in their personal and social lives, and the search for meaning and connection that defines human existence.

Chapter Summary of Plays : Second Series

THE ELDEST SON

The story revolves around the Cheshire family, particularly Sir William Cheshire and his eldest son, Bill. The family is part of the upper class, and they are expected to maintain their social status. Bill, however, is in a delicate situation as he has gotten his mother's maid, Freda, pregnant. Sir William is adamant that Bill should marry a woman of their social class, specifically Mabel Lanfarne, to secure their family's position and title. Bill, on the other hand, wants to do the right thing and marry Freda, despite the potential consequences to his family's reputation. The story explores themes of social class, morality, and personal responsibility as the characters navigate this complicated situation. Ultimately, Freda decides not to marry Bill, choosing instead to maintain her dignity and independence, while Bill is left to face the repercussions of his actions.

ACT I

The story revolves around William Falder, a young clerk who forges a cheque to help his lover, Ruth Honeywill, escape her abusive husband. Falder is caught and sentenced to three years in prison. While in prison, he struggles with the harsh conditions and the isolation of being in solitary confinement. After his release, Falder is unable to find employment due to his criminal record and is forced to live on the streets. Ruth, who has been waiting for him, is also struggling to make ends meet. When Falder's former employer, James How, offers him a chance to return to work, Falder is forced to choose between his loyalty to Ruth and his desire to rebuild his life. Meanwhile, Detective-Sergeant Blister is searching for Falder, who has broken the terms of his ticket-of-leave. In the end, Falder's situation becomes desperate, and he meets a tragic end, jumping to his death while trying to escape from the detective. The play highlights the struggles of those who have been incarcerated and the difficulties they face in reintegrating into society.

SCENE II

The chapter revolves around the themes of morality, personal responsibility, and the consequences of one's actions. It explores the story of William Falder, a young clerk who forges a cheque to help his lover, Ruth Honeywill, escape her abusive husband. Falder is caught and sentenced to three years in prison, where he struggles with the harsh conditions and isolation. After his release, he is unable to find employment due to his criminal record and is forced to live on the streets. The chapter also delves into the life of Ruth, who is struggling to make ends meet and is forced to make difficult choices to survive. The story raises questions about the morality of Falder's actions and the consequences of his decisions, as well as the societal pressures that led him to commit the crime. Ultimately, the chapter ends with Falder's tragic death, which serves as a commentary on the harsh realities of the justice system and the difficulties faced by those who have been incarcerated.

ACT II

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. The dream sequence is revealed to be a fantasy, and Seelchen is actually in a mountain hut with Felsman and Lamond. The scene ends with Seelchen rising and stretching, indicating that she is ready to move on from her dream state.

ACT III

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. The dream sequence is revealed to be a fantasy, and Seelchen is actually in a mountain hut with Felsman and Lamond. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The scene ends with Seelchen's passionate cry, "I come!" as she disappears into the distance, leaving Felsman and Lamond behind.

THE LITTLE DREAM

The story revolves around the Cheshire family, particularly Sir William Cheshire and his eldest son, Bill. Bill has gotten his mother's maid, Freda, pregnant, and Sir William is adamant that Bill should marry a woman of their social class to secure their family's position and title. However, Bill wants to do the right thing and marry Freda, despite the potential consequences to his family's reputation. As the story unfolds, it becomes clear that Bill's decision will have significant repercussions for the entire family, and they must navigate the complexities of social class, morality, and personal responsibility. Meanwhile, a separate narrative explores the themes of love, identity, and the human condition through the allegorical story of Seelchen, a mountain girl who must choose between two suitors, representing the conflicting desires of her heart.

SCENE I

The story revolves around the Cheshire family, particularly Sir William Cheshire and his eldest son, Bill. Sir William is adamant that Bill should marry a woman of their social class to secure their family's position and title. However, Bill has gotten his mother's maid, Freda, pregnant and wants to do the right thing by marrying her, despite the potential consequences to his family's reputation. The family is torn between their desire to maintain their social status and their moral obligations. As the story unfolds, it becomes clear that Bill's decision will have significant repercussions for the entire family, and they must navigate the complexities of social class, morality, and personal responsibility. Meanwhile, a separate narrative explores the themes of love, identity, and the human condition through the allegorical story of Seelchen, a mountain girl who must choose between two suitors, representing the conflicting desires of her heart.

SCENE II

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. The dream sequence is revealed to be a fantasy, and Seelchen is actually in a mountain hut with Felsman and Lamond. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The scene ends with Seelchen's passionate cry, "I come!" as she disappears into the distance, leaving Felsman and Lamond behind. In a subsequent scene, Seelchen is seen rising from the side of the sleeping Felsman, and the Shepherd of the Cow Horn is standing by the rock. Seelchen declares that she knows the Shepherd as the embodiment of life and the earth, and that she has passed him by. Felsman wakes up and tries to stop Seelchen from leaving, but she is resolute in her decision to move on. The scene ends with Seelchen walking away, while Felsman is left behind, struggling with his emotions. The final scene shows Seelchen standing before the Great Horn, a symbol of mystery and the unknown. The Great Horn speaks to Seelchen, acknowledging her restless and generous spirit, and welcomes her to the tideless sea, where light and dark, change and peace, are one. Seelchen bows her head to the ground, and the scene fades to black.

SCENE III

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. The dream sequence is revealed to be a fantasy, and Seelchen is actually in a mountain hut with Felsman and Lamond. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The scene ends with Seelchen's passionate cry, "I come!" as she disappears into the distance, leaving Felsman and Lamond behind.

SCENE IV

The scene revolves around Seelchen, a mountain girl, who is torn between her feelings for Felsman and the Goatherd. She is drawn to Felsman's passion and intensity, but is also aware of the Goatherd's presence and feels a sense of longing for him. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The Goatherd's pipe playing and the dancing of the Flower-children add to the sense of enchantment and mystery, but also serve to highlight Seelchen's inner turmoil. Ultimately, Seelchen's decision to leave Felsman and embark on a new journey is symbolized by her passionate cry, "I come!" as she disappears into the distance. The scene ends with the Goatherd's song, which serves as a commentary on the human condition and the search for meaning and connection.

SCENE V

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. The dream sequence is revealed to be a fantasy, and Seelchen is actually in a mountain hut with Felsman and Lamond. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The scene ends with Seelchen's passionate cry, "I come!" as she disappears into the distance, leaving Felsman and Lamond behind. In a subsequent scene, Seelchen is seen rising from the side of the sleeping Felsman, and the Shepherd of the Cow Horn is standing by the rock. Seelchen declares that she knows the Shepherd as the embodiment of life and the earth, and that she has passed him by. Felsman wakes up and tries to stop Seelchen from leaving, but she is resolute in her decision to move on. The scene ends with Seelchen walking away, while Felsman is left behind, struggling with his emotions. The final scene shows Seelchen standing before the Great Horn, a symbol of mystery and the unknown. The Great Horn speaks to Seelchen, acknowledging her restless and generous spirit, and welcomes her to the tideless sea, where light and dark, change and peace, are one. Seelchen bows her head to the ground, and the scene fades to black.

SCENE VI

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The scene ends with Seelchen's passionate cry, "I come!" as she disappears into the distance, leaving Felsman and Lamond behind.

JUSTICE

The story revolves around William Falder, a young clerk who forges a cheque to help his lover, Ruth Honeywill, escape her abusive husband. Falder is caught and sentenced to three years in prison, where he struggles with the harsh conditions and isolation. After his release, he is unable to find employment due to his criminal record and is forced to live on the streets. Ruth, who has been waiting for him, is also struggling to make ends meet. When Falder's former employer, James How, offers him a chance to return to work, Falder is forced to choose between his loyalty to Ruth and his desire to rebuild his life. Meanwhile, Detective-Sergeant Blister is searching for Falder, who has broken the terms of his ticket-of-leave. The situation becomes desperate, and Falder meets a tragic end, jumping to his death while trying to escape from the detective. The play highlights the struggles of those who have been incarcerated and the difficulties they face in reintegrating into society.

ACT I. The office of James and Walter How. Morning. July.

The story revolves around William Falder, a young clerk who forges a cheque to help his lover, Ruth Honeywill, escape her abusive husband. Falder is caught and sentenced to three years in prison, where he struggles with the harsh conditions and isolation. After his release, he is unable to find employment due to his criminal record and is forced to live on the streets. Ruth, who has been waiting for him, is also struggling to make ends meet. When Falder's former employer, James How, offers him a chance to return to work, Falder is forced to choose between his loyalty to Ruth and his desire to rebuild his life. Meanwhile, Detective-Sergeant Blister is searching for Falder, who has broken the terms of his ticket-of-leave. The situation becomes desperate, and Falder meets a tragic end, jumping to his death while trying to escape from the detective. The play highlights the struggles of those who have been incarcerated and the difficulties they face in reintegrating into society.

ACT II

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. The dream sequence is revealed to be a fantasy, and Seelchen is actually in a mountain hut with Felsman and Lamond. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The scene ends with Seelchen's passionate cry, "I come!" as she disappears into the distance, leaving Felsman and Lamond behind. In a subsequent scene, Seelchen is seen rising from the side of the sleeping Felsman, and the Shepherd of the Cow Horn is standing by the rock. Seelchen declares that she knows the Shepherd as the embodiment of life and the earth, and that she has passed him by. Felsman wakes up and tries to stop Seelchen from leaving, but she is resolute in her decision to move on. The scene ends with Seelchen walking away, while Felsman is left behind, struggling with his emotions. The final scene shows Seelchen standing before the Great Horn, a symbol of mystery and the unknown. The Great Horn speaks to Seelchen, acknowledging her restless and generous spirit, and welcomes her to the tideless sea, where light and dark, change and peace, are one. Seelchen bows her head to the ground, and the scene fades to black.

ACT III

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. The dream sequence is revealed to be a fantasy, and Seelchen is actually in a mountain hut with Felsman and Lamond. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The scene ends with Seelchen's passionate cry, "I come!" as she disappears into the distance, leaving Felsman and Lamond behind. In a subsequent scene, Seelchen is seen rising from the side of the sleeping Felsman, and the Shepherd of the Cow Horn is standing by the rock. Seelchen declares that she knows the Shepherd as the embodiment of life and the earth, and that she has passed him by. Felsman wakes up and tries to stop Seelchen from leaving, but she is resolute in her decision to move on. The scene ends with Seelchen walking away, while Felsman is left behind, struggling with his emotions. The final scene shows Seelchen standing before the Great Horn, a symbol of mystery and the unknown. The Great Horn speaks to Seelchen, acknowledging her restless and generous spirit, and welcomes her to the tideless sea, where light and dark, change and peace, are one. Seelchen bows her head to the ground, and the scene fades to black.

SCENE II

The scene revolves around Seelchen, a mountain girl, who is torn between her feelings for Felsman and the Goatherd. She is drawn to Felsman's passion and intensity, but is also aware of the Goatherd's presence and feels a sense of longing for him. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The Goatherd's pipe playing and the dancing of the Flower-children add to the sense of enchantment and mystery, but also serve to highlight Seelchen's inner turmoil. Ultimately, Seelchen's decision to leave Felsman and embark on a new journey is symbolized by her passionate cry, "I come!" as she disappears into the distance.

SCENE III

The scene revolves around Seelchen, a mountain girl, who is torn between her feelings for Felsman and the Goatherd. She is drawn to Felsman's passion and intensity, but is also aware of the Goatherd's presence and feels a sense of longing for him. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The Goatherd's pipe playing and the dancing of the Flower-children add to the sense of enchantment and mystery, but also serve to highlight Seelchen's inner turmoil. Ultimately, Seelchen's decision to leave Felsman and embark on a new journey is symbolized by her passionate cry, "I come!" as she disappears into the distance. The scene ends with the Goatherd's song, which serves as a commentary on the human condition and the search for meaning and connection.

ACT IV

The scene opens with Seelchen standing on a green alp, surrounded by a serene and peaceful atmosphere. She is approached by a Goatherd, who is playing a pipe, and four Flower-children, who are dancing and throwing flowers at her. Seelchen is enchanted by the scene and tries to communicate with the Goatherd, but he disappears. Felsman appears, and Seelchen is drawn to him, but she is also aware of the Goatherd's presence. The scene shifts, and Seelchen is seen waking up from a dream, with Felsman and Lamond standing over her. The dream sequence is revealed to be a fantasy, and Seelchen is actually in a mountain hut with Felsman and Lamond. As the scene progresses, Seelchen becomes increasingly agitated and eventually breaks away from Felsman, running to the edge of the world. The scene ends with Seelchen's passionate cry, "I come!" as she disappears into the distance, leaving Felsman and Lamond behind. In a subsequent scene, Seelchen is seen rising from the side of the sleeping Felsman, and the Shepherd of the Cow Horn is standing by the rock. Seelchen declares that she knows the Shepherd as the embodiment of life and the earth, and that she has passed him by. Felsman wakes up and tries to stop Seelchen from leaving, but she is resolute in her decision to move on. The scene ends with Seelchen walking away, while Felsman is left behind, struggling with his emotions. The final scene shows Seelchen standing before the Great Horn, a symbol of mystery and the unknown. The Great Horn speaks to Seelchen, acknowledging her restless and generous spirit, and welcomes her to the tideless sea, where light and dark, change and peace, are one. Seelchen bows her head to the ground, and the scene fades to black.