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The Song of the Lark

By Willa Cather

Summary of The Song of the Lark

The book tells the story of Thea Kronborg, a young and talented opera singer, and her journey to success. The story begins with Dr. Howard Archie, a successful and prosperous man, who receives a message from Governor Alden and meets with old prospector Jasper Flight. Dr. Archie also meets with his friend Fred Ottenburg, who is dissatisfied with Governor Alden's administration and Dr. Archie's involvement with it. The two men discuss their personal lives and interests, and Dr. Archie reflects on his own life, including the death of his wife and his subsequent rise to wealth and influence in Colorado. The story then shifts to Thea Kronborg, who is pursuing a career in opera in Germany. Dr. Archie visits Thea's mother, who is ill and wants to see her daughter before she dies. Thea is unable to leave her commitments in Dresden, and her mother eventually passes away. Dr. Archie attends one of Thea's performances and is taken aback by her transformation. He becomes mesmerized by her performance and applauds along with the rest of the audience. After the show, he meets with Thea and they share a warm and intimate conversation. Thea confides in Dr. Archie about the challenges of her profession and the importance of preserving her artistic integrity. The story follows Thea's growth as a performer and her ability to convey the underlying musical idea of a piece. She faces challenges and setbacks, including a performance where she has to jump in on short notice, but she always manages to deliver a magnificent show. Thea's personal life is also explored, including her past relationship with Nordquist and her feelings about marriage. She values her independence and creative freedom above all else. Throughout the book, Thea's passion and dedication to her craft are evident, as well as her appreciation for the support and understanding of her friends. The story concludes with Thea's triumph, and the sense that she has finally found her place as an artist, with her achievement being the culmination of her hard work and dedication.

Chapter Summary of The Song of the Lark

I

The scene is set in Denver on a glorious winter day, with the city and surrounding mountains blanketed in snow. Howard Archie, now ten years older and more prosperous, is dictating to his secretary in his office at the San Felipe Mining Company. He receives a message from Governor Alden, requesting a meeting, and also learns that old prospector Jasper Flight has come to see him, seeking funding for another mining venture. Archie agrees to meet with Flight, who is convinced that he will strike it rich with the help of his trusty burro. Later, Archie meets with his friend Fred Ottenburg, who has come to discuss his dissatisfaction with Governor Alden's administration and Archie's involvement with it. The two men make plans to dine together, and Archie reflects on his own life, including the death of his wife and his subsequent rise to wealth and influence in Colorado.

II

The evening continues with Dr. Archie and his friend Fred Ottenburg discussing their personal lives and interests over dinner and coffee. Their conversation touches on the idea of marriage, relationships, and the changing times. Dr. Archie expresses his disillusionment with politics and his desire to focus on more meaningful pursuits. He also shares his plans to travel to New York, where he hopes to see Thea Kronborg perform, and perhaps rekindle a connection with her. Through their conversation, it becomes clear that Dr. Archie is feeling unfulfilled and restless, despite his outward success. He reflects on his past, realizing that his memories of Thea are still vivid and cherished, and that their friendship has had a lasting impact on him. As the evening draws to a close, Dr. Archie is left to ponder the significance of his relationships and the true nature of his desires.

III

Dr. Archie visits Mrs. Kronborg, who is ill and grieving the loss of her husband. Despite her poor health, she remains calm and serene, but it becomes clear that she has lost the will to live. She is eager to see her daughter Thea, who is pursuing a career in opera in Germany. Dr. Archie writes to Thea, urging her to come home to visit her ailing mother, but Thea is unable to leave her commitments in Dresden. She promises to come to Moonstone as soon as she can, and to take her mother back to Germany with her. However, Mrs. Kronborg's condition deteriorates, and she eventually passes away, surrounded by memories of her daughter's voice and accomplishments. The doctor is struck by the similarity between Mrs. Kronborg and her daughter, and the fierce pride that lies beneath her calm exterior. In the end, Dr. Archie serves as a pallbearer at Mrs. Kronborg's funeral, and is left to reflect on the enduring legacy of Thea's talent and her mother's unwavering support.

IV

Dr. Archie attends a performance of "Lohengrin" at the Metropolitan Opera House, where he sees Thea Kronborg, now a renowned opera singer, perform as Elsa von Brabant. He is taken aback by her transformation and feels a sense of estrangement, as if he no longer knows her. Despite his initial disappointment, he becomes mesmerized by her performance and applauds along with the rest of the audience. After the show, he goes to her hotel and waits for her in the reception hall, where he is eventually reunited with her. Thea, exhausted and pale, is initially hesitant but eventually warms up to Dr. Archie, inviting him to tea the next day. As they part ways, Dr. Archie is left with a sense of wonder and curiosity about the woman Thea has become, and he looks forward to reconnecting with her the next day.

V

Dr. Archie returns to his hotel after a night at the opera, where he saw Thea Kronborg perform as Elsa von Brabant. He receives a message from his friend Fred Ottenburg, inviting him to join him for a late-night supper in his hotel room. Over food and wine, they discuss Thea's performance, with Fred providing insightful analysis of her singing and Dr. Archie expressing his awe and admiration. As the night wears on, Fred becomes increasingly enthusiastic and intoxicated, revealing his deep appreciation for Thea's talent and his own emotional investment in her success. The conversation turns to the nature of art and beauty, with Fred suggesting that Thea's true power lies not just in her voice, but in her ability to convey the underlying musical idea of a piece. As the evening draws to a close, Dr. Archie prepares to leave, and Fred announces his intention to try to visit Thea the next day, despite the risk of being rebuffed.

VI

Thea Kronborg wakes up feeling unfulfilled and uncertain after her performance as Elsa von Brabant, struggling with the idea that her hard work and dedication may not be fully appreciated by her audience. She is set to meet with her old friend Dr. Archie, and is anxious about how he will perceive her. When Dr. Archie arrives, he is struck by Thea's renewed vitality and energy, and the two share a warm and intimate conversation. They are joined by Thea's accompanist, Mr. Landry, and later by Fred Ottenburg, who is charming and flirtatious. As they drink tea and discuss music, Thea's personality and passion shine through, and Dr. Archie is reminded of the woman he once knew. The gathering is filled with lively conversation and playful humor, and Thea's connections with her friends and colleagues are evident. As the afternoon comes to a close, Fred Ottenburg takes his leave, and Thea is left to reflect on her life and relationships, feeling a sense of comfort and belonging with the people around her.

VII

Thea Kronborg's life as an opera singer is showcased as she navigates a last-minute performance of "Sieglinde" after the original singer falls ill. Despite initial nerves and lack of rehearsal, Thea delivers a magnificent performance, impressing the audience and her friends, Dr. Archie and Fred Ottenburg. After the show, the trio heads to a quiet chop-house for a late-night supper, where Thea's personality and passion shine through as she discusses her craft and her experiences. The evening is filled with lively conversation, and Thea's connections with her friends are evident. As the night comes to a close, Thea invites Dr. Archie and Fred to dine with her on Saturday, and hints at a deeper conversation she wants to have with Dr. Archie. The chapter highlights Thea's dedication to her art, her growth as a performer, and the strong bonds she has formed with those around her.

VIII

The chapter delves into the life of Oliver Landry, Thea's accompanist, as he hosts Fred Ottenburg for tea at his home in Greenwich Village. The two discuss Thea's performance in "Rheingold" and Fred plays the opera's score on Landry's piano, highlighting Thea's unique interpretation of the role of Fricka. Landry shares his insights into Thea's artistic process, attributing her success to her rich personality, brains, and imagination. He also recounts his own humble beginnings on a Connecticut farm and how he escaped to live with his aunt in New York, where he developed his musical talents. As the evening progresses, Fred and Landry engage in a lively conversation about music, art, and Thea's exceptional gifts, with Fred clearly enchanted by her talent and Landry revealing his deep admiration for her as an artist.

IX

Thea Kronborg meets with her friends Dr. Archie and Fred Ottenburg for dinner and coffee, discussing her upcoming performance as Sieglinde and her anxieties about it. The conversation turns to her personal life, including her past relationship with Nordquist and her feelings about marriage. Thea confides in Dr. Archie about the challenges of her profession, the disappointments and jealousies she faces, and the importance of preserving her artistic integrity. She also shares her philosophy on art and creativity, emphasizing the need to stay true to one's vision and to cultivate a deep sense of feeling and emotion. As the evening draws to a close, Thea and Dr. Archie reminisce about their past and share a moment of tender connection, singing an old Scottish song together. Thea's passion and dedication to her craft are evident throughout the conversation, as well as her appreciation for the support and understanding of her friends.

X

Thea Kronborg and Fred Ottenburg meet on a snowy day in Central Park, where they have a profound and intimate conversation. Thea confides in Fred about her struggles with stage performances and her desire to do something truly meaningful with her art. Fred, who has been a long-time supporter and admirer of Thea, reveals that he has been feeling withdrawn and uninterested in her work, and that he wants to move on with his life. He tells Thea that he wants a son to bring up and that he feels he has given her up, having gradually lost interest in her over the years. Thea is hurt but understanding, and the two part ways as friends, with Fred giving Thea a gift - a property spear - as a symbol of their past connection. The chapter ends with Thea reflecting on the encounter, feeling a sense of loss but also a deep appreciation for the connection she shared with Fred, and a renewed commitment to her art.

XI

Thea Kronborg is struggling to prepare for her upcoming performance of "Walküre" due to rehearsals and personal distractions. After a tumultuous day, she finally gets a good night's sleep and is able to perform at her best the next day. Her friends and acquaintances, including Dr. Archie, Fred Ottenburg, and her former teacher Harsanyi, attend the performance and are impressed by her talent and passion. Thea's hard work and dedication pay off, and she delivers a magnificent performance, showcasing her growth and refinement as an artist. As she leaves the theater, she is unaware of the impact she has on those around her, including a mysterious Mexican man who is deeply moved by her performance. The chapter concludes with Thea's story transitioning into a new phase, one of achievement and artistic development, marking a turning point in her life and career.

XII

Dr. Archie encounters Thea Kronborg on a moonlit night in Moonstone, and they share a conversation about their lives and aspirations. Thea confides in Dr. Archie about her desire to study music in Germany, and he advises her not to settle down in Moonstone without exploring her options. The chapter also delves into Dr. Archie's personal life, revealing his unhappy marriage and his romantic nature, which has led him to make compromises and evade honest thinking. Despite his dissatisfaction, Dr. Archie is committed to maintaining a respectable exterior and finds solace in his work as a physician and in his appreciation for literature and music, particularly the poetry of Robert Burns. Thea's presence in his life serves as a reminder of his own unrealized potential and the importance of pursuing one's passions.

XIII

Thea Kronborg's music teacher, Wunsch, is found unconscious and sick under a railroad trestle after a night of heavy drinking. The people of Moonstone, including Dr. Archie and the Kohlers, come to his aid and nurse him back to health. However, the incident leads to Wunsch losing his music pupils and eventually deciding to leave Moonstone. Before he departs, he gives Thea a special gift, a score of "Orpheus" with a mysterious inscription. As Wunsch leaves town, Thea runs to the train station to bid him farewell, and he is struck by her determination and energy. The chapter ends with the Kohlers reflecting on Wunsch's departure and the impact he had on their lives, particularly on Thea, who has shown great promise and dedication to her music.

XIV

The Kronborg family discusses Thea's future as a music teacher, with Mr. Kronborg suggesting that she quit school and focus on giving lessons. He proposes building a new room onto their house for her to use as a studio and raising her prices to make it a worthwhile venture. Mrs. Kronborg is cautious, considering the potential strain on Thea and the possibility of unfavorable comments from the community. Despite initial reservations, Thea agrees to leave school and starts teaching music lessons, quickly gaining a sizable number of students. She uses her earnings to buy gifts for her family members, including a new carpet for the parlor and a toy coat for her younger brother Thor. As Thea settles into her new role, she finds joy in teaching and in spending time with Thor, who provides a sense of comfort and companionship.

XV

Thea Kronborg is now established as a music teacher in Moonstone, and she has been giving lessons in her new room since May. She is still under the excitement of teaching and is terribly in earnest about it, but she sometimes loses her temper with her older pupils. Thea has a run-in with Mrs. Livery Johnson, who complains about Thea's bad manners and threatens to withdraw her daughter from lessons if Thea doesn't improve. Thea is frightened by the encounter and feels pressured to apologize and conform to Mrs. Johnson's demands. Meanwhile, Thea confides in her friend Ray Kennedy about her struggles with teaching and her desire to do something more meaningful with her music. Ray is supportive and encouraging, and he advises Thea to take lessons in Chicago to improve her skills and gain more confidence. Thea is hesitant due to financial constraints, but Ray's kindness and steady presence provide her with a sense of comfort and security. As they spend more time together, it becomes clear that Ray has feelings for Thea and is waiting for the right moment to express them, while Thea values their friendship and feels safe with him because he doesn't try to understand her or penetrate her inner thoughts.

XVI

Thea Kronborg and her mother take a trip to Denver on Ray Kennedy's freight train, enjoying the scenic views and each other's company. Along the way, they stop at a small station called Wassiwappa, where they meet a lonely station agent and two tramps. Mrs. Kronborg shows her kindness and generosity to the tramps, giving them money and advice. As the train continues on its journey, Thea and Ray sit on the rear platform, watching the stars come out and talking about their dreams and aspirations. Thea expresses her determination to succeed, while Ray shares his thoughts on the natural world and the interconnectedness of all things. The chapter ends with a sense of warmth and camaraderie, as Thea and her mother enjoy the hospitality of Ray and his brakeman, Giddy, and the beauty of the night sky.

XVII

Thea Kronborg is feeling unfulfilled and restless in her role as a music teacher in Moonstone, and finds solace in her Sunday drives with Ray Kennedy and her reading. Her father, Mr. Kronborg, urges her to take a more active role in church work, and she reluctantly agrees to play the organ and lead the singing at prayer-meetings. Thea finds the prayer-meetings to be mournful and repetitive, but is drawn to the stories and testimonies of the old people who attend. Despite the monotony of the meetings, Thea is fascinated by the personalities and experiences of the individuals who share their thoughts and prayers. After a particularly long and cold prayer-meeting, Thea rushes home and escapes into a novel, "Anna Karenina", where she becomes immersed in the world of Moscow and the characters that inhabit it. As she reads, the faces and stories of the people from the prayer-meeting fade into the background, but will later become significant to her in unexpected ways.

XVIII

The chapter explores the Kronborg family's approach to religion and morality, with Mr. Kronborg being more concerned with appearances than genuine spiritual conviction. His daughter Anna, on the other hand, is deeply invested in her faith, but her rigid and judgmental nature leads her to disapprove of Thea's friendships and interests. Thea, meanwhile, is grappling with the concept of religion and its relevance to everyday life, particularly in the face of tragedy and suffering. She seeks guidance from Dr. Archie, who offers a more pragmatic and humanistic perspective, encouraging her to focus on living a full and meaningful life, rather than adhering to strict religious doctrine. Thea's conversations with Dr. Archie spark a sense of excitement and purpose within her, and she begins to feel an intense longing to explore the world beyond Moonstone and pursue her passion for music. As the summer wears on, Thea finds herself torn between her desire for adventure and her love for the familiar comforts of home, but she is ultimately driven by an insatiable hunger for experience and creative expression.

XIX

The chapter revolves around a train wreck that injures Ray Kennedy, a freight conductor and friend of Thea Kronborg's family. Dr. Archie and Thea rush to the scene, where Ray is fatally injured. Despite his condition, Ray is concerned about his appearance and wants to clean up before Thea sees him. When she arrives, they share a heartfelt and intimate moment, with Ray confessing his admiration for Thea and Thea showing her affection and care for him. As they talk, Ray reflects on his life and the things he had hoped for, including his dream of being with Thea, which he now realizes is unattainable. Thea, in turn, is deeply moved by Ray's condition and his words, and begins to understand the impact she has on those around her. As the day comes to a close, Ray's condition worsens, and he eventually dies, with Dr. Archie by his side. The chapter is a poignant exploration of the human connection between Ray and Thea, and the ways in which their lives have intersected and influenced each other.

XX

The day after Ray Kennedy's funeral, Dr. Archie visits Mr. Kronborg to discuss Ray's wish for Thea to use his life insurance money to study music in Chicago. Mr. Kronborg is hesitant, but Dr. Archie convinces him that it would be beneficial for Thea to leave Moonstone and experience the city. Thea is eager to start her new life and has been preparing for her departure by getting her clothes ready and saying goodbye to her friends and family. On the day of her departure, the Kronborg family sees her off at the train station, where she boards a train to Chicago with Dr. Archie. As the train leaves, Thea feels a sense of excitement and anticipation for her new adventure, and Dr. Archie reflects on the significance of this moment for her. Thea is finally taking the first step towards pursuing her dreams and leaving her old life behind, and Dr. Archie is happy to be a part of it.

I

The scene is set in Denver on a glorious winter day, with the city and surrounding mountains blanketed in snow. Dr. Howard Archie, a successful and prosperous man, is dictating to his secretary in his office at the San Felipe Mining Company. He receives a message from Governor Alden, requesting a meeting, and also learns that old prospector Jasper Flight has come to see him, seeking funding for another mining venture. Archie agrees to meet with Flight, who is convinced that he will strike it rich with the help of his trusty burro. Later, Archie meets with his friend Fred Ottenburg, who has come to discuss his dissatisfaction with Governor Alden's administration and Archie's involvement with it. The two men make plans to dine together, and Archie reflects on his own life, including the death of his wife and his subsequent rise to wealth and influence in Colorado.

II

The evening continues with Dr. Archie and his friend Fred Ottenburg discussing their personal lives and interests over dinner and coffee. Their conversation touches on the idea of marriage, relationships, and the changing times. Dr. Archie expresses his disillusionment with politics and his desire to focus on more meaningful pursuits. He also shares his plans to travel to New York, where he hopes to see Thea Kronborg perform, and perhaps rekindle a connection with her. Through their conversation, it becomes clear that Dr. Archie is feeling unfulfilled and restless, despite his outward success. He reflects on his past, realizing that his memories of Thea are still vivid and cherished, and that their friendship has had a lasting impact on him. The chapter explores Dr. Archie's inner world, revealing his romantic nature, his dissatisfaction with his life, and his longing for something more meaningful.

III

The chapter revolves around Mrs. Kronborg's declining health and her desire to see her daughter Thea, who is pursuing a career in opera in Germany. Dr. Archie visits Mrs. Kronborg and finds her calm and serene, but it becomes clear that she has lost the will to live. He writes to Thea, urging her to come home to visit her ailing mother, but Thea is unable to leave her commitments in Dresden. Despite initial hopes that Thea's appeal might inspire her mother to recover, Mrs. Kronborg's condition deteriorates, and she eventually passes away, surrounded by memories of her daughter's voice and accomplishments. The doctor is struck by the similarity between Mrs. Kronborg and her daughter, and the fierce pride that lies beneath her calm exterior. The chapter ends with Dr. Archie serving as a pallbearer at Mrs. Kronborg's funeral, reflecting on the enduring legacy of Thea's talent and her mother's unwavering support.

IV

Dr. Archie attends a performance of "Lohengrin" at the Metropolitan Opera House, where he sees Thea Kronborg perform as Elsa von Brabant. He is taken aback by her transformation and feels a sense of estrangement, as if he no longer knows her. Despite his initial disappointment, he becomes mesmerized by her performance and applauds along with the rest of the audience. After the show, he goes to her hotel and waits for her in the reception hall, where he is eventually reunited with her. Thea, exhausted and pale, is initially hesitant but eventually warms up to Dr. Archie, inviting him to tea the next day. As they part ways, Dr. Archie is left with a sense of wonder and curiosity about the woman Thea has become, and he looks forward to reconnecting with her the next day.

V

Dr. Archie returns to his hotel after a night at the opera, where he saw Thea Kronborg perform as Elsa von Brabant. He receives a message from his friend Fred Ottenburg, inviting him to join him for a late-night supper in his hotel room. Over food and wine, they discuss Thea's performance, with Fred providing insightful analysis of her singing and Dr. Archie expressing his awe and admiration. As the night wears on, Fred becomes increasingly enthusiastic and intoxicated, revealing his deep appreciation for Thea's talent and his own emotional investment in her success. The conversation turns to the nature of art and beauty, with Fred suggesting that Thea's true power lies not just in her voice, but in her ability to convey the underlying musical idea of a piece. As the evening draws to a close, Dr. Archie prepares to leave, and Fred announces his intention to try to visit Thea the next day, despite the risk of being rebuffed.

VI

Thea Kronborg, still feeling the effects of her recent performance, is preparing for a visit from her old friend Dr. Archie. She is nervous about how he will perceive her, feeling that she has changed and is no longer the same person he once knew. When Dr. Archie arrives, he is struck by Thea's renewed vitality and energy, and the two share a warm and intimate conversation. They are joined by Thea's accompanist, Mr. Landry, and later by Fred Ottenburg, who is charming and flirtatious. As they drink tea and discuss music, Thea's personality and passion shine through, and Dr. Archie is reminded of the woman he once knew. The gathering is filled with lively conversation and playful humor, and Thea's connections with her friends and colleagues are evident. As the afternoon comes to a close, Fred Ottenburg takes his leave, and Thea is left to reflect on her life and relationships, feeling a sense of comfort and belonging with the people around her.

VII

Thea Kronborg is forced to jump into a performance of "Sieglinde" on short notice after the original singer falls ill. Despite initial nerves and lack of rehearsal, she delivers a magnificent performance, impressing the audience and her friends, Dr. Archie and Fred Ottenburg. After the show, the trio heads to a quiet chop-house for a late-night supper, where Thea's personality and passion shine through as she discusses her craft and her experiences. The evening is filled with lively conversation, and Thea's connections with her friends are evident. As the night comes to a close, Thea invites Dr. Archie and Fred to dine with her on Saturday, and hints at a deeper conversation she wants to have with Dr. Archie. The chapter highlights Thea's dedication to her art, her growth as a performer, and the strong bonds she has formed with those around her.

VIII

The chapter focuses on the character of Oliver Landry, Thea's accompanist, as he hosts Fred Ottenburg for tea at his home in Greenwich Village. The two discuss Thea's performance in "Rheingold" and Fred plays the opera's score on Landry's piano, highlighting Thea's unique interpretation of the role of Fricka. Landry shares his insights into Thea's artistic process, attributing her success to her rich personality, brains, and imagination. He also recounts his own humble beginnings on a Connecticut farm and how he escaped to live with his aunt in New York, where he developed his musical talents. As the evening progresses, Fred and Landry engage in a lively conversation about music, art, and Thea's exceptional gifts, with Fred clearly enchanted by her talent and Landry revealing his deep admiration for her as an artist.

IX

Thea Kronborg, a renowned opera singer, is preparing for an upcoming performance of "Sieglinde" and is anxious about it. She confides in her friend Dr. Archie about the challenges of her profession, the disappointments and jealousies she faces, and the importance of preserving her artistic integrity. Thea also shares her philosophy on art and creativity, emphasizing the need to stay true to one's vision and to cultivate a deep sense of feeling and emotion. As they talk, Thea's passion and dedication to her craft are evident, as well as her appreciation for the support and understanding of her friends. The conversation turns to her personal life, including her past relationship with Nordquist and her feelings about marriage. Thea reveals that she has never been in love, except perhaps with Dr. Archie when she was a little girl, and that she values her independence and creative freedom above all else. The chapter ends with Thea and Dr. Archie singing an old Scottish song together, a moment of tender connection and shared nostalgia for their past.

X

Thea Kronborg meets with her friend Fred Ottenburg in Central Park on a snowy day, and they have a profound and intimate conversation. Thea confides in Fred about her struggles with stage performances and her desire to do something truly meaningful with her art. Fred, who has been a long-time supporter and admirer of Thea, reveals that he has been feeling withdrawn and uninterested in her work, and that he wants to move on with his life. He tells Thea that he wants a son to bring up and that he feels he has given her up, having gradually lost interest in her over the years. Thea is hurt but understanding, and the two part ways as friends, with Fred giving Thea a gift - a property spear - as a symbol of their past connection. The conversation is a poignant exploration of the complexities of their relationship and the changing nature of their feelings for each other.

XI

Thea Kronborg is preparing for her upcoming performance of "Walküre" and is anxious about it. She has been rehearsing tirelessly, but is struggling with the pressure and her own self-doubt. Despite her exhaustion, she delivers a magnificent performance, impressing the audience and her friends, including Dr. Archie and Fred Ottenburg. The chapter highlights Thea's growth as a performer and her ability to convey the underlying musical idea of a piece. After the show, Thea's friends and acquaintances gather to discuss her performance, with Harsanyi, her former teacher, praising her talent and style. The chapter ends with Thea's triumph, and the sense that she has finally found her place as an artist, with her achievement being the culmination of her hard work and dedication.

I

The scene is set in Denver on a glorious winter day, with the city and surrounding mountains blanketed in snow. Dr. Howard Archie, a successful and prosperous man, is dictating to his secretary in his office at the San Felipe Mining Company. He receives a message from Governor Alden, requesting a meeting, and also learns that old prospector Jasper Flight has come to see him, seeking funding for another mining venture. Archie agrees to meet with Flight and later meets with his friend Fred Ottenburg, who is dissatisfied with Governor Alden's administration and Archie's involvement with it. The two men discuss their personal lives and interests, and Archie reflects on his own life, including the death of his wife and his subsequent rise to wealth and influence in Colorado. He is now a widower, living in his own house on Colfax Avenue, and is considered to have considerable political influence due to his successful mining interests.

II

Dr. Archie and his friend Fred Ottenburg discuss their personal lives and interests over dinner and coffee. Dr. Archie expresses his disillusionment with politics and his desire to focus on more meaningful pursuits. He shares his plans to travel to New York, where he hopes to see Thea Kronborg perform, and perhaps rekindle a connection with her. The conversation turns to Thea's career as an opera singer, and Fred recounts his experience of hearing her sing in Germany. Dr. Archie admits that he is not knowledgeable about music, but Fred encourages him to learn more about Thea's performances and to appreciate her talent. The two friends also discuss their personal struggles, including Dr. Archie's feelings of restlessness and discontent, and Fred's unhappy marriage. As the evening comes to a close, Dr. Archie reflects on his life and realizes that his memories of Thea are still vivid and cherished, and that their friendship has had a lasting impact on him.

III

The chapter revolves around Mrs. Kronborg's declining health and her desire to see her daughter Thea, who is pursuing a career in opera in Germany. Dr. Archie visits Mrs. Kronborg and finds her calm and serene, but it becomes clear that she has lost the will to live. He writes to Thea, urging her to come home to visit her ailing mother, but Thea is unable to leave her commitments in Dresden. Despite initial hopes that Thea's appeal might inspire her mother to recover, Mrs. Kronborg's condition deteriorates, and she eventually passes away, surrounded by memories of her daughter's voice and accomplishments. The doctor is struck by the similarity between Mrs. Kronborg and her daughter, and the fierce pride that lies beneath her calm exterior. The chapter ends with Dr. Archie serving as a pallbearer at Mrs. Kronborg's funeral, reflecting on the enduring legacy of Thea's talent and her mother's unwavering support.

IV

Dr. Archie attends a performance of "Lohengrin" at the Metropolitan Opera House, where he sees Thea Kronborg perform as Elsa von Brabant. He is taken aback by her transformation and feels a sense of estrangement, as if he no longer knows her. Despite his initial disappointment, he becomes mesmerized by her performance and applauds along with the rest of the audience. After the show, he goes to her hotel and waits for her in the reception hall, where he is eventually reunited with her. Thea, exhausted and pale, is initially hesitant but eventually warms up to Dr. Archie, inviting him to tea the next day. As they part ways, Dr. Archie is left with a sense of wonder and curiosity about the woman Thea has become, and he looks forward to reconnecting with her the next day.

V

The chapter revolves around a late-night conversation between Dr. Archie and his friend Fred Ottenburg, where they discuss Thea Kronborg's performance as Elsa von Brabant in the opera "Lohengrin". Fred, who is clearly enchanted by Thea's talent, provides insightful analysis of her singing, while Dr. Archie expresses his awe and admiration. As the night wears on, Fred becomes increasingly enthusiastic and intoxicated, revealing his deep appreciation for Thea's artistry and his own emotional investment in her success. The conversation turns to the nature of art and beauty, with Fred suggesting that Thea's true power lies not just in her voice, but in her ability to convey the underlying musical idea of a piece. The chapter ends with Fred in a state of exhilaration, quoting lines from the opera and declaring that Thea has had her moment of triumph, and that he is beautifully drunk, but not with wine.

VI

Thea Kronborg, a renowned opera singer, wakes up feeling unfulfilled and restless after a recent performance. She is nervous about an upcoming visit from her old friend Dr. Archie, who represents a connection to her past. When Dr. Archie arrives, Thea is initially hesitant but eventually warms up to him, and they share a warm and intimate conversation. They are joined by Thea's accompanist, Mr. Landry, and later by Fred Ottenburg, who is charming and flirtatious. As they drink tea and discuss music, Thea's personality and passion shine through, and Dr. Archie is reminded of the woman he once knew. The gathering is filled with lively conversation and playful humor, and Thea's connections with her friends and colleagues are evident. As the afternoon comes to a close, Fred Ottenburg takes his leave, and Thea is left to reflect on her life and relationships, feeling a sense of comfort and belonging with the people around her.

I

The scene is set in Denver on a glorious winter day, with the city and surrounding mountains blanketed in snow. Dr. Howard Archie, a successful and prosperous man, is dictating to his secretary in his office at the San Felipe Mining Company. He receives a message from Governor Alden, requesting a meeting, and also learns that old prospector Jasper Flight has come to see him, seeking funding for another mining venture. Archie agrees to meet with Flight and later meets with his friend Fred Ottenburg, who is dissatisfied with Governor Alden's administration and Archie's involvement with it. The two men discuss their personal lives and interests, and Archie reflects on his own life, including the death of his wife and his subsequent rise to wealth and influence in Colorado. Archie is now a widower, living in his own house on Colfax Avenue, and is considered to have considerable political influence due to his successful mining interests. He is set to dine with Ottenburg, who has come to express his disappointment and frustration with Archie's association with the corrupt Governor Alden.

II

Dr. Archie and his friend Fred Ottenburg have a conversation over dinner and coffee, discussing their personal lives and interests. Dr. Archie expresses his disillusionment with politics and his desire to focus on more meaningful pursuits. He shares his plans to travel to New York, where he hopes to see Thea Kronborg perform and rekindle their connection. The conversation turns to Thea's career as an opera singer, and Fred recounts his experience of hearing her sing in Germany. Dr. Archie admits that he is not knowledgeable about music, but Fred encourages him to learn more about Thea's performances and to appreciate her talent. As the evening comes to a close, Dr. Archie reflects on his life and realizes that his memories of Thea are still vivid and cherished, and that their friendship has had a lasting impact on him. He decides to go to New York to see Thea, hoping to find something more meaningful in his life.

III

The chapter revolves around Mrs. Kronborg's declining health and her desire to see her daughter Thea, who is pursuing a career in opera in Germany. Dr. Archie visits Mrs. Kronborg and finds her calm and serene, but it becomes clear that she has lost the will to live. He writes to Thea, urging her to come home to visit her ailing mother, but Thea is unable to leave her commitments in Dresden. Despite initial hopes that Thea's appeal might inspire her mother to recover, Mrs. Kronborg's condition deteriorates, and she eventually passes away, surrounded by memories of her daughter's voice and accomplishments. The doctor is struck by the similarity between Mrs. Kronborg and her daughter, and the fierce pride that lies beneath her calm exterior. As Dr. Archie reflects on his visits with Mrs. Kronborg, he realizes that she had a deep understanding of her daughter's talents and ambitions, and that she had given Thea the freedom to pursue her dreams, even if it meant sacrificing her own desires. The chapter ends with Dr. Archie serving as a pallbearer at Mrs. Kronborg's funeral, and he is left to ponder the enduring legacy of Thea's talent and her mother's unwavering support.

IV

Dr. Archie attends a performance of "Lohengrin" at the Metropolitan Opera House, where he sees Thea Kronborg perform as Elsa von Brabant. He is taken aback by her transformation and feels a sense of estrangement, as if he no longer knows her. Despite his initial disappointment, he becomes mesmerized by her performance and applauds along with the rest of the audience. After the show, he goes to her hotel and waits for her in the reception hall, where he is eventually reunited with her. Thea, exhausted and pale, is initially hesitant but eventually warms up to Dr. Archie, inviting him to tea the next day. As they part ways, Dr. Archie is left with a sense of wonder and curiosity about the woman Thea has become, and he looks forward to reconnecting with her the next day. The meeting is awkward, with Thea looking older and more worn out than Dr. Archie expected, but they still share a moment of intimacy and familiarity. Thea explains that she is running away from the persona she portrays on stage and that she needs time to recharge and be herself again. Dr. Archie agrees to visit her the next day, and they make plans to have tea together.

V

The chapter revolves around a late-night conversation between Dr. Archie and his friend Fred Ottenburg, where they discuss Thea Kronborg's performance as Elsa von Brabant in the opera "Lohengrin". Fred is clearly enchanted by Thea's talent and provides insightful analysis of her singing, while Dr. Archie expresses his awe and admiration. As the night wears on, Fred becomes increasingly enthusiastic and intoxicated, revealing his deep appreciation for Thea's artistry and his own emotional investment in her success. The conversation turns to the nature of art and beauty, with Fred suggesting that Thea's true power lies not just in her voice, but in her ability to convey the underlying musical idea of a piece. The chapter ends with Fred in a state of exhilaration, quoting lines from the opera and declaring that Thea has had her moment of triumph, and that he is beautifully drunk, but not with wine.

VI

Thea Kronborg, still feeling the effects of her recent performance, wakes up in her hotel room and begins her daily routine, including a refreshing bath and Swedish movements. She is nervous about an upcoming visit from her old friend Dr. Archie, who represents a connection to her past. When Dr. Archie arrives, Thea is initially hesitant but eventually warms up to him, and they share a warm and intimate conversation. They are joined by Thea's accompanist, Mr. Landry, and later by Fred Ottenburg, who is charming and flirtatious. The group discusses Thea's recent performance, and Fred provides insightful analysis of her singing. As the afternoon comes to a close, Fred takes his leave, and Thea is left to reflect on her life and relationships, feeling a sense of comfort and belonging with the people around her. The chapter highlights Thea's personality and passion, as well as her connections with her friends and colleagues.

VII

Thea Kronborg is forced to jump into a performance of "Sieglinde" on short notice after the original singer falls ill. Despite initial nerves and lack of rehearsal, she delivers a magnificent performance, impressing the audience and her friends, Dr. Archie and Fred Ottenburg. After the show, the trio heads to a quiet chop-house for a late-night supper, where Thea's personality and passion shine through as she discusses her craft and her experiences. The evening is filled with lively conversation, and Thea's connections with her friends are evident. As the night comes to a close, Thea invites Dr. Archie and Fred to dine with her on Saturday, and hints at a deeper conversation she wants to have with Dr. Archie. The chapter highlights Thea's dedication to her art, her growth as a performer, and the strong bonds she has formed with those around her.

VIII

The chapter focuses on the character of Oliver Landry, Thea's accompanist, as he hosts Fred Ottenburg for tea at his home in Greenwich Village. The two discuss Thea's performance in "Rheingold" and Fred plays the opera's score on Landry's piano, highlighting Thea's unique interpretation of the role of Fricka. Landry shares his insights into Thea's artistic process, attributing her success to her rich personality, brains, and imagination. He also recounts his own humble beginnings on a Connecticut farm and how he escaped to live with his aunt in New York, where he developed his musical talents. As the evening progresses, Fred and Landry engage in a lively conversation about music, art, and Thea's exceptional gifts, with Fred clearly enchanted by her talent and Landry revealing his deep admiration for her as an artist.

I

The scene is set in Denver on a glorious winter day, with the city and surrounding mountains blanketed in snow. Dr. Howard Archie, a successful and prosperous man, is dictating to his secretary in his office at the San Felipe Mining Company. He receives a message from Governor Alden, requesting a meeting, and also learns that old prospector Jasper Flight has come to see him, seeking funding for another mining venture. Archie agrees to meet with Flight, who is convinced that he will strike it rich with the help of his trusty burro. Later, Archie meets with his friend Fred Ottenburg, who is dissatisfied with Governor Alden's administration and Archie's involvement with it. The two men discuss their personal lives and interests, and Archie reflects on his own life, including the death of his wife and his subsequent rise to wealth and influence in Colorado. Archie is now a widower, living in his own house on Colfax Avenue, and is considered to have considerable political influence due to his successful mining interests.

II

Dr. Archie and his friend Fred Ottenburg discuss their personal lives and interests over dinner and coffee. Dr. Archie expresses his disillusionment with politics and his desire to focus on more meaningful pursuits. He shares his plans to travel to New York, where he hopes to see Thea Kronborg perform and rekindle their connection. The conversation turns to Thea's career as an opera singer, and Fred recounts his experience of hearing her sing in Germany. Dr. Archie admits that he is not knowledgeable about music, but Fred encourages him to learn more about Thea's performances and to appreciate her talent. As the evening comes to a close, Dr. Archie reflects on his life and realizes that his memories of Thea are still vivid and cherished, and that their friendship has had a lasting impact on him. He decides to go to New York to see Thea, hoping to find something more meaningful in his life.

III

The chapter revolves around Mrs. Kronborg's declining health and her desire to see her daughter Thea, who is pursuing a career in opera in Germany. Dr. Archie visits Mrs. Kronborg and finds her calm and serene, but it becomes clear that she has lost the will to live. He writes to Thea, urging her to come home to visit her ailing mother, but Thea is unable to leave her commitments in Dresden. Despite initial hopes that Thea's appeal might inspire her mother to recover, Mrs. Kronborg's condition deteriorates, and she eventually passes away, surrounded by memories of her daughter's voice and accomplishments. The doctor is struck by the similarity between Mrs. Kronborg and her daughter, and the fierce pride that lies beneath her calm exterior. As Dr. Archie reflects on his visits with Mrs. Kronborg, he realizes that she had a deep understanding of her daughter's talents and ambitions, and that she had given Thea the freedom to pursue her dreams, even if it meant sacrificing her own desires.

IV

Dr. Archie attends a performance of "Lohengrin" at the Metropolitan Opera House, where he sees Thea Kronborg perform as Elsa von Brabant. He is taken aback by her transformation and feels a sense of estrangement, as if he no longer knows her. Despite his initial disappointment, he becomes mesmerized by her performance and applauds along with the rest of the audience. After the show, he goes to her hotel and waits for her in the reception hall, where he is eventually reunited with her. Thea, exhausted and pale, is initially hesitant but eventually warms up to Dr. Archie, inviting him to tea the next day. As they part ways, Dr. Archie is left with a sense of wonder and curiosity about the woman Thea has become, and he looks forward to reconnecting with her the next day. The meeting is awkward, with Thea looking older and more worn out than Dr. Archie expected, but they still share a moment of intimacy and familiarity.

V

The chapter revolves around a late-night conversation between Dr. Archie and his friend Fred Ottenburg, where they discuss Thea Kronborg's performance as Elsa von Brabant in the opera "Lohengrin". Fred is clearly enchanted by Thea's talent and provides insightful analysis of her singing, while Dr. Archie expresses his awe and admiration. As the night wears on, Fred becomes increasingly enthusiastic and intoxicated, revealing his deep appreciation for Thea's artistry and his own emotional investment in her success. The conversation turns to the nature of art and beauty, with Fred suggesting that Thea's true power lies not just in her voice, but in her ability to convey the underlying musical idea of a piece. The chapter ends with Fred in a state of exhilaration, quoting lines from the opera and declaring that Thea has had her moment of triumph, and that he is beautifully drunk, but not with wine.

I

The scene is set in Denver on a glorious winter day, with the city and surrounding mountains blanketed in snow. Dr. Howard Archie, a successful and prosperous man, is dictating to his secretary in his office at the San Felipe Mining Company. He receives a message from Governor Alden, requesting a meeting, and also learns that old prospector Jasper Flight has come to see him, seeking funding for another mining venture. Archie agrees to meet with Flight, who is convinced that he will strike it rich with the help of his trusty burro. Later, Archie meets with his friend Fred Ottenburg, who is dissatisfied with Governor Alden's administration and Archie's involvement with it. The two men discuss their personal lives and interests, and Archie reflects on his own life, including the death of his wife and his subsequent rise to wealth and influence in Colorado. Archie is now a widower, living in his own house on Colfax Avenue, and is considered to have considerable political influence due to his successful mining interests.

II

Dr. Archie and his friend Fred Ottenburg have a conversation over dinner and coffee, discussing their personal lives and interests. Dr. Archie expresses his disillusionment with politics and his desire to focus on more meaningful pursuits. He shares his plans to travel to New York, where he hopes to see Thea Kronborg perform and rekindle their connection. The conversation turns to Thea's career as an opera singer, and Fred recounts his experience of hearing her sing in Germany. Dr. Archie admits that he is not knowledgeable about music, but Fred encourages him to learn more about Thea's performances and to appreciate her talent. As the evening comes to a close, Dr. Archie reflects on his life and realizes that his memories of Thea are still vivid and cherished, and that their friendship has had a lasting impact on him. He decides to go to New York to see Thea, hoping to find something more meaningful in his life.

III

The chapter revolves around Mrs. Kronborg's declining health and her desire to see her daughter Thea, who is pursuing a career in opera in Germany. Dr. Archie visits Mrs. Kronborg and finds her calm and serene, but it becomes clear that she has lost the will to live. He writes to Thea, urging her to come home to visit her ailing mother, but Thea is unable to leave her commitments in Dresden. Despite initial hopes that Thea's appeal might inspire her mother to recover, Mrs. Kronborg's condition deteriorates, and she eventually passes away, surrounded by memories of her daughter's voice and accomplishments. The doctor is struck by the similarity between Mrs. Kronborg and her daughter, and the fierce pride that lies beneath her calm exterior. Through their conversations, it becomes clear that Mrs. Kronborg has a deep understanding of her daughter's talents and ambitions, and that she had given Thea the freedom to pursue her dreams, even if it meant sacrificing her own desires. The chapter ends with Dr. Archie serving as a pallbearer at Mrs. Kronborg's funeral, reflecting on the enduring legacy of Thea's talent and her mother's unwavering support.

IV

Dr. Archie attends a performance of "Lohengrin" at the Metropolitan Opera House, where he sees Thea Kronborg perform as Elsa von Brabant. He is taken aback by her transformation and feels a sense of estrangement, as if he no longer knows her. Despite his initial disappointment, he becomes mesmerized by her performance and applauds along with the rest of the audience. After the show, he goes to her hotel and waits for her in the reception hall, where he is eventually reunited with her. Thea, exhausted and pale, is initially hesitant but eventually warms up to Dr. Archie, inviting him to tea the next day. As they part ways, Dr. Archie is left with a sense of wonder and curiosity about the woman Thea has become, and he looks forward to reconnecting with her the next day.

V

The chapter revolves around a late-night conversation between Dr. Archie and his friend Fred Ottenburg, where they discuss Thea Kronborg's performance as Elsa von Brabant in the opera "Lohengrin". Fred is clearly enchanted by Thea's talent and provides insightful analysis of her singing, while Dr. Archie expresses his awe and admiration. As the night wears on, Fred becomes increasingly enthusiastic and intoxicated, revealing his deep appreciation for Thea's artistry and his own emotional investment in her success. The conversation turns to the nature of art and beauty, with Fred suggesting that Thea's true power lies not just in her voice, but in her ability to convey the underlying musical idea of a piece. The chapter ends with Fred in a state of exhilaration, quoting lines from the opera and declaring that Thea has had her moment of triumph.

VI

Thea Kronborg, still feeling the effects of her recent performance, wakes up in her hotel room and begins her daily routine. She is nervous about an upcoming visit from her old friend Dr. Archie, who represents a connection to her past. When Dr. Archie arrives, Thea is initially hesitant but eventually warms up to him, and they share a warm and intimate conversation. They are joined by Thea's accompanist, Mr. Landry, and later by Fred Ottenburg, who is charming and flirtatious. The group discusses Thea's recent performance, and Fred provides insightful analysis of her singing. As the afternoon comes to a close, Fred takes his leave, and Thea is left to reflect on her life and relationships, feeling a sense of comfort and belonging with the people around her. The chapter highlights Thea's personality and passion, as well as her connections with her friends and colleagues.

VII

Thea Kronborg is called upon to finish a performance of "Sieglinde" on short notice after the original singer falls ill. Despite initial nerves and lack of rehearsal, she delivers a magnificent performance, impressing the audience and her friends, Dr. Archie and Fred Ottenburg. After the show, the trio heads to a quiet chop-house for a late-night supper, where Thea's personality and passion shine through as she discusses her craft and her experiences. The evening is filled with lively conversation, and Thea's connections with her friends are evident. Thea reflects on her performance and the challenges she faced, and she also talks about her upcoming role as Fricka in "Rheingold", which she is excited to play. The chapter highlights Thea's dedication to her art, her growth as a performer, and the strong bonds she has formed with those around her.

VIII

The chapter delves into the life of Oliver Landry, Thea's accompanist, as he hosts Fred Ottenburg for tea at his home in Greenwich Village. The two discuss Thea's performance in "Rheingold" and Fred plays the opera's score on Landry's piano, highlighting Thea's unique interpretation of the role of Fricka. Landry shares his insights into Thea's artistic process, attributing her success to her rich personality, brains, and imagination. He also recounts his own humble beginnings on a Connecticut farm and how he escaped to live with his aunt in New York, where he developed his musical talents. As the evening progresses, Fred and Landry engage in a lively conversation about music, art, and Thea's exceptional gifts, with Fred clearly enchanted by her talent and Landry revealing his deep admiration for her as an artist. The conversation touches on the concept of personality and how it contributes to an artist's success, with Landry suggesting that Thea's personality is the key to her compelling performances.

IX

Thea Kronborg is preparing for her upcoming performance of "Sieglinde" and is anxious about it. She confides in her friend Dr. Archie about the challenges of her profession and the importance of preserving her artistic integrity. Thea also shares her philosophy on art and creativity, emphasizing the need to stay true to one's vision and to cultivate a deep sense of feeling and emotion. As they talk, Thea's passion and dedication to her craft are evident, as well as her appreciation for the support and understanding of her friends. The conversation turns to her personal life, including her past relationship with Nordquist and her feelings about marriage. Thea reveals that she has never been in love, except perhaps with Dr. Archie when she was a little girl, and that she values her independence and creative freedom above all else. The chapter ends with Thea and Dr. Archie singing an old Scottish song together, a moment of tender connection and shared nostalgia for their past.

X

Thea Kronborg meets with her friend Fred Ottenburg in Central Park on a snowy day, and they have a profound and intimate conversation. Thea confides in Fred about her struggles with stage performances and her desire to do something truly meaningful with her art. Fred, who has been a long-time supporter and admirer of Thea, reveals that he has been feeling withdrawn and uninterested in her work, and that he wants to move on with his life. He tells Thea that he wants a son to bring up and that he feels he has given her up, having gradually lost interest in her over the years. Thea is hurt but understanding, and the two part ways as friends, with Fred giving Thea a gift - a property spear - as a symbol of their past connection. The conversation is a poignant exploration of the complexities of their relationship and the changing nature of their feelings for each other.

XI

Thea Kronborg prepares for her upcoming performance of "Walküre" and is anxious about it. She confides in Dr. Archie about the challenges of her profession and the importance of preserving her artistic integrity. Thea also shares her philosophy on art and creativity, emphasizing the need to stay true to one's vision and to cultivate a deep sense of feeling and emotion. On the day of the performance, Thea delivers a magnificent show, impressing the audience and her friends, including Dr. Archie and Fred Ottenburg. The chapter highlights Thea's growth as a performer and her ability to convey the underlying musical idea of a piece. After the show, Thea's friends and acquaintances gather to discuss her performance, with Harsanyi, her former teacher, praising her talent and style. The chapter ends with Thea's triumph, and the sense that she has finally found her place as an artist, with her achievement being the culmination of her hard work and dedication.