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Orlando Furioso

By Lodovico Ariosto

Summary of Orlando Furioso

The book "Orlando Furioso" by Lodovico Ariosto is an epic poem that tells the story of love, war, and chivalry in the medieval era. The story begins with the introduction of the main characters, including Orlando, Rinaldo, and Bradamante, and sets the stage for a series of adventures and battles. The narrative follows the journey of Ruggiero, a young knight who is in love with Bradamante, as he faces various challenges and obstacles on his way to winning her hand. Along the way, he encounters a range of characters, including the beautiful Angelica, the wicked Alcina, and the brave Rinaldo. The story is filled with action, romance, and fantasy elements, including magical creatures, enchanted islands, and epic battles. Throughout the book, Ariosto explores themes of love, honor, and loyalty, and pokes fun at the conventions of chivalric romance. Ultimately, the story concludes with the marriage of Ruggiero and Bradamante, and the triumph of good over evil. The book is a classic of Italian literature and continues to be celebrated for its beautiful language, rich imagery, and compelling storyline.

Chapter Summary of Orlando Furioso

ORLANDO FURIOSO

The provided text is not a chapter from the book "Orlando Furioso" but rather an introduction to the Project Gutenberg eBook of the same name. It includes licensing information, author and release details, and credits for the production of the eBook. The actual story of "Orlando Furioso" by Lodovico Ariosto is not present in this text.

CANTO PRIMO

The story begins with the introduction of the main characters and the setting of the narrative, which takes place in a time when the Moors have crossed the sea from Africa and are causing harm in France. The poet announces that he will tell the story of Orlando, who was driven mad by love, and of the brave deeds of other knights. The narrative then focuses on Angelica, a beautiful princess who is being pursued by many suitors, including Orlando and his cousin Rinaldo. Angelica escapes from her pursuers and meets a knight named Sacripante, who is also in love with her. Sacripante is interrupted by another knight, and the two engage in a fierce battle. Meanwhile, Angelica takes advantage of the distraction to escape, and she eventually meets Sacripante again, who is defeated by a female knight named Bradamante. Angelica and Sacripante then meet Rinaldo, who is also in love with Angelica, but she hates him due to a magical fountain that has changed her feelings towards him. The scene ends with Sacripante preparing to defend Angelica against Rinaldo, setting the stage for further conflicts and adventures.

CANTO SECONDO

The chapter continues the story of Rinaldo and Angelica, with Rinaldo pursuing Angelica and Sacripante, who is also in love with her. The two men engage in a fierce battle, but are interrupted by a messenger who reveals that Orlando is approaching with Angelica. Rinaldo sets off to confront Orlando, riding his horse Baiardo, which had previously been unwilling to obey him. Meanwhile, Bradamante, Rinaldo's sister, is searching for her lover Ruggiero, who has been taken by a magician. She meets a knight named Pinabel, who tells her the story of how Ruggiero was captured, and she decides to continue her search for him. Pinabel, however, has ulteriori motives and tries to trick Bradamante, but she is able to escape from his clutches. The chapter ends with Bradamante recovering from a fall and Pinabel's plan being foiled.

CANTO TERZO

The chapter continues with Bradamante's journey as she searches for her lover Ruggiero. She meets a maga, a wise and powerful woman, who reveals to her the future of her family and the great deeds of her descendants. The maga shows Bradamante the spirits of her future relatives, including Obizzo, Folco, and Leonello, who will become great leaders and achieve remarkable things. The maga also warns Bradamante about the challenges she will face in rescuing Ruggiero from the clutches of the evil sorcerer Atlas. To overcome these challenges, the maga gives Bradamante advice on how to defeat Atlas and his minions, including the use of a magical annello that can counteract the sorcerer's spells. Bradamante sets out on her journey, determined to rescue Ruggiero and fulfill her destiny. Along the way, she meets Brunello, a cunning and resourceful thief who possesses the magical annello, and she must use all her wit and cunning to outmaneuver him and achieve her goal.

CANTO QUARTO

The chapter continues with Bradamante's journey as she searches for her lover Ruggiero. She meets a magus named Atlante who has built a castle to keep Ruggiero safe from harm. However, Bradamante is able to outwit Atlante and free Ruggiero, as well as other prisoners, including Gradasso, Sacripante, and Prasildo. Meanwhile, Ruggiero mounts a magical horse called an ippogrifo and flies away, leaving Bradamante worried for his safety. The chapter then shifts to Rinaldo, who is traveling through Scotland and comes across a convent where he meets monks who tell him about a noblewoman named Ginevra who is in danger of being wrongly accused and executed. Rinaldo decides to help Ginevra and sets out to find her accuser, Lurcanio. Along the way, he encounters a woman being attacked by two men and rescues her, and she begins to tell him her story, which will be continued in the next chapter.

CANTO QUINTO

The story continues with Rinaldo meeting a woman named Dalinda, who tells him about her past and how she was involved in a plot by Polinesso, the Duke of Albania, to deceive Ariodante, a knight who was in love with Ginevra, the king's daughter. Dalinda explains how Polinesso, who was also in love with Ginevra, used her to trick Ariodante into believing that Ginevra was unfaithful to him, leading Ariodante to attempt to take his own life. Meanwhile, Lurcanio, Ariodante's brother, accuses Ginevra of being unfaithful and demands that she be punished. The king, believing his daughter to be guilty, sentences her to death unless a knight can come forward to defend her. Rinaldo decides to intervene and stops the duel between Lurcanio and a mysterious knight who has come to defend Ginevra. Rinaldo reveals the truth about Polinesso's plot and challenges him to a duel, during which Polinesso is killed. With Polinesso's death, the truth about Ginevra's innocence is revealed, and she is saved from execution. The king is overjoyed to have his daughter's name cleared, and Rinaldo is hailed as a hero.

CANTO SESTO

The chapter continues with Ruggiero's journey as he rides on the magical hippogriff, a strange and wondrous creature, to a beautiful island where he meets a talking tree, who is actually Astolfo, a paladin of France. Astolfo tells Ruggiero about his past and how he was transformed into a tree by the sorceress Alcina. He warns Ruggiero about Alcina's tricks and how she has already deceived many men, turning them into animals or objects. Astolfo advises Ruggiero to be careful and not to fall into Alcina's trap. Ruggiero thanks Astolfo for his warning and decides to continue his journey, determined to reach the kingdom of Logistilla. As he approaches Alcina's city, he encounters a strange and monstrous crowd of creatures, but is rescued by two beautiful women who are riding on a liocorno, a mythical creature. The women take Ruggiero to the city, where he is welcomed and entertained by the inhabitants. The chapter ends with Ruggiero being introduced to the city's wonders and the women asking for his help in dealing with a cruel giantess named Erifilla who guards a bridge and terrorizes the city.

CANTO SETTIMO

Ruggiero, having been rescued by two women, arrives at Alcina's city and is welcomed with great fanfare. He is introduced to Alcina, who is revealed to be a beautiful and charming woman. Ruggiero is immediately smitten with her and forgets about his previous love, Bradamante. Alcina uses her magical powers to keep Ruggiero under her spell, and he becomes completely enamored with her. Meanwhile, Bradamante is searching for Ruggiero and is aided by the magician Melissa, who informs her that Ruggiero is being held by Alcina. Melissa disguises herself as Atlas, Ruggiero's mentor, and confronts Ruggiero, who is shocked and ashamed of his current state. Melissa gives Ruggiero a magical ring that breaks Alcina's spell, and Ruggiero is horrified by Alcina's true appearance, which is revealed to be old and ugly. With his senses restored, Ruggiero decides to escape from Alcina's palace and sets out to find his way back to Bradamante. He arms himself and prepares to face any challenges that may come his way, and with the help of Melissa, he is able to escape from Alcina's guards and make his way towards the palace of Logistilla.

CANTO OTTAVO

The chapter continues with Ruggiero's journey as he escapes from Alcina's island with the help of Melissa, a magician who had been aiding Bradamante in her search for Ruggiero. Ruggiero uses a magical shield to defeat Alcina's servants and eventually makes his way to the palace of Logistilla, where he is welcomed and assisted by Melissa. Meanwhile, Rinaldo is in Scotland, where he is received warmly by the king and his daughter, and he requests their aid in the war against the Moors. The king agrees to provide assistance and Rinaldo sets sail for England, where he meets with the prince of Wales and arranges for troops to be sent to France. The chapter also follows the story of Angelica, who is fleeing from Rinaldo and is aided by an eremite who turns out to be a deceitful and lustful man. Angelica is eventually captured by a group of people who take her to an island where she is to be sacrificed to a sea monster as part of a cruel ritual. The chapter ends with Orlando, who is grieving over his lost love Angelica and is determined to find her, setting out on a journey to search for her.

CANTO NONO

The chapter continues with Orlando's journey as he searches for Angelica. He meets a woman named Olimpia, who tells him about her past and how she was forced to marry the son of the king of Frisa, but she had already promised to marry another man named Bireno. Olimpia's family was killed by the king of Frisa, and she was left alone. She asks Orlando to help her by fighting the king of Frisa and killing him, in exchange for which she will give him the woman who killed Arbante, one of the king's sons. Orlando agrees to help Olimpia and challenges the king of Frisa to a duel. The king, however, tries to capture Orlando by treachery, but Orlando is able to defeat him and his men. The king is killed, and Orlando is hailed as a hero. Olimpia is reunited with Bireno, and they get married. Meanwhile, the cousin of Bireno arrives with an army and helps Orlando defeat the king of Frisa. After the battle, Orlando throws away the king's deadly weapon, a magical gun, into the sea, saying that it is an evil instrument that can bring harm to many people. The chapter ends with Orlando continuing his journey to find Angelica, who is being held on an island where a cruel giantess guards a bridge and terrorizes the city.

CANTO DECIMO

The chapter continues with Ruggiero's journey as he rides on the magical hippogriff, passing by various locations and meeting different people. He arrives at the island where Angelica is being held captive and tied to a rock, awaiting to be devoured by a sea monster. Ruggiero rescues her, fighting off the monster, and then takes her with him on his journey. Meanwhile, Olimpia, who was abandoned by her lover Bireno, is left alone on an island and is overcome with grief and despair. She laments her fate and the cruelty of her lover, who has left her for another woman. The chapter also describes the beauty of Logistilla's palace and the magical properties of its walls, which allow those who look into them to see their own virtues and vices. Ruggiero meets Logistilla and is welcomed by her, and she offers to help him on his journey. The chapter ends with Ruggiero's decision to continue his journey, and he sets off towards the west, passing by various countries and meeting different people, including the army of King Charles, who are preparing to sail to France to help the French king.

CANTO UNDICESIMO

Ruggiero is searching for Bradamante, but instead, he comes across Angelica, who is being held captive by a giant. He rescues her, but she escapes, taking with her a magical ring that Ruggiero had been given by Melissa. Ruggiero is left alone, feeling foolish and regretful for having lost the ring and Angelica. Meanwhile, Orlando is on a journey to find Angelica, and he arrives at an island where a beautiful woman, Olimpia, is being held captive by a sea monster. Orlando rescues her, but the islanders, who are being terrorized by the monster, attack him, believing him to be a threat. Orlando fights them off and then meets the king of Ireland, Oberto, who recognizes him and is grateful for his help. Olimpia tells Orlando that she was betrayed by her husband, Bireno, and left on the island, and Orlando promises to help her seek revenge. Oberto also promises to help Olimpia and invites Orlando to join him in his quest for justice. The story then shifts to Orlando's journey, as he sets sail for France, but first, he stops in Ireland, where he stays for a short time before continuing on his way.

CANTO DODICESIMO

The chapter continues with Orlando's journey as he searches for Angelica. He encounters various obstacles and challenges, including a fierce battle with the king of Norizia and his men. Orlando emerges victorious, but his mind is still preoccupied with finding Angelica. Meanwhile, Angelica is on her own journey, using her magical ring to remain invisible and avoid her suitors. She comes across a young man who has been fatally wounded and decides to help him. The chapter also follows the story of FerraĆ¹, who is determined to obtain Orlando's helmet and engages in a fierce battle with him. However, FerraĆ¹ is ultimately unable to defeat Orlando and is forced to retreat. The chapter ends with Orlando continuing his search for Angelica, while Angelica remains elusive and determined to avoid her suitors.

CANTO TREDICESIMO

The chapter continues with the story of Isabella, a princess who was abducted by Odorico, a Biscaglino, on behalf of Zerbino, a Scottish prince. However, Odorico had his own intentions and tried to take advantage of Isabella, but she defended herself and was eventually rescued by a group of people. She was then sold to a merchant who intended to take her to the Soldan in Levant. Meanwhile, Bradamante, who is still searching for her lover Ruggiero, meets a maga named Melissa who tells her that Ruggiero is being held captive by the magician Atlante. Melissa advises Bradamante on how to rescue Ruggiero and warns her about the dangers of Atlante's magic. Bradamante sets out to rescue Ruggiero, and Melissa accompanies her, telling her about the future of her family and the great deeds of her descendants. They eventually arrive at the palace where Ruggiero is being held, and Bradamante must navigate the magical illusions and dangers that Atlante has set in place to keep Ruggiero captive.

CANTO QUATTORDICESIMO

The chapter continues with the story of the war between the Christians and the Saracens. The Saracen king Agramante is preparing to attack the city of Paris, and the Christian king Charlemagne is preparing to defend it. The angel Michael is sent by God to help the Christians, and he brings with him the virtue of Silence, who helps to guide the Christian army quietly and unnoticed by the Saracens. Meanwhile, the Saracen king Rodomonte is leading the attack on Paris, and he is fierce and unstoppable. He breaks through the city gates and begins to slaughter the Christian defenders. The Christians fight back, but they are outnumbered and outmatched by the Saracens. Just when it seems like all is lost, the Christians unleash a devastating counterattack, using fire and flames to drive the Saracens back. The Saracens are caught off guard and are quickly overwhelmed, and they begin to retreat in disarray. The Christians emerge victorious, but not without great cost and loss of life.

CANTO QUINDICESIMO

The chapter continues with Astolfo's journey as he travels with his companions, Grifone and Aquilante, after defeating the giant Caligorante. They meet a hermit who warns them of a cruel giantess named Orrilo, who guards a bridge and terrorizes the city. Astolfo decides to face Orrilo, and with the help of his magical horn, he is able to defeat the giant. However, Orrilo has the ability to reattach his limbs and head, making him nearly invincible. Astolfo eventually discovers that Orrilo's immortality is due to a magical hair on his head, and by cutting it off, he is able to kill the giant. The news of Orrilo's death spreads quickly, and the trio continues their journey, meeting a young man named Sansonetto, who is building a fortress to protect the city from the caliph of Egypt. Sansonetto welcomes them and provides them with shelter and gifts. Meanwhile, Grifone receives news that his beloved, Orrigille, has left him for another man, and he becomes heartbroken. The chapter ends with Grifone deciding to go to Antiochia to confront his former lover and seek revenge.

CANTO SEDICESIMO

The chapter continues with the story of Grifone, who is searching for his lover Orrigille. He encounters her in the company of another man, and despite his initial anger, he is tricked by her words and decides to accompany her. Meanwhile, the war between the Christians and the Saracens is ongoing, and Rinaldo is leading the Christian army against the Saracen king Agramante. The Christian army is aided by the angel Michael and the virtue of Silence, which allows them to move quietly and unnoticed by the Saracens. The Saracens, led by Rodomonte, are fierce and unstoppable, but the Christians are able to counterattack and drive them back. Rinaldo plays a key role in the battle, using his magical shield and lance to defeat the Saracen warriors. The chapter ends with Rinaldo's victory and the Saracens' defeat, but not before Rodomonte has caused significant destruction and chaos in the city of Paris.

CANTO DICIASSETTESIMO

The chapter begins with a philosophical discussion about God's justice and how it is sometimes exercised through the rise of tyrants and monsters. The narrator then shifts to the story of King Norandino of Damascus, who was rescued by a group of people after being captured by an Orco, a sea monster. The king had been on a journey with his wife, Lucina, when they were attacked by the Orco, and he was forced to disguise himself as a beast to escape. The narrator then describes the city of Damascus, its beauty, and its customs. The story then turns to Grifone, a knight who arrives in Damascus with his companion Martano, who is revealed to be a coward. Grifone participates in a tournament, where he performs valiantly, but Martano brings shame to their company by fleeing in fear. Grifone is angry and ashamed, and he decides to leave the city with Martano, but not before Martano steals Grifone's armor and horse, and pretends to be the victorious knight. Grifone is left to walk, and he eventually discovers Martano's deception. The king, Norandino, is amused by Martano's cowardice and decides to punish Grifone, the real hero, by parading him through the city in shame. However, the king eventually realizes his mistake and decides to make amends. The chapter ends with the narrator reflecting on the story and the nature of justice and honor.

CANTO DICIOTTESIMO

The chapter continues with the story of Rodomonte, a Saracen king, who is fighting against the Christian army led by King Charles. Rodomonte is described as a fierce and unstoppable warrior, and the Christian army is struggling to counter his attacks. Meanwhile, the angel Michael is sent by God to aid the Christians, and he brings with him the virtue of Silence, which allows the Christian army to move quietly and unnoticed by the Saracens. The chapter also follows the story of Grifone, a knight who is seeking revenge against his lover's new partner. Grifone's brother, Aquilante, joins him on his quest, and they eventually catch up with the man, Martano, who is pretending to be Grifone. Aquilante confronts Martano and forces him to reveal the truth, and then he takes Martano and his lover, Orrigille, prisoner. The chapter also introduces the story of Marfisa, a female warrior who is seeking to recover her stolen armor. Marfisa joins forces with Astolfo and Sansonetto, and together they prepare to face the Saracens in battle. The chapter ends with the Christian army launching a counterattack against the Saracens, and Rodomonte being forced to retreat.

CANTO DICIANNOVESIMO

The chapter continues with the story of Medoro, a young Moor who is being pursued by a group of Scottish warriors led by Zerbin. Medoro is rescued by a mysterious woman, Angelica, who is revealed to be the princess of Catai. Angelica nurses Medoro back to health and eventually falls in love with him. The two get married in a simple ceremony, and Angelica gives Medoro a ring that was previously given to her by Orlando. Meanwhile, the story also follows the journey of Marfisa, a female warrior who is on a ship with her companions, including Astolfo and Aquilante. The ship is caught in a storm, and the crew is forced to throw away their cargo to stay afloat. Eventually, they arrive at a port, where they are met by a group of warrior women who challenge them to a series of battles. Marfisa accepts the challenge and fights against the women, emerging victorious. The chapter ends with Marfisa and her companions being invited to stay with the warrior women, and Marfisa being impressed by the young age and skill of her opponent, a warrior who is revealed to be only eighteen years old.

CANTO VENTESIMO

The chapter begins with a discussion about the accomplishments of women in the past, including their bravery in battle and their literary achievements. The story then shifts to Marfisa, who is introduced as a skilled warrior, and her companion Guidon Selvaggio, who is being held captive by a group of women on an island. Guidon explains to Marfisa how the women came to power on the island, telling her the story of how they were abandoned by their lovers and decided to take revenge on men. The women, led by Orontea, established a rule where they would capture and kill any man who arrived on the island, unless he could defeat their ten strongest warriors in battle. Guidon, who has been chosen as one of the ten warriors, is tasked with defending the island against newcomers. Marfisa, who is determined to escape from the island, comes up with a plan to flee with Guidon's help. They gather a group of men, including Astolfo, Grifone, and Aquilante, and prepare to fight their way out of the island. As they make their escape, they are met with resistance from the women, but Marfisa uses her cunning and strength to overcome them. Meanwhile, Astolfo uses his magical horn to scare off the women and create a diversion, allowing the group to escape. Once they are safely on a ship, Marfisa explains that she does not want to travel with a large group, as it would be too conspicuous, and decides to continue on her own. The group sails to France, where they are welcomed by the people, but Marfisa chooses to leave them and continue her journey alone. She travels through the countryside, where she meets a old woman who is being escorted by a knight, Pinabello, and his companion. Marfisa is challenged by Pinabello, but she defeats him and takes his horse and armor, giving them to the old woman. The old woman, who is revealed to be a servant of the evil enchantress, Atlante, is actually a disguise, and Marfisa's actions have just played into Atlante's hands. The chapter ends with Marfisa continuing on her journey, unaware of the challenges that lie ahead.

CANTO VENTUNESIMO

The chapter continues with the story of Zerbin, a Scottish knight, who is traveling with an old woman. They meet a knight named Ermonide, who tells them his story of how he was wounded by Zerbin in a duel. Ermonide explains that he was seeking revenge against a woman named Gabrina, who had wronged him and his family. He recounts how Gabrina had deceived his brother, Filandro, into killing her husband, Argeo, and how she had then blackmailed Filandro into doing her bidding. Ermonide's story is one of betrayal, deception, and tragedy, and it serves as a warning to Zerbin about the dangers of women like Gabrina. As Ermonide finishes his story, he becomes weak and pale, and Zerbin offers to help him. Ermonide is placed in a makeshift bed, and Zerbin promises to take care of him. The chapter ends with Zerbin and the old woman continuing on their journey, while Ermonide is left to recover from his wounds.

CANTO VENTIDUESIMO

The chapter continues with the story of Ruggiero and Bradamante, who are on a journey together. They meet a woman who is crying and tells them that a young man is to be burned at the stake for loving the daughter of the king of Spain. Ruggiero and Bradamante decide to help the young man and set out to stop the execution. Along the way, they encounter a castle where a cruel and wicked custom is practiced, where knights and ladies are forced to dismount and surrender their arms and clothing. Ruggiero and Bradamante decide to challenge this custom and engage in a series of jousts against the knights of the castle. Ruggiero uses his magical shield, which has the power to blind and disorient his opponents, and emerges victorious. However, he later decides to get rid of the shield, feeling that it is not honorable to win with its help. Meanwhile, Bradamante confronts the wicked Pinabello, who had previously wronged her, and kills him. The chapter ends with Ruggiero and Bradamante parting ways, and Bradamante trying to find her way back to Ruggiero but failing to do so.

CANTO VENTITREESIMO

The chapter continues with the story of Orlando, who is searching for Angelica. He comes across a place where Angelica and her lover Medoro have written their names and a poem on the trees and rocks, declaring their love for each other. Orlando is overcome with grief and anger, and his emotions become so intense that he loses his mind and becomes furious. He begins to destroy the surroundings, cutting down trees and throwing rocks into a nearby fountain, making it murky. Eventually, he collapses from exhaustion and lies on the grass, staring at the sky. For three days, he remains in this state, without eating or sleeping, and his pain only grows. On the fourth day, he is seized by a great fury and tears off his armor, stripping himself naked. He then begins to exhibit extreme behavior, such as uprooting trees, and his actions become so wild and uncontrolled that they are almost unbelievable. The chapter ends with Orlando's descent into madness, leaving the reader wondering what will happen next.

CANTO VENTIQUATTRESIMO

The chapter continues with the story of Zerbin, a Scottish knight, who is traveling with his lover, Issabella. They come across a scene where Orlando, the paladin, has gone mad and thrown away his armor and weapons. Zerbin and Issabella find Orlando's arms and armor scattered around, and they realize that he must have lost his mind. They also meet a young woman named Fiordiligi, who is searching for her lover, Brandimarte. Meanwhile, Mandricardo, the king of Tartaria, arrives and takes Orlando's sword, Durindana. Zerbin challenges Mandricardo to a duel to retrieve the sword, but he is wounded and defeated. Issabella is devastated by Zerbin's defeat and mourns his apparent death. However, an old hermit intervenes and persuades her to dedicate her life to God instead of taking her own life. The chapter also introduces the story of Rodomonte, the king of Algiers, who is seeking to avenge his honor against Mandricardo. The two kings engage in a fierce battle, but it is interrupted by a messenger who informs them that their army is in danger and needs their help. The kings agree to a truce until they can rescue their army, and the chapter ends with the anticipation of their future battle.

CANTO VENTICINQUESIMO

The chapter continues with the story of Ruggiero and Ricciardetto as they journey together. Ricciardetto tells Ruggiero about his sister Bradamante and how she was forced to cut her hair short to disguise herself as a man after being wounded in a battle. He also tells Ruggiero about how he met a woman named Fiordispina, who fell in love with him thinking he was Bradamante, and how he had to pretend to be a woman to avoid her advances. Ruggiero is amused by the story and continues on his journey with Ricciardetto. They arrive at a castle where they meet Aldigier, a cousin of Ricciardetto, who informs them that his brothers Malagigi and Viviano have been captured by the evil Bertolagi and are to be handed over to him in exchange for precious spoils. Ruggiero decides to take on the task of rescuing the brothers and asks Aldigier to guide him to the location of the exchange. Aldigier agrees, and they set out on their mission. Meanwhile, Ruggiero is also thinking about his love for Bradamante and his promise to marry her after the war is over. He writes a letter to her explaining his situation and promising to return to her as soon as possible. The chapter ends with Ruggiero, Ricciardetto, and Aldigier arriving at the location of the exchange, ready to face whatever dangers lie ahead.

CANTO VENTISEIESIMO

The chapter continues with Ruggiero, Marfisa, and their companions as they rescue Malagigi and Viviano from the evil Bertolagi. After the rescue, they rest and eat, and Marfisa is revealed to be a woman when she removes her armor. The group then encounters a mysterious stone sculpture created by the magician Merlino, which depicts the future and shows various heroes who will come to defeat a monstrous creature that threatens the world. The creature is interpreted as a symbol of evil and corruption, and the heroes are said to be from different parts of the world, including France, Italy, and Spain. Meanwhile, Ippalca, a servant of Bradamante, arrives and tells Ruggiero that she has been sent to find him and that Bradamante is waiting for him at Montalban. Ruggiero decides to follow Ippalca, but first, he must confront Rodomonte, who has taken Frontino, Ruggiero's horse. Rodomonte refuses to return the horse, and Ruggiero challenges him to a duel. However, Mandricardo intervenes, claiming that Ruggiero has stolen his insignia, and the two engage in a fierce battle. Marfisa joins the fight, and Rodomonte is eventually forced to retreat. The chapter ends with Ruggiero and Marfisa deciding to pursue Rodomonte and Mandricardo, who are fleeing with Doralice, the daughter of the king of Granada.

CANTO VENTISETTESIMO

The chapter continues with the story of Rodomonte, the king of Algiers, who is filled with anger and resentment towards his former lover, Doralice, and his king, Agramante. He vents his frustration by criticizing women, calling them unfaithful and deceitful. Rodomonte's tirade is filled with misogynistic remarks, and he even goes so far as to say that women are a plague on the world. Meanwhile, the scene shifts to the king of Africa, Agramante, who is trying to resolve the conflicts between his knights. He suggests that the beautiful Doralice should choose her own husband, and to everyone's surprise, she chooses Mandricardo, the king of Tartary, over Rodomonte. Rodomonte is furious and challenges Mandricardo to a duel, but the king intervenes and stops the fight. The chapter also introduces the story of Marfisa, a female warrior who is seeking revenge against a thief named Brunello. She eventually finds him and captures him, intending to hang him for his crimes. The king, however, decides to let Marfisa deal with Brunello as she sees fit, in order to avoid further conflict. The chapter ends with Rodomonte's continued ranting against women and his desire for revenge against Agramante and Mandricardo.

CANTO VENTOTTESIMO

The chapter begins with the poet addressing women and asking them not to listen to the story that is about to be told, as it may be offensive to them. The story is about Astolfo, the king of the Longobards, who was known for his exceptional beauty. Astolfo's brother, Fausto, tells him about a young man named Iocondo, who is even more beautiful than Astolfo. Iocondo is married, but his wife is unfaithful to him, and he discovers her infidelity when he returns home unexpectedly. Iocondo is heartbroken and decides to travel with his brother to meet Astolfo. Along the way, Iocondo becomes ill and is forced to rest. While he is recovering, he observes the king's wife, who is being unfaithful to her husband with a dwarf. Iocondo is shocked and amused by this discovery, and his own heartache begins to heal. The king and Iocondo decide to travel together, seeking out new experiences and women. They eventually find a young woman named Fiammetta, who is beautiful and kind. The two men fall in love with her, but they soon realize that she is not faithful to either of them. In the end, they decide to return to their wives, realizing that they are not better than other men and that their wives are likely to be unfaithful as well. The chapter ends with the poet reflecting on the story and the nature of women, suggesting that they are often unfaithful and that men should not be surprised by this. The Saracen king, Rodomonte, is also introduced, and his story is intertwined with that of Iocondo and the king. Rodomonte is seeking revenge against his former lover and is traveling by sea, where he encounters various challenges and obstacles. Meanwhile, Issabella, a young woman who was previously introduced, is traveling with a monk and is still grieving the loss of her lover, Zerbino. The chapter ends with Rodomonte meeting Issabella and being immediately smitten with her, and the poet suggesting that Rodomonte's heart is beginning to heal from his previous heartache.

CANTO VENTINOVESIMO

The chapter continues with the story of Rodomonte, the king of Algiers, who is seeking revenge against his former lover, Doralice, and his king, Agramante. He meets a young woman named Issabella, who is traveling with a monk, and becomes immediately smitten with her. However, Issabella is determined to protect her chastity and proposes a deal to Rodomonte: if he promises to leave her alone, she will give him a magical water that will make him invulnerable in battle. Rodomonte agrees, but eventually breaks his promise and tries to attack Issabella. She defenses herself by using the magical water on herself, making her invulnerable, and Rodomonte ends up killing her. The chapter then shifts to the story of Orlando, who has gone mad and is wandering naked in the countryside. He comes across a bridge where Rodomonte is fighting against knights who are trying to cross it. Orlando joins the fight and eventually throws Rodomonte into the water. The chapter ends with Orlando continuing his rampage, destroying everything in his path, while Rodomonte is left to pick up the pieces and try to make sense of what has happened.

CANTO TRENTESIMO

The chapter continues with the story of Ruggiero and Mandricardo as they engage in a fierce battle to settle their dispute over the beautiful Doralice. Ruggiero, determined to prove his worth, faces off against Mandricardo, who is equally determined to emerge victorious. The two knights exchange blows, with Ruggiero ultimately gaining the upper hand and striking Mandricardo down. As Mandricardo lies dying, he attempts to strike Ruggiero one last time, but Ruggiero is able to dodge the blow and deliver a fatal strike. With Mandricardo defeated, Ruggiero is hailed as the victor and is praised by the crowd. The king, Agramante, is overjoyed by Ruggiero's victory and thanks him for his bravery. Doralice, who had been watching the battle, is also relieved that Ruggiero has emerged victorious. Meanwhile, Bradamante is waiting anxiously for Ruggiero's return, and is comforted by the news of his victory. However, she is also worried about the possibility of Ruggiero being injured in the battle, and is relieved to hear that he is safe. The chapter ends with Ruggiero being celebrated as a hero, and Bradamante waiting eagerly for his return.

CANTO TRENTUNESIMO

The chapter begins with a discussion about the nature of love and how it can bring both joy and suffering. Rinaldo, a paladin, is introduced as he journeys with his companions towards Paris, which is under siege by the Saracens. Along the way, they meet a woman named Fiordiligi, who tells them about the madness of Orlando, a renowned paladin. She explains that Orlando has lost his mind and is wandering naked in the countryside, and that his sword, Durindana, has been taken by the king of Tartary, Mandricardo. Rinaldo decides to help Orlando and sets out to find him. Meanwhile, Brandimarte, another paladin, is also searching for Orlando and eventually finds him at a bridge guarded by the Saracen king Rodomonte. Brandimarte is defeated by Rodomonte and taken prisoner. Fiordiligi, who is in love with Brandimarte, decides to find a knight to rescue him and eventually meets Rinaldo, who agrees to help her. The chapter ends with Rinaldo and his companions preparing to face the Saracens in battle, while Fiordiligi sets out to find a knight to rescue Brandimarte.

CANTO TRENTADUESIMO

The chapter continues with Bradamante's journey as she searches for her lover Ruggiero. She meets a Guascon knight who tells her about Ruggiero's battle with Mandricardo and his subsequent injury. The knight also informs her that Ruggiero is in love with a woman named Marfisa, who is a skilled warrior. Bradamante is filled with grief and anger upon hearing this news, and she decides to head towards the Saracen camp to confront Ruggiero. Along the way, she meets a woman who is on a mission to deliver a shield to King Charles of France. The woman, who is the queen of the Island of the Perduted, is looking for the best knight in France to give the shield to, and she is accompanied by three kings who are vying for her hand in marriage. Bradamante decides to follow the woman and her companions, and they arrive at a castle where they must engage in a jousting competition to win the right to stay. Bradamante, disguised as a man, enters the competition and defeats the three kings, earning the right to stay in the castle. The castle's lord explains the rules of the competition, which state that the winner must defend their position against any new challengers. Bradamante then engages in a conversation with the queen of the Island of the Perduted, who is impressed by her bravery and skill. The chapter ends with Bradamante and the queen sitting down to eat, while the lord of the castle explains the history of the competition and the rules that govern it.

CANTO TRENTATREESIMO

In this chapter, Bradamante visits a magical castle where she sees paintings of future events, including the battles and victories of French kings in Italy. She also learns about a prophecy that foretells the birth of a great knight in the island of Ischia, who will bring aid to Italy, the Church, and the Empire against the barbarian invaders. Meanwhile, Rinaldo and Gradasso engage in a fierce duel, but their fight is interrupted by a monster that attacks Rinaldo's horse, Baiardo. The two knights agree to postpone their duel until they can rescue Baiardo from the monster's clutches. However, Gradasso eventually captures Baiardo and decides to keep him for himself, breaking his agreement with Rinaldo. The chapter also follows the journey of Astolfo, who flies on his hippogriff to the land of the Ethiopians, where he meets the king, Senapo, who is plagued by harpies that steal his food. Astolfo uses his magical horn to drive the harpies away and frees the king from their torment.

CANTO TRENTAQUATTRESIMO

In this chapter, Astolfo journeys to the underworld, where he encounters the spirit of Lidia, a woman who was condemned to eternal suffering for her ingratitude towards her lover. Lidia tells Astolfo the story of her life and how she wronged her lover, Alceste, who eventually died of a broken heart. Astolfo is moved by her story and decides to help her by blocking the entrance to the underworld, preventing the evil spirits from escaping. After leaving the underworld, Astolfo meets a old man who reveals himself to be Saint John, the apostle. Saint John explains that Astolfo has been chosen to help Orlando, who has gone mad, and that the only way to cure him is to retrieve his lost sanity from the moon. Astolfo and Saint John embark on a journey to the moon, where they find a valley filled with lost things, including Orlando's sanity. Astolfo retrieves the sanity and returns to the earth, where he will use it to cure Orlando. Along the way, Astolfo and Saint John encounter various obstacles and marvels, including a palace made of precious gems and a river that flows with the tears of the damned.

CANTO TRENTACINQUESIMO

The chapter continues with the story of Bradamante, who is searching for her lover Ruggiero. She meets a woman named Fiordiligi, who is also searching for her lover, and they decide to travel together. Along the way, they encounter Rodomonte, the king of Algiers, who is guarding a bridge and challenging knights to battle. Bradamante decides to fight Rodomonte and defeats him, taking his armor and weapons. She then sends Fiordiligi to deliver a message to Ruggiero, challenging him to a battle. Meanwhile, Ruggiero is preparing for the battle, but he is unsure who his opponent is. The chapter ends with Ruggiero arming himself and preparing to face his unknown challenger.

CANTO TRENTASEIESIMO

The chapter continues with the story of Ruggiero and Marfisa, who engage in a fierce battle. However, their fight is interrupted by a voice from a tomb, which reveals that Ruggiero and Marfisa are siblings, born of the same mother, Galaciella. The voice, which belongs to their mother, explains that she was pregnant with them when she was abandoned by their father and left to die at sea. However, she was rescued and gave birth to the twins, who were then separated. Ruggiero was raised by a wise old man named Atlante, while Marfisa was taken by a group of Arabs. The twins are overjoyed to be reunited and embrace each other, putting aside their differences. Ruggiero also reconciles with his lover, Bradamante, and explains his past and his relationship with Marfisa. Marfisa, meanwhile, vows to avenge their family's honor and to punish those who wronged them, including their father's killers. The chapter ends with Ruggiero, Marfisa, and Bradamante parting ways, with Ruggiero returning to his king, Agramante, while Marfisa sets out to fulfill her vow of vengeance.

CANTO TRENTASETTESIMO

The chapter begins with the poet addressing women and discussing how they have been wronged by men and writers throughout history. He argues that women are capable of great things and should be recognized for their achievements. The story then shifts to Bradamante, Marfisa, and Ruggiero, who are traveling together. They come across a group of women who are being mistreated by a cruel lord named Marganor, who has outlawed men from his territory and forces women to undergo humiliating treatment. The three heroes decide to help the women and defeat Marganor. They learn that Marganor's cruelty stems from the death of his two sons, who were killed by women they had wronged. Marganor's story is told, including how his sons were killed and how he became consumed by hatred for women. The heroes eventually defeat Marganor and his men, and the women are finally able to exact their revenge. The chapter ends with the heroes continuing on their journey, with Ruggiero going to Arli and the women going to the camp.

CANTO TRENTOTTESIMO

The chapter begins with the poet addressing women and discussing how they have been wronged by men and writers throughout history. The story then shifts to Marfisa, a female warrior, who is introduced as she prepares to meet with Emperor Charlemagne. Marfisa tells Charlemagne that she has come to join forces with him and to convert to Christianity. She explains that she was once a Saracen warrior, but after discovering that she was the daughter of Ruggiero, a Christian knight, she decided to change her ways. Charlemagne welcomes Marfisa and agrees to baptize her. The chapter also follows the story of Astolfo, a Christian knight, who has returned from a journey to the underworld, where he retrieved Orlando's sanity. Astolfo is now on his way to help Orlando, who has gone mad. Meanwhile, Ruggiero and Mandricardo are preparing for a battle to settle their dispute over the beautiful Doralice. The chapter ends with Ruggiero and Rinaldo, another Christian knight, preparing to face each other in a duel, as agreed upon by Charlemagne and Agramante, the Saracen king.

CANTO TRENTANOVESIMO

The chapter continues with the story of Ruggiero and Mandricardo as they engage in a fierce battle to settle their dispute over the beautiful Doralice. Meanwhile, Astolfo returns from his journey to the underworld, where he retrieved Orlando's sanity. Astolfo uses the sanity to cure Orlando, who had gone mad. The chapter also follows the story of Bradamante, who is searching for her lover Ruggiero, and Marfisa, a female warrior who is seeking revenge against those who wronged her family. The two women engage in a fierce battle against the Saracens, and their bravery and skill are on full display. Additionally, the chapter introduces the story of Fiordiligi, a young woman who is in love with Brandimarte and is searching for him. She eventually finds him and is overjoyed to be reunited with him. The chapter ends with the Christian army, led by Astolfo and Dudon, preparing to attack the Saracen fleet, which is led by Agramante. The Christians are able to gain the upper hand in the battle, and the Saracens are forced to retreat.

CANTO QUARANTESIMO

The chapter continues with the story of Ruggiero, who is searching for a way to return to Africa and rejoin his king, Agramante. He meets a servant who informs him that Agramante's army has been defeated and that many of his companions have been taken prisoner. Ruggiero decides to rescue them and sets out to find the Christian army's camp. Meanwhile, the Christian army, led by Orlando, is celebrating its victory over the Saracens. Orlando is approached by a messenger who brings a challenge from the king of Tartary, Gradasso, who seeks to engage in single combat with Orlando. Orlando accepts the challenge and chooses Brandimarte and Ogier as his companions for the battle. The chapter ends with Ruggiero encountering the Christian army's camp and preparing to engage in battle to rescue his companions.

CANTO QUARANTUNESIMO

The chapter begins with a poetic description of the scent of a young man or woman, which can evoke feelings of love and nostalgia. The story then shifts to Ruggiero, who is struggling to stay afloat in the sea after his ship has been wrecked. He is eventually able to swim to a rocky island, where he meets an old hermit who reproaches him for his past actions and encourages him to convert to Christianity. Ruggiero is moved by the hermit's words and decides to become a Christian, and the hermit baptizes him. The hermit also reveals to Ruggiero that he has been chosen by God for a great destiny and that he will have a significant role to play in the future. Meanwhile, Orlando and other Christian knights are preparing for battle against the Saracens, and Brandimarte is trying to persuade the Saracen king Agramante to make peace. However, Agramante refuses and the battle begins, with Orlando and Gradasso engaging in a fierce duel. Brandimarte is killed by Gradasso, and Orlando is filled with grief and anger. The chapter ends with Orlando seeking revenge against Gradasso and the Saracens.

CANTO QUARANTADUESIMO

The chapter begins with Rinaldo, a paladin, who is searching for his lost love, Angelica. He meets a mysterious woman who tells him that Angelica is now in love with a young African man named Medoro. Rinaldo is filled with grief and anger, and he decides to continue his search for Angelica, determined to win her back. Along the way, he encounters a strange and terrifying monster, but he is rescued by a brave knight who introduces himself as Lo Sdegno (Indignation). Lo Sdegno tells Rinaldo that he has been sent to free him from his foolish love for Angelica, and he disappears as suddenly as he appeared. Rinaldo is left to ponder the meaning of this encounter and the identity of the mysterious knight. He eventually comes across a beautiful palace, where he meets a kind and courteous host who invites him to stay for the night. The host shows Rinaldo a magnificent fountain, surrounded by statues of famous women, including Lucrezia Borgia, Isabella, and others. The host explains that the fountain has the power to reveal the truth about a person's love life, and he offers Rinaldo a drink from the fountain to test his love for Angelica. Rinaldo is hesitant at first, but eventually decides to take a drink, and the outcome is left uncertain.

CANTO QUARANTATREESIMO

The chapter begins with Rinaldo continuing his journey on a boat, where he meets a nocchier who tells him a story about a man named Anselmo, a judge who was deceived by his wife Argia. Anselmo had been warned by an astrologer that his wife would be unfaithful to him while he was away, and he tried to prevent this by giving her all his wealth and possessions. However, Argia was seduced by a man named Adonio, who was helped by a fata named Manto. Anselmo returned home to find that his wife had been unfaithful, and he planned to kill her but was prevented from doing so by Manto, who had taken the form of a serpent. Anselmo eventually discovered the truth and was filled with grief and anger, but he was persuaded by Argia to forgive her and take her back. The nocchier finishes his story, and Rinaldo praises Argia for her cunning and intelligence. The scene then shifts to Orlando, who is mourning the death of his friend Brandimarte. Orlando delivers a eulogy for Brandimarte, praising his bravery and loyalty, and expressing his grief and sense of loss. The funeral procession for Brandimarte is then described, with many nobles and clergy in attendance. After the funeral, Orlando meets a hermit who has the power to heal wounds, and he asks for his help in healing Olivier's wounded foot. The hermit agrees to help and performs a miracle, healing Olivier's foot. Sobrino, who had been wounded in battle, is also healed by the hermit and decides to convert to Christianity. Ruggiero, who had been traveling with the hermit, is recognized by Rinaldo and the others, and they welcome him warmly. The chapter ends with the scene set for further developments in the story.

CANTO QUARANTAQUATTRESIMO

The chapter continues with the story of Ruggiero, who is determined to kill Leone Augusto, the son of the Emperor of Constantinople. Ruggiero arrives at the battlefield where the Greeks are fighting against the Bulgarians and joins the fight, turning the tide of the battle in favor of the Bulgarians. Leone Augusto is impressed by Ruggiero's bravery and martial skills, and despite being his enemy, he cannot help but admire him. Ruggiero continues to fight, killing many Greek soldiers, and the Bulgarians begin to gain the upper hand. The Greek army is forced to retreat, and many of its soldiers are killed or taken prisoner. Ruggiero decides to pursue Leone Augusto, who is fleeing, and vows to kill him. However, Leone Augusto manages to escape by breaking the bridge behind him, leaving Ruggiero to continue his pursuit on foot. Ruggiero eventually arrives at a city, where he rests and prepares to continue his pursuit of Leone Augusto. Meanwhile, a knight from Romania, who had been present at the battle, recognizes Ruggiero and reports his presence to the lord of the city, Ungiardo, who is a vassal of the Emperor of Constantinople.

CANTO QUARANTACINQUESIMO

The chapter begins with the poet discussing the nature of fortune and how it can quickly change, bringing someone from a high position to a low one. The story then shifts to Ruggiero, who is being held captive by Ungiardo and is scheduled to be executed. However, he is rescued by Leone, the son of the Emperor of Constantinople, who has taken a liking to Ruggiero and decides to help him. Ruggiero is grateful and promises to repay Leone's kindness. Meanwhile, Bradamante is searching for Ruggiero and is worried about his whereabouts. She eventually learns about a tournament where the winner will get to marry her, and she decides to participate. Ruggiero, still in disguise, also decides to participate in the tournament to help Leone win Bradamante's hand. The tournament begins, and Ruggiero faces off against Bradamante, who is determined to defeat him. Despite his efforts to spare her, Bradamante is fierce and relentless, and Ruggiero is forced to defend himself. The battle between them is intense, with both fighters exchanging blows and showing off their skills. In the end, Ruggiero emerges victorious, but not without Bradamante putting up a good fight. The chapter ends with Ruggiero feeling guilty and anxious about his actions, and Bradamante determined to find a way to be with her true love, Ruggiero.

CANTO QUARANTASEIESIMO

The chapter begins with Ruggiero, a knight, who is struggling to stay alive after being heartbroken by his love for Bradamante. He is found by Leon, who tries to convince him to open up about his sorrow. Ruggiero eventually reveals that he is the famous knight Ruggiero and that he has been in love with Bradamante, but she is now promised to marry Leon. However, Leon surprises Ruggiero by revealing that he knows about his love for Bradamante and that he is willing to give her up to him. Leon explains that he had previously met Ruggiero and had been impressed by his bravery and martial skills. Ruggiero is moved by Leon's words and decides to accept his offer. The two men become friends, and Leon helps Ruggiero to recover from his heartbreak. Meanwhile, the Christian army is preparing for battle against the Saracens, and Ruggiero is invited to join them. He accepts and prepares to face his enemies. The chapter ends with Ruggiero and Leon parting ways, but not before Leon promises to help Ruggiero in any way he can. Ruggiero then returns to the city, where he is welcomed as a hero. The chapter also describes the preparations for the wedding of Ruggiero and Bradamante, which is attended by many nobles and knights. The wedding is a grand affair, with many festivities and celebrations. The chapter ends with Ruggiero and Bradamante being married and living happily ever after.